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Ecco Fatto Soundtrack CD


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 Our Price: $19.99  CD
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ECCO FATTO features original soundtrack recordings from the film by Muccino Gabriele.

Director: Muccino* Gabriele (Comedy).
Ecco Fatto Soundtrack Music


Detailed Ecco Fatto Soundtrack Music Information



List Price $34.98 (You save $14.99)
Category Soundtrack Albums, Italian CDs
Label CAM
Orig Year 1999
All Time Sales Rank   526726  
CD Universe Part number 1271175
Discs 1
Release Date Jan 01, 2004
Mono/Stereo Stereo
Additional Info Import
Ecco Fatto Soundtrack Songs


Ecco Fatto Soundtrack Album Track Listing



1.Gabriel Tango - Paolo Buonvino
2.Ali Della Felicita - Paolo Buonvino
3.Renault 4 - Paolo Buonvino
4.Libero - Paolo Buonvino
5.Tormento - Paolo Buonvino
6.Ecco Fatto - Paolo Buonvino
7.Al Cinema - Paolo Buonvino
8.In Riva Al Mare - Paolo Buonvino
9.Irruzione a Scuola - Paolo Buonvino
10.Margherita Sola - Paolo Buonvino
11.Tormento (2 Versione) - Paolo Buonvino
12.Tarlo - Paolo Buonvino
13.Ecco Fatto (2 Versione) - Paolo Buonvino
14.Piterone - Paolo Buonvino
15.Libero (Versione Soft) - Paolo Buonvino
16.Ali Della Felicita (Solo) - Paolo Buonvino
17.Gabriel Tango (Sestello) - Paolo Buonvino
18.Amantide - Paolo Buonvino
19.Attitudine Illegale - Paolo Buonvino
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BEGINNER'S GUIDE TO LATIN MUSIC is a triple-CD collection of tracks from by such Latin giants as Celia Cruz and Tito Puente. The compilation also includes reggaeton and other modern styles. Latin music, like many genres, is hard to pigeonhole with a simple explanation, a sampler album, or a 500-word essay. It's complex and encompasses a lot of different styles, and it has undergone many changes and developments in its life. But London-based DJ Lubi Jovanovic should still be given credit for attempting to create a kind of introduction to it in his three-disc Beginner's Guide to Latin Music. The first disc, "Old School," presents some of the founders -- Celia Cruz, Johnny Pacheco, Willie Colón -- and Jovanovic does a good job of including songs (though not necessarily the ...
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In October of 2001, John Patton and George Braith played a gig at the Continental Club, owned by jazz connoisseur, Steve Wortheimer, in Austin, Texas. A couple of local musicians, including old friend Martin Banks on trumpet, filled out the rest of the band. The young drummer hired sounded great during rehearsal, but came down with a bad case of nerves on the bandstand. George brought a recorder to the gig, but an inattentive sound engineer let the levels run too hot, leaving the sound quality good, but not great. But hey,…, things don’t always work out like you’d hope, especially on a two-night stand in Texas with an unfamiliar band. There would always be a next time … another chance to get things “right.” Then Big John Patton died. Nobody had planned on that. Now those admittedly flawed tapes became invaluable. These are the last recordings of John Patton, one of the greatest jazz organists the world will ever know. They are also the final chapter in a lifelong collaboration with George Braith. Their first recorded meeting, BLUE JOHN, was produced for Blue Note in 1963. It was at the beginning of a golden era for jazz organ. John went on to cement his legendary status, playing with almost every name horn player of the era, from Sonny Stitt to Clifford Jordan. Likewise, George recorded three Blue Note albums of his own with the great organist Billy Gardner, not to mention associations with Larry Young and Freddie Roach among others. However, there was always something special between John and George. They knew it, and when you heard them play together, you knew it too. On this CD George has pulled together some music from the last gig. He has also included some private recordings that he and John made just after September 11, prior to flying to Austin. George has augmented those tapes with additional musicians.Now, to the music.Paul Ray, a DJ for KUT Radio in Austin, and a long time soul-jazz enthusiast, introduces the band. You can hear the anticipation of the crowd as John hits a few telling notes on the B-3, and George warms up the BraithophoneFUNKY MAMA. John first recorded this on Lou Donaldon’s “The Natural Soul.” It was a big hit at the time, and John played it throughout his career. You can hear Patton call to the drummer, “just you and me” as he brings it in. Nobody could lay a groove down like John, especially when it came down to something ...
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