| | Cirrus Drop The Break CD Cirrus Discography of CDs
Cirrus Drop The Break Songs | 1. | Future |
| 2. | Leap Into the Light |
| 3. | Break In - (Transatlantic Move mix) |
| 4. | Ghetto of Life |
| 5. | Superstar DJ |
| 6. | Abduction |
| 7. | Superstar |
| 8. | Drop the Break |
| 9. | October 27 |
| 10. | Nassau |
| 11. | Break In |
| 12. | Yallah Habibe |
| 13. | Bionic Hippy |
|
Drop The Break Review
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Purchase Drop The Break CD To buy, Click on price to add to cart | Mum Finally We Are No One CD (2002)
Drop The Break
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Fat Cat are proud to announce their release by recent signings (2002) from ...
| | Thievery Corporation Outernational Sound CD (2004)
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Track Listing of songs: International Flight; Ya Me Le; Vai Vai; Chez Roger Boite Funk; 3 Play It Cool; ...
| | Autechre Quaristice CD (2008)
Drop The Break
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Among detractors, electronic music is often criticized for wanting some undefined quality, most often related to some perception of a lack of "warmth" or "soul." The music of U.K. electronic pioneers Autechre makes no such easy concessions to what might be considered pedestrian concerns. Since the early 90s, Sean Booth and Rob Brown have been generating a parallel universe of sound--a sound that has pushed at the boundaries of musical abstraction by exploring the multiplicities and infinite variations offered by technology.
On their ninth album, QUARISTICE, Autechre's technology-driven imperative is as uncompromising as ever. But rather than construct a maze of refracted, endlessly variegated sound, they choose to break up the set into shorter sonic vignettes, each delving into a specific, focused area of exploration with more subtle gradients and variation. The spectral, pulsing drones of "Altibzz," the album's opener, represents a return to the pastoral ambient electronica of the duo's second album AMBER. But the becalming textures are short-lived as the methodical clanking of snares on "The Plc" reference the more brutal corners of ...
| | Neu 2 CD (2008) (Import) Reissue; Remastered; United Kingdom
Drop The Break
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One of the most influential of the multitudes who flew the Krautrock banner in the early 1970s, Neu! defined their own subgenre, known as "motorik," whose urgent repetitions are reminiscent of traveling at high speeds down Germany's Autobahn highway. The minimalist structure and unrelenting intensity of their self-titled debut album (also known as NEU! 1) had a direct effect on everyone from the Fall to Stereolab; the Neu! influence in modern rock is so pervasive that ...
| | Tiesto Dance 4 Life (2006)
Drop The Break
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LES TROIS CLOCHES is a superb collection that presents the legendary Edith Piaf in classic form. While many American collections include "clean" versions of Piaf's material, this 21-song compilation, which encompasses recordings she made across the 1930s, '40s, and '50s, features her unflinching accounts of rough-and-tumble street life and bad love. Piaf was as well known for her life's lusts and hardships as she was for her distinctive singing, and this set delivers on both counts.
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| | Jon Band Lloyd This Place CD (2007)
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Cross a journeyman singer-songwriter with experience sharing stages with major recording artists with some of North Carolina’s finest musicians. Mix the sounds of an intimate worshipful acoustic guitar and piano with modern epic stadium rockers like U2 or Coldplay. Add in a little extra something and you come close to describing the Jon Lloyd Band.With their debut album “This Place” recorded in only one week and the album released in just the first weeks of August, the JLB has been shocked by the overwhelmingly positive reception the album has received so far.“I remember calling up [lead guitarist] Scott and just laughing,” Jon says, “I called up one church to book an opening slot for a band on a major record label. She listened to one track online and while I was on the phone not only booked us for that show but re-booked us again right then and there!” With one single already getting airplay in parts of North Carolina and another already in the pipes, Jon and band realize just how greatly they’ve been blessed so far.“I think it’s because our songs resonate with people on a real, everyday level,” says Jon. “We had a clear vision about what we wanted to achieve and how we wanted our sounds to back up the message. I think our worship album is different from most albums you here because some of our lyrics don’t come from those spiritual mountain peaks, but rather those valleys, those places where we’re on our knees saying “God we need you to help us hold on, to just make it through the day. And some of them are those mountain top—blow the trumpets, thousands of people praising-type anthems as well.”It’s that wide breadth of musical themes that makes “This Place” such a strong album. Released in early August via the bands website and online retailers like iTunes, “This Place” transverses musical spectrum, from the epic stadium rock sounds of opening track “Awake” to the intimate “Help Me Hold On.”Surely the musical diversity comes from the broad-spectrum of musical talent that makes up the JLB. “I got these four guys from ads on the Internet of all places, [and] didn’t know a single one of them when we had our first practices. Of course things were a little awkward at first but then as we kept playing and talking, I came to the realization that we had a really unique group.”The JLB guys, journeymen themselves, sharing stages with talents like Gavin DeGraw and Derek Webb, have found their niche with the band. Lead guitarist Scott Bolin was quick to point out that “I can share my personal music passions with the guys, but then also learn about artists I’ve never heard of as well. It’s like musical cross-pollination which I think has been a huge benefit to the shaping ...
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