| | Bach: Partitas No 4, 2, And 5 / Richard Goode CD Bach, Johann Sebastian / Goode CDS
(1 Customer Review)
Bach: Partitas No 4, 2, And 5 / Richard Goode Music | List Price | $16.98 (You save $3.99) | | Label | Nonesuch | | Orig Year | 2/16/1999 | | All Time Sales Rank | 6538  | | CD Universe Part number | 1242989 | | Catalog number | 79483 | | Discs | 1 | | Release Date | Feb 16, 1999 |
Bach: Partitas No 4, 2, And 5 / Richard Goode Classical Review Bach: Partitas No 4, 2, And 5 / Richard Goode Songs | 1. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Ouverture (31:09) | | Common Name | Partita For Keyboard | | Catalog No. | BWV 828 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Richard Goode (Piano) | | Genre | Baroque Period / Partita | | Date Written | 1726-1731 | | Period | Baroque | | Country | Germany | | Venue | American Academy of Arts & Letters, New | | Recording Date | 03/26/1997 | | 2. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Allemande (19:00) | | Common Name | Partita For Keyboard | | Catalog No. | BWV 826 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Richard Goode (Piano) | | Genre | Baroque Period / Partita | | Date Written | 1726-1731 | | Period | Baroque | | Country | Germany | | Venue | American Academy of Arts & Letters, New | | Notes | American Academy of Arts & Letters, New York, NY (06/24/1998-06/25/1998) | | 3. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Courante (18:13) | | Common Name | Partita For Keyboard | | Catalog No. | BWV 829 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Richard Goode (Piano) | | Genre | Baroque Period / Partita | | Date Written | 1726-1731 | | Period | Baroque | | Country | Germany | | Venue | American Academy of Arts & Letters, New | | Notes | American Academy of Arts & Letters, New York, NY (06/24/1998-06/25/1998) |
Bach: Partitas No 4, 2, And 5 / Richard Goode Music Composers on Bach: Partitas No 4, 2, And 5 / Richard Goode CD : Johann Sebastian Bach Genres on Bach: Partitas No 4, 2, And 5 / Richard Goode CD : Baroque Period, Partita Performers on Bach: Partitas No 4, 2, And 5 / Richard Goode CD : Richard Goode
Purchase Bach: Partitas No 4, 2, And 5 / Richard Goode To buy, Click on price to add to cart | Britney Spears Oops!... I Did It Again CD (2000)
Bach: Partitas No 4, 2, And 5 / Richard Goode
$9.59 OOPS!... I DID IT AGAIN was nominated for the 2001 Grammy Award for Best Pop Vocal Album. "Oops!...I Did It Again" was nominated for the 2001 Grammy Award for Best Female Pop Vocal Performance.
This second album by the former Mouseketeer turned nymphet heartthrob breaks little new ground compared to BABY ONE MORE TIME. The formula here remains, deliberately, the same: a candy-colored mix of Eurodance, hip-hop, and old-fashioned pop ballads. As before, the lyrics split the difference between "Baby, I love you so bad," as in "Can't Make You Love Me," and "Sorry, I think of you just as a friend," in the title song.
There are also some genuinely amusing moments, as in the conversational finale of "Oops!" in which Britney, after being informed that her boyfriend has recovered the jewel the old lady dropped into the ocean at the end of the TITANIC movie, replies "Oh, you shouldn't have." Most of the stuff here is, of course, transparently disposable pop, but to give Spears her due, she's a far, far better singer than any of the mall-rat pop stars of the late '80s.
Engineers include: John Amatiello, Harvey Mason, Jr., Rodney Jerkins.
Personnel: Britney Spears (vocals, spoken vocals, background vocals); Therese Ancker, Charlotte Björkman, Audrey Martells (vocals); Max Martin (spoken vocals, keyboards, programming); Larry Campbell (guitar, drum programming); Esbjörn Öhrwall, Johan Carlberg, Michael Thompson (guitar); Terry Mettam (electric guitar); Gloria Agostini (harp); Winterton Garvey, Gerald Tarack, Belinda Whitney-Barratt, Marti Sweet, Marion Pinhiero, Xin Zhao, Margaret Magill, Stanley Hunte, Sandra Billingslea, Anahid Ajemian, Sanford Allen, Joyce Hammann, Richard Henrickson, Ashley Horne, Regis Iandiorio, Gene Orloff (violin); Julien Barber, Stephanie Baer, Olivia Koppell, Harry Zaratzian, Alfred Brown , Maxine Roach (viola); Jeanne LeBlanc, Jesse Levy, Eugene J. Moye, Kermit Moore (cello); Barry Eastmond (piano, keyboards); David Krueger, Jake, Kristian Lundin,
| | Curtis Mayfield Superfly CD (1972)
Bach: Partitas No 4, 2, And 5 / Richard Goode
$9.09 With his socially conscious messages and positive, pro-active stance, Curtis Mayfield seemed an unlikely candidate to score a blaxploitation film. That SUPERFLY resulted not only in an excellent soundtrack for the film, but in one of Mayfield's best albums, is all the more surprising. In fact, Mayfield's forward-thinking philosophy added a layer of depth to the movie, painting its realistic urban scenes through song in ways that comment on socio-economic hardships and the plight of many African Americans. He is especially skilled at character sketches, as on the driving "Freddie's Dead," and writing from particular points of view, as on the sly, slinky "Pusherman."
Along with Isaac Hayes's SHAFT, SUPERFLY wrote the book on blaxploitation music, pioneering sounds, themes, and moods that would be indelibly associated--thanks in part to the films they accompanied--with black inner-city life in the '70s. Mayfield achieves this with an array of lean funk grooves punctuated by brass arrangements, interlocking percussion, wah-wah guitar, and his wispy, soulful tenor. The title track, which closes out the set, is one of Mayfield's signature tunes, and still stands among the most recognizable, and pleasurable, musical emblems of the era.
Additional Tracks
Recorded at RCA Studios, Chicago, Illinois and Bell Sound Studios, New York, New York. Includes liner notes by A. Scott Galloway.
SUPERFLY: DELUXE 25TH ANNIVERSARY EDITION contains 2 bonus tracks and the second disc contains rare and previously unreleased tracks as well as an interview with Curtis Mayfield.
Personnel includes: Curtis Mayfield (vocals, guitar); Johnny Pate (arranger, conductor).
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