| | Sting Mercury Falling CD Sting Discography of CDs
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"Let Your Soul Be Your Pilot" was nominated for a 1997 Grammy Award for Best Male Pop Vocal Performance. MERCURY FALLING was nominated for a 1997 Grammy for Best Pop Album. Since striking out on his own with a cadre of jazz musicians ... Full Descriptionon 1985's THE DREAM OF THE BLUE TURTLES, Sting's nomadic wanderings in search of new musical challenges have been a hallmark of all his solo work. MERCURY FALLING continues in this vein, skipping between genres and musical locales. The appearence of The Memphis Horns on "You Still Touch Me" allows Sting to tap into the Stax/Volt spirit, complete with Dominic Miller's Steve Cropper-like phrasing and some of the ex-Police-man's most soulful singing to date. French lyrics are the only anomaly on the bossa-nova beat of "La Belle Dame Sans Regrets," which brings to mind Antonio Carlos Jobim's arrangements, while the combination of the East London Gospel Choir and Branford Marsalis' restrained playing add a pious atmosphere to "Let Your Soul Be Your Pilot."
The Englishman's greatest leap is into the heart of Nashville with a song about divorce and child custody. B.J. Cole's pedal steel and drummer Vinnie Colaiuta's clip-clop beat add a tear-in-my-beer authenticity to "I'm So Happy I Can't Stop Crying," bringing Sting as close to the Grand Ole Opry as he's likely to get.
Personnel: Sting (vocals, bass); Dominic Miller (guitar); B.J. Cole (pedal steel); Katherine Tickell (fiddle, Northumbrian pipes); Branford Marsalis (saxophone); Gerry Richardson (Hammond organ); Kenny Kirkland (keyboards); Vinnie Colaiuta (drums); Monica Reed, Shirley Lewis, Lance Ellington, Tony Walters, The East London Gospel Choir (background vocals).
The Memphis Horns: Andrew Love (saxophone); Wayne Jackson (trumpet).
Rolling Stone (3/21/96, p.96) - 3 Stars (out of 5) - "...On MERCURY FALLS, Sting manages to stay true to his pensive nature while injecting healthy doses of levity into the mix..."
Entertainment Weekly (3/15/96, pp.60-63) - "...MERCURY FALLING is as first-rate a piece of craftsmanship as its predecessors. If anything, it's tauter, more shipshape, and richer in hooks--the closest thing yet to Sting's pure pop album..." - Rating: A-
Musician (5/96, p.95) - "...Deep into his introspective troubadour mode, Sting wails of lost loves, assorted heartbreaks and bitter twists of fate....Strip away the narratives and you discover that his starkly arranged instrumental passages...could stand on their own..." Hide Description Mercury Falling Music | List Price | $13.95 (You save $1.36) | | Category | Rock Albums, Pop CDs, Rock/Pop | | Label | A & M | | Orig Year | 1996 | | All Time Sales Rank |  10576  | | CD Universe Part number | 1241756 | | Catalog number | 540483 | | Discs | 1 | | Release Date | Mar 12, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Sting; Hugh Padgham | | Engineer | Hugh Padgham; Simon Osbourne | | Personnel | Sting - vocals, bass
Dominic Miller - guitar
East London Gospel Choir - background vocals
Katherine Tickell - fiddle, Northumbrian pipes
Gerry Richardson - Hammond organ
Monica Reed
Tony Walters
Also: Vinnie Colaiuta, Memphis Horns, Branford Marsalis, B.J. Cole, Kenny Kirkland, Lance Ellington, Shirley Lewis |
Sting Mercury Falling Songs Mercury Falling Music Review Average Rating: (5 out of 5 stars)  The King of Pain's Pinnacle
Sting is decendent of the decendent of rich folks; yet he's made his career on writing and performing the work of the sad and pathetic. There's nothing pathetic about Sting. He's a great bass player, an awesome writer, and a hall of fame quality singer. 'Mercury Falling' is a joyful display of sad songs, especially: 'Hounds Of Winter', 'I Hung My Head', and 'Valpariso'. Yet, there is such beautiful optimism in 'Let Your Soul Be Your Pilot', 'I Was Brought To My Senses', 'You Still Touch Me' & 'All Four Seasons', it could ruin the king's rep. This is a must own collection for EVERYBODY; truly one of the great moments in pop history.
Submitted by St.Dvy (Windham, Me.)
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It's no exaggeration to say that Jake Andrews was born to play music. The twenty-something guitarist, singer and songwriter from Austin, Texas began playing soon after he started walking, and since the age of eight has been trading licks with such masters as Albert King, B.B. King, Albert Collins, Buddy Guy and Otis Rush. By his early teens he was wowing audiences and fellow musicians at such premier blues venues as B.B. King's in Memphis and Los Angeles and Slim's in San Francisco, as well as Antone's nightclub in Austin. At age 19 he released his first album and scored a Top 10 Rock Radio hit with "Time To Burn."His second self-titled album for Texas Music Group proved Andrews as a musical powerhouse ready to stamp his own imprint on blues and rock'n'roll. Produced by roots rock legend Carla Olson, the disc showcases the taste, imagination and power in Andrews' playing and also displays his full-fledged abilities as a soulful singer and preternaturally gifted songwriter. As Jimmie Vaughan said of Jake, "He's exactly what the blues needs to keep going: someone with a feel for the music who isn't afraid to take it to new places." The late Albert Collins predicted years ago that "by the time he's old enough to buy a drink he may be ahead of us all." Jake Andrews grew up immersed in music, thanks to his father, John "Toad" Andrews. The elder Andrews played guitar with Texas blues master Grady Gaines before heading to California, where he worked with Michael Nesmith before making his name as a member of the pioneering roots music group Mother Earth with noted singer Tracy Nelson. By the time Jake was four years old, his father had given him his first guitar and was teaching his son the basics. At an age when most youngsters where learning their ABCs, Jake was absorbing the music of such 1950s rock'n'roll originals as Chuck Berry, Buddy Holly, Gene Vincent, Eddie Cochran and Elvis Presley before moving on into his father's collection of classic blues records.When Jake was eight, he met Albert King at Antone's nightclub, and joined King onstage to play "some extremely fine blues [that] brought the house down," according to the Austin Chronicle. In the years that followed, Andrews jammed with and opened shows for numerous blues legends. He also toured Europe with the Antone's blues review, appeared on "Austin City Limits" with Gatemouth Brown, was featured on CBS TV's "The Osgood File," and recorded with such Texas blues greats as Grey Ghost and Long John Hunter, all well before he was even old enough to drive.In his late teens, Andrews signed with Jericho/Sire Records (Warner Brothers) and cut his first album, Time To Burn, with producer John Porter (Los Lonely boys, BB King). The ...
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