| | Cirrus Drop The Break CD Cirrus Discography of CDs
Not exactly a revolution in the making, Drop the Break opts for the familiar tones of house, trip-hop and occasionally breakbeat rave from California's club culture. Several tracks make a break from the norm with actual instruments and polite scratching, but for the most part Drop the Break charts a course through the been-there-heard-that forms of electronic dance. ~ John Bush
Arrangers: DJ Aaron Carter; Stephen James Barry.
Personnel: David Prince, Francis J. Carter (vocals); Stephen James Barry (guitar, keyboards, drums, percussion); DJ Aaron Carter (keyboards, drums, percussion, scratches).
Recording information: Cloud, Long Beach, CA.
Cirrus Drop The Break Songs | 1. | Future |
| 2. | Leap into the Light |
| 3. | Break In - (Transatlantic Move Mix) |
| 4. | Ghetto of Life |
| 5. | Superstar DJ |
| 6. | Abduction |
| 7. | Superstar |
| 8. | Drop the Break |
| 9. | October 27 |
| 10. | Nassau |
| 11. | Break In |
| 12. | Yallah Habibe |
| 13. | Bionic Hippy |
| Drop The Break Review
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Purchase Drop The Break CD To buy, Click on price to add to cart | Little Boots Hands CD (2009)
Drop The Break album
$17.45 Debut album from Britain's new pop princess (aka 24 year old Blackpool native Victoria Hesketh). 12 tracks
A good year on from catching ears and sparking potentially damaging levels of next-big-thing hype with her first single, "Stuck on Repeat" -- a sleek, buzzy, self-fulfilling prophecy of "metaphor pop" with obvious debts to Kylie Minogue and Giorgio Moroder, and a writing/production assist from Hot Chip's Joe Goddard -- Little Boots (aka U.K. popstress Victoria Hesketh) finally showed her Hands. When it arrived, her full-length debut amply justified the hype even while slightly disappointing some of her faithful. It's true that only a handful of Hands' cuts can stack up against the stunning "Stuck" in terms of sonic distinctiveness and sheer hooky inevitability, ...
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$25.85 Issued in 2008, MOMENTS. presents the veteran Belgian techno act Front 242 performing live. Given the band's mechanistic inclinations, the tracks on this set often sound like studio recordings, as evinced on the ominous "Until Death" (from 1988's FRONT BY FRONT) and the pulsing "Take One," a single dating back to the early `80s.
Seeing as how analog synthesizers started making a comeback in 2006/2007 after years of digital and laptop dominance had wiped them off the scene, the veteran Belgian industrial group Front 242 decided to re-load their early analog material into their new gear and head out on the road for what they called the "Worldwide Vintage Tour." All sounds were "carefully re-designed" to "match the spirit of their time" and while the band and their loyal fan base clog Internet message boards with discussions on how everything here is "re-invented," Moments... isn't much more than a live album with the usual updates. The good news is that it's a thoroughly exciting live album where classics like "U-Men," "Body to Body," and "Headhunter" sound louder, punchier, and more aggressive than they ever have before. The original ...
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$17.09 Cross a journeyman singer-songwriter with experience sharing stages with major recording artists with some of North Carolina’s finest musicians. Mix the sounds of an intimate worshipful acoustic guitar and piano with modern epic stadium rockers like U2 or Coldplay. Add in a little extra something and you come close to describing the Jon Lloyd Band.With their debut album “This Place” recorded in only one week and the album released in just the first weeks of August, the JLB has been shocked by the overwhelmingly positive reception the album has received so far.“I remember calling up [lead guitarist] Scott and just laughing,” Jon says, “I called up one church to book an opening slot for a band on a major record label. She listened to one track online and while I was on the phone not only booked us for that show but re-booked us again right then and there!” With one single already getting airplay in parts of North Carolina and another already in the pipes, Jon and band realize just how greatly they’ve been blessed so far.“I think it’s because our songs resonate with people on a real, everyday level,” says Jon. “We had a clear vision about what we wanted to achieve and how we wanted our sounds to back up the message. I think our worship album is different from most albums you here because some of our lyrics don’t come from those spiritual mountain peaks, but rather those valleys, those places where we’re on our knees saying “God we need you to help us hold on, to just make it through the day. And some of them are those mountain top—blow the trumpets, thousands of people praising-type anthems as well.”It’s that wide breadth of musical themes that makes “This Place” such a strong album. Released in early August via the bands website and online retailers like iTunes, “This Place” transverses musical spectrum, from the epic stadium rock sounds of opening track “Awake” to the intimate “Help Me Hold On.”Surely the musical diversity comes from the broad-spectrum of musical talent that makes up the JLB. “I got these four guys from ads on the Internet of all places, [and] didn’t know a single one of them when we had our first practices. Of course things were a little awkward at first but then as we kept playing and talking, ...
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