| | Joaquin Sabina Enemigos Intimos CD Joaquin Sabina Discography of CDs
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Recording information: Circo Beat Studio.
Director: Carlos Villavicencio.
Editors: Paez; Carlos Narea.
Photographer: Eduardo Marti.
Unknown Contributor Roles: Oscar Mulet; Mariano Rodriguez; Fito Páez; Joaquín Sabina.
Arrangers: Carlos Villavicencio; Paez.
Personnel: Paez (vocals, acoustic guitar, piano, electric piano, keyboards, loops); Ulises Butrón (acoustic guitar, electric guitar); Sergio Fresco, Gabriel Pinette, Jaun Carlos Roqué Alsina, Sebastián Zoppi, Grace Medina (violin); Néstor Tedesco, Barbara Hiertz (viola); Adriana Bellino, Carlos Nozzi (cello); Pablo Rodríguez (saxophone); Hector Ramirez (tuba); Pete Thomas (drums); Chofi Faruolo (loops).
Audio Mixer: Nigel Walker.
Enemigos Intimos Music | Category | World Albums, International CDs, Latin, Spanish, Latin Pop, Rock | | Label | Ariola International | | Orig Year | 1998 | | All Time Sales Rank | 36300  | | CD Universe Part number | 1253253 | | Catalog number | 14029 | | Discs | 1 | | Release Date | Jun 16, 1998 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Paez; Carlos Nerea | | Engineer | Horacio Faruolo; Nigel Walker | | Recording Time | 59 minutes | | Personnel | Pete Thomas - drums Ulises Butr=n - acoustic guitar, electric guitar Carlos Nozzi - cello Paez - vocals, acoustic guitar, piano, electric piano, keyboards, loops Adriana Bellino Barbara Hiertz - viola Chofi Faruolo - loops Gabriel Pinette Grace Medina - violin Hector Ramirez - tuba
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Joaquin Sabina Enemigos Intimos Songs Enemigos Intimos Music Review Purchase Enemigos Intimos CD To buy, Click on price to add to cart | Ricky Martin Vuelve CD (1998)
Enemigos Intimos album
$8.99 VUELVE won the 1999 Grammy Award for Best Latin Pop Performance.
So he did time in Menudo, so what? He was young and impressionable. You don't hold New Edition against Bobby Brown, do you? The point is that Ricky Martin is a fully-realized, mature artist who has a lot to offer to the world of Latin music. VUELVE shows the range of Martin's talents, from the propulsive Latin rhythms of "Por Arriba, Por Abajo" and "Lola, Lola" to the Anglicized power balladry of the title track, with plenty of stops in between. Somehow, it all fits together seamlessly. One of the reasons may be the economy of the tunes; Martin likes 'em ...
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Enemigos Intimos CD music
$22.89 U2 burst onto the scene at the onset of the '80s with a majestic, uplifting, earnest approach and a unique textural sound that endeared them to fans and critics alike. They spent the rest of the decade growing up in public, solidifying their status as post-punk icons, marrying the good intentions of old-school alternative rock with the epic sonic scale of classic '70s rockers, never sounding less than totally original and never pausing for a hits compilation--until 1998. BEST OF offers a good representation of the ...
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$13.39 Minmae hark back to the glory days of pre-homogenized capital "I" indie rock, when bands like Pavement and Archers of Loaf ruled the college airwaves and set the bar for generations to come, except they come a decade too late. Sean Brooks' songwriting is as self-conscious, obtuse and angsty as the best of his peers from that era, and his lower-register speak-singing captures the wry detachment of Stephen Malkmus and the jaded ennui of Steve Kilbey. The guitar crunch conjures images of a half-dozen or more brightly-colored ...
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Enemigos Intimos CD music
$16.15 Soul of a New Machine ushered in the '90s alternative metal era, even if few realized it at the time. Fear Factory were quite ahead of their time in 1992, the year Roadrunner Records released Soul, their debut album (though not technically their first, which would be the later-unearthed, Ross Robinson-produced Concrete demo album). The band didn't fit neatly into any of the metal camps of the day: thrash metal (Pantera, Slayer, Sepultura), crossover metal (Metallica, Megadeth, Ozzy), industrial metal (Ministry, Nine Inch Nails, Godflesh), death metal (Morbid Angel, Death, Obituary), grindcore (Napalm Death, Brutal Truth, Lawnmower Deth), and so on. This fact alone made Fear Factory an anomaly among the market-driven metal field of the day. That Roadrunner even gave them a chance regardless goes to show how much promise Fear Factory exhibited at the time -- market or no market, Roadrunner sensed there was something special about this band and decided to take a chance. And indeed there was something special about Fear Factory, as Soul of a New Machine went on to demonstrate. One of the top two death metal producers of the day, Colin Richardson, flew from England into Los Angeles (only days after the 1992 riots had ravaged the city), and for the next four weeks, he produced what would become a downright groundbreaking metal album.
Soul of a New Machine was so groundbreaking because it fuses together some of the best aspects of numerous metal subgenres: the rhythmic crunch of thrash, the melodies of crossover metal, the syncopated man-machine lock-step of industrial, the growling low end of death metal, and the blitzkrieg impact of grindcore. Just as importantly, it did away with the generic aspects of each subgenre, resulting in a unique sound that was in no way whatsoever clichéd (though it would later become a cliché itself years later). Granted, Soul of a New Machine isn't Fear Factory's best album, not even by ...
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Enemigos Intimos music CDs
$9.59 This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.
Yes return to classic form on THE LADDER, an album that features the kinds of chord changes, technical virtuosity, and vocal harmonies that brought the band to prominence. ...
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Enemigos Intimos CD music
$13.69 Writer, composer, singer, Jean Sanon Lamour - San - was born in Petion-Ville, Haiti. As a child, San discovered music in his parents' library where he found songs of different material, which he learned without even understanding the words. On his own, San started to sing and play the guitar, before joining the National Arts School where he studied music for some time. But what has made San the artist he has become is his ability to diversify his style and to mix the different sounds which continue to influence him. At the beginning of 2000, San became public thanks to the group Sokute, which already introduced a new musical concept, merging soul music with Haitian rhythms. With Sokute, San went on stage in Port-au-Prince at Cafe des Arts, at the French Institute in Haiti, as well as at the Roots Rock Reggae and the Rolling Stone Cafe; in Miami at the Roots and Culture Festival; and more importantly in Canada at the Francofolies de Montreal, at Festival Vues D'Afrique, and at Clubs such as Balattou and Zest.After 10 years as a musician, San now presents us with a new face in Haitian music: he is back on the world music scene with a new project : San & GRIOT SPIRIT (The Griot Spirit). Naturally, the name of the project refers to the traditional musicians and poets of Africa. It also comes within the scope of Haitian native art and to the roots of the Haitian culture. In ...
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