| | Tabaco & Ron, Vol. 2 CD - Import
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Our Price: $7.99  CDFor Sale Usually ships in 1-2 days
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Recording information: 1996-1999.
Photographer: Roberto Salas. Tabaco & Ron, Vol. 2 Music Tabaco & Ron, Vol. 2 Songs Tabaco & Ron, Vol. 2 Review
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé's upper chart appearance was a real accomplishment and it sparked a renewed interest in music associated with great vocalists like Frank ...
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Recorded between 1966 and 1971. Originally released on Decca. Includes liner notes and interviews with band members by Todd Everett.
Somewhere between Bing Crosby's vocal novelties back in the '40s and the current popularity of dance troupes like Riverdance and Michael Flatley's Lord of the Dance, the flag of Irish music was held aloft in North America during the '60s by the success of the Irish Rovers. Patterning themselves after the Clancy Brothers (another popular group during the folk boom of the late '50s and early '60s), the group scored their 15 minutes of fame with the children's novelty, ...
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Recording information: Tribar Studios.
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If Jim O'Rourke's career rapidly eclipsed Dan Burke's, the later years have reversed the relative importance of the two. While O'Rourke has become a mundane composer of faux avantgarde, Burke has refined his scary, harsh, subliminal form of musique concrete. Burke is the missing link between Italian futurists of a century before and Andy Warhol's art of the collage. His sonic graffitis and murals dissect ordinary life and reconstructs it as an altered state of the mind.Illusion Of SafetyFifteen & In 70 CountriesThe most recent releases from this assemblage. Industry is a true gem of industry-meets-Andromeda sonic union. The long "Temple Set" could well be the most beautiful "cosmic" -industrial piece I've ever heard, being a riverbed, shifting melodic drone overlaid with repetitive metal claging soudns, with lots of deep, low rumblings and even a sampled chorus. The live tracks are primarily in the same harmonious vein, making the whole tape a positively joyous and ominous listening experience. To me, it's theirbest release yet. In 70 Countries, with human torture as its theme, is more sonically diverse and hellish in atmosphere. Included are treated recitations of torture methods, industrial groans and wails, crying babies, high frequency drones, and great electronics, the whole brew in a tight mix. Not created to be sensationalistic, the pieces on this tape coalesce to form some genuine terror, and a powerful statement against (in)humanity. Jack JordanIllusion Of SafetyFinite Material Context (Complacency)For such a prolific group -- and one with a constantly luctuating lineup ...
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