| | Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály CD Yo Yo Ma CDS
Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály Music | Label | Sony Classical | | All Time Sales Rank |  522  | | CD Universe Part number | 1239885 | | Catalog number | 64114 | | Discs | 1 | | Release Date | Sep 21, 1999 | | Mono/Stereo | Stereo | | Recording Time | 1 5 |
Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály Music Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály Review
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Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály Songs | 1. Appalachia Waltz (4:25) | | Composer | Mark O'Connor (Violin) (1961 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period / Waltz | | Period | 20th Century | | Country | USA | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/03/1999 | | 2. Seven Tunes Heard in China: no 1, Seasons (1:30) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 3. Seven Tunes Heard in China: no 2, Guessing Song (0:59) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 4. Seven Tunes Heard in China: no 3, Little Cabbage (2:00) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 5. Seven Tunes Heard in China: no 4, The Drunken Fisherman (4:25) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 6. Seven Tunes Heard in China: no 5, Diu Diu Dong (2:12) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 7. Seven Tunes Heard in China: no 6, Pastoral Ballade (4:35) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period / Ballade | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 8. Seven Tunes Heard in China: no 7, Tibetan Dance (3:25) | | Common Name | Seven Tunes Heard In China | | Composer | Bright Sheng (1955 - ) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period / Dance | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 | | 9. Cellist of Sarajevo, Op. 12 (7:00) | | Composer | David Wilde | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period / Rondo | | Period | 20th Century | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/03/1999 | | 10. Suite for Cello solo (6:37) | | Composer | Alexander Tcherepnin (1899 - 1977) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period / Suite | | Period | 20th Century | | Country | Russia | | Recording | Studio | | Venue | American Academy of Arts & Letters, NYC | | Recording Date | 06/23/1999 | | 11. Sonata for Cello solo, Op. 8 (27:31) | | Common Name | Sonata For Cello Solo | | Composer | Zoltán Kodály (1882 - 1967) | | Performer | Yo-Yo Ma (Cello) | | Genre | 20th Century Period / Sonata | | Date Written | 1915 | | Period | 20th Century | | Country | Hungary | | Recording | Studio | | Venue | Mechanics Hall, Worcester, Massachusetts | | Recording Date | 02/1999 |
Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály Music Composers on Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály CD : Zoltan Kodaly, Mark O'Connor [Violin], Bright Sheng, Alexander Tcherepnin, David Wilde Genres on Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály CD : 20th Century Period, Ballade, Dance, Rondo, Sonata, Suite, Waltz Performers on Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály CD : Yo-Yo Ma Purchase Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály
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DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band ...
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Yo-Yo Ma Solo - O'Connor, Sheng, Wilde, Tcherepnin, Kodály
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This 1996 digitally remastered reissue of QUADROPHENIA contains remixed versions of "The Real Me," "Quadrophenia," "Dr. Jimmy" and "The Rock." It comes with a 52-page booklet.
By the early 1970s, rock & roll had been around long enough to begin to examine its own past. In the States, this resulted in Sha Na Na, but in Great Britain, where the popular culture of the young was more complex and coded, the Who's QUADROPHENIA was the most powerful example of this nostalgic view. Reviews at the time focused primarily on the obscure psychological aspect of the story--supposedly, the four sides of the original double-album set are meant to examine the four ...
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VolumeIII deals with [I]Gods and human in National Shinto religion, [II]Manyoshu,the National Collection of the Ancient poems ( the 7th and 8th Century ), [III]The super natural tale,Kaguya Hime-the oldest non-mythological story in Japan, and [IV]the National music/song concerning Sakura ( cherry blossoms ). Kojiki and Nippon Shoki are full of mythological accounts on the origin of Japan and the god family of Japanese Emperors. Track[1-3]were originally composed for the episodes concerning Amateras, the greatest goddess who hided into the cave with her anguish.[4]is the prayer of the female servant to gods to help her husband. With these music you can distinguish human emotions from those of godds.Among [4]-[8],[7-8] are for Chooka(long poem)of Kakinomoto Hitomaro who was enshrined as the god resonsible for poems. When I plot the operatic music for Kaguya Hime, I asigned these two groups of music, the godds and human, to the Emperor of the Moon and the Emperor of the Earth, ...
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