| | John Cale Paris 1919 CD John Cale Discography of CDs
 (2 Customer Reviews)
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PARIS 1919 is considered by many critics (and Cale fans) to be his best. Released in 1973, 1919 was recorded in Los Angeles with members of Little Feat, Wilton Felder and the UCLA Orchestra, and stands as one of the best "rock/classical" fusions, mainly because Cale (who is a classically-trained musician) avoids the heavy-handed pomp and pretensions that besiege so much "art-rock." He also manages to maintain the qualities of tunefulness and whimsy.
His lyrics are absurdist/Dadaist-style poetry and word play, sung in a plaintive, unaffected, almost choirboy style. The songs have a longing, haunted feel to them-"Half Past France" is a perfect distillation of the musings that often accompany late-night travel. Throughout, the usual rock instrumentation is colored and caressed by exquisite pedal steel guitar, French horn, harmonium and strings. Cale remembers to rock out, too: "Macbeth" is a dense, driving, Move-styled take on the Shakespeare play, complete with raving, keening slide guitar and thundering drums. PARIS 1919 stands as one of the "lost" classic rock albums of the 1970s.
Recorded at Sunwest Studios, Los Angeles, California.
Personnel: John Cale (guitar, viola, keyboards); Lowell George (guitar); Richard Hayward (drums).
Recording information: Sunwest Studios, LA, CA.
Photographer: Mike Salisbury.
Arranger: John Cale.
Personnel includes: John Cale (vocals, piano); Lowell George (guitar); Wilton Felder (bass); Richie Hayward (drums); UCLA Student Orchestra.
Award Winner
Q (p.124) - 3 stars out of 5 -- "[A]rtful and smooth California rock, which particularly in its ballads...exudes a woozy warmth."
Q (1/94, p.108) - 4 Stars - Excellent - "...its melancholic melodies and enigmatic, wintry lyrics make this undoubtedly his best work...."
Uncut (11/03, p.106) - "The easiest point of entry into Cale's world, and the first great album of Cale's post-Velvets career..."
The Wire (6/00, pp.36-7) - "...Excellent chamber pop....Cale's 1st masterpiece, it is one of the very few records anywhere to integrate orchestra and rock instruments so fully that you can't see the join..."
Mojo (Publisher) (p.120) - 4 stars out of 5 -- "[T]he piano-and-vocal mix of the title track is sure to please anyone seduced by the stripped-down Cale of 1992's live FRAGMENTS IF A RAINY SEASON." John Cale Paris 1919 Songs Purchase Paris 1919 CD To buy, Click on price to add to cart | Aguirre, The Wrath Of God DVD (1973)
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The Cinderella-esque climb from lo-fi indie cult artist to Grammy nominee/major label darling must have been a perilous one for Smith, who makes the leap to the big time here after three well-regarded albums on small labels. He's lost none of his bite, though. The production values on XO may be slightly higher, but Smith's vision remains undiluted.
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Jo Morrison is nationally known for her evocative interpretation of Scottish and Irish music on the harp. Chuck Lipsig from Green Man Review's Best of 2000 listings states "Jo gets more out of the harp than should be possible."Having spent several months in 2005 teaching, writing music, and performing on the Isle of Lewis in Scotland, Jo's knowledge and understanding of the Celtic genre puts her in great demand as performer, adjudicator, and teacher across the country. “Morrison is at ease with this authentic Celtic music, and lends to it a sense of honest exuberance I find refreshing.” -- The Harp Column. She frequently performs with the Celtic duo, Port Righ, featuring harp and shuttle pipe, the Highland Pipe's quieter cousin. The duo has performed concerts at locations such as the Library of Congress, Somerset Harp Festival, the Smithsonian, various Scottish Festivals around the United States and also in Scotland, Ireland, and Germany. Their commitment to a traditional style gives them a sound comfortable both in today's modern society and also fitting for Renaissance festivals, historic sites, and other re-creationist events. Port Righ released their first recording in 2007: "Na Bi Górach – Don't be Foolish."When not performing, Jo spends her time teaching harp privately and in classes and workshops, and composing and arranging Celtic music for the Celtic harp. She is Vice-President for Washington Area Folk Harp Society and has previously served as Benefit Coordinator for the WAFHS and the Competition Chair and Board Member for the Scottish Harp Society of America. She also teaches harp at Common Ground on the Hill in Westminster, Maryland, and has taught at the Ohio Scottish Arts School, the Somerset Harp Festival, and at the Midsummer Harp Course on the Isle of Lewis in Scotland. She has served as harp judge at numerous Celtic harp competitions, including the U.S. National Scottish Harp Championship.Jo’s musical gifts shine in her solo recordings. On her debut album, The Three Musics (1998), she gathers several guest instrumentalists to celebrate the different musics performed by Celtic harpers of old: the musics of mirth, sorrow, and sleep. Jo intermingles arrangements of traditional tunes with her own original compositions “to create an atmosphere that brings to mind both modern coffee shops and halls of ancient kings” (Ellen Rawson, Femmusic). Jo followed this success with the critically acclaimed A Waulking Tour of Scotland (2000), leading listeners on a musical journey “pregnant with sights and flavors of an entire country” (Tom Knapp, Rambles). Jo's Christmas offering, ...
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