| | Tabaco & Ron, Vol. 2 CD - Import
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Our Price: $7.99  CDFor Sale Usually ships in 1-2 days
Our Price: $10.89
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Recording information: 1996-1999.
Photographer: Roberto Salas. Tabaco & Ron, Vol. 2 Music Tabaco & Ron, Vol. 2 Songs Tabaco & Ron, Vol. 2 Review
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Purchase Tabaco & Ron, Vol. 2 CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated ...
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In the `60s, the South African-born trumpeter, producer, and composer Hugh Masekela played a pivotal role in introducing African music to western audiences. ...
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WITHIN THE REALM OF A DYING SUN sees Dead Can Dance utilizing both string and brass instruments more than they had previously, which gives the music an organic feel. Though some synthesized effects are still present, the floating, ethereal effect that the tracks inspire is based almost entirely on the cavernous echoes that DCD incorporates into its music and on the vocals of Brendan Perry and Lisa Gerrard, who sings four songs to Perry's three (the other is a short instrumental).
On "Xavier," Perry's voice rises and falls amid a forest of strings, augmented by an occasional, distant trumpet. "Dawn of the Iconoclast" opens with a series of triumphal blasts and spare drum rolls, and soon ...
| | Beats Antique Collide CD (2008)
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Beats Antique came together to make music for Miles Copeland's Bellydance Superstars extravaganzas. On Collide they expand their palette beyond the obvious sounds of Middle Eastern grooves to incorporate Balkan wedding music, flamenco, French Gypsy jazz, hip-hop, and dub reggae into their dark entrancing soundscapes. The measured funk of "Beauty Beats" opens the set with a catchy melodic hook played on the saz (Turkish lute) by David Satori, complemented by Sidecar Tommy's dark cello and a flurry of hand drums. "Dope Crunk" adds hip-hop and bent electro beats to the mix. The melody is picked up by a sax and clarinet that float over and around clay drums and computer percussion effects. ...
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Recording information: Tribar Studios.
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If Jim O'Rourke's career rapidly eclipsed Dan Burke's, the later years have reversed the relative importance of the two. While O'Rourke has become a mundane composer of faux avantgarde, Burke has refined his scary, harsh, subliminal form of musique concrete. Burke is the missing link between Italian futurists of a century before and Andy Warhol's art of the collage. His sonic graffitis and murals dissect ordinary life and reconstructs it as an altered state of the mind.Illusion Of SafetyFifteen & In 70 CountriesThe most recent releases from this assemblage. Industry is a true gem of industry-meets-Andromeda sonic union. The long "Temple Set" could well be the most beautiful "cosmic" -industrial piece I've ever heard, being a riverbed, shifting melodic drone overlaid with repetitive metal claging soudns, with lots of deep, low rumblings and even a sampled chorus. The live tracks are primarily in the same harmonious vein, making the whole tape a positively joyous and ominous listening experience. To me, it's theirbest release yet. In 70 Countries, with human torture as its theme, is more sonically diverse and hellish in atmosphere. Included are treated recitations of torture methods, industrial groans and wails, crying babies, high frequency drones, and great electronics, the whole brew in a tight mix. Not created to be sensationalistic, the pieces on this tape coalesce to form some genuine ...
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