| | Musica Popular Cubana CD - Import
The second CD in this set is a CD-ROM which contains regular audio tracks and multimedia computer files.
Performers include: Septeto Nacional "Ignacio Pinero," Sara Gonzalez, Pablo Milanes, Monolin El Medico De La Salsa, Issac Delgado, Adalbeto Y Su Son, Luis Cortes Y NG La Banda, Amaury Peres, Silvio Rodriguez, Juan Formell Y Los Van Van, Farah Maria, Candido Fabre Con La Original De Manzanillo, Xiomara Laugart. Musica Popular Cubana Music Musica Popular Cubana Songs Musica Popular Cubana Review
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Purchase Musica Popular Cubana CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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| | Michael Buble It's Time CD (2005)
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé's upper chart appearance was a real accomplishment and it ...
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Musica Popular Cubana music CDs
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In the `60s, the South African-born trumpeter, producer, and composer Hugh Masekela played a pivotal role in introducing African music to western audiences. His albums made explicit the connection between African folk forms and African-American musical idioms like blues, ...
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| | Dead Can Dance Within The Realm Of A Dying Sun CD (1987) Reissue; Special Edition
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WITHIN THE REALM OF A DYING SUN sees Dead Can Dance utilizing both string and brass instruments more than they had previously, which gives the music an organic feel. Though some synthesized effects are still present, the floating, ethereal effect that the tracks inspire is based almost entirely on the cavernous echoes that DCD incorporates into its music and on the vocals of Brendan Perry and Lisa Gerrard, who sings four songs to Perry's three (the other is a short instrumental).
On "Xavier," Perry's voice rises and falls amid a forest of strings, augmented by an occasional, distant trumpet. "Dawn of the Iconoclast" opens with a series of triumphal blasts and spare drum rolls, and soon settles into a sustained chord over which Lisa Gerrard's voice (tracked at least three times) weaves back and forth, before eventually ...
| | Beats Antique Collide CD (2008)
Musica Popular Cubana CD music
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Beats Antique came together to make music for Miles Copeland's Bellydance Superstars extravaganzas. On Collide they expand their palette beyond the obvious sounds of Middle Eastern grooves to incorporate Balkan wedding music, flamenco, French Gypsy jazz, hip-hop, and dub reggae into their dark entrancing soundscapes. The measured funk of "Beauty Beats" opens the set with a catchy melodic hook played on the saz (Turkish lute) by David Satori, complemented by Sidecar Tommy's dark cello and a flurry of hand drums. "Dope Crunk" adds hip-hop and bent electro beats to the mix. The melody is picked up by a sax and clarinet that float over and around clay drums and computer percussion effects. "Sweet Demure" is a quiet desert tango marked by long sustained notes played on accordion and the subtle squawking of electro percussion. "Roustabout" sounds like Balkan circus hip-hop played by a reggae band; "Caterpillar" is a 9/8 groove borrowed from Romanian wedding music mixed with the rhythms of flamenco handclapping, French Gypsy jazz violin, and keyboard bass; while "Milieu" features a flurry of percussion played over a dark ambient drone accented by the tinkling of a toy piano. On two tracks, ...
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