| | Ecco Fatto Soundtrack CD - Import
ECCO FATTO features original soundtrack recordings from the film by Muccino Gabriele.
Director: Muccino* Gabriele (Comedy). Ecco Fatto Soundtrack Music Ecco Fatto Soundtrack Songs | 1. | Gabriel Tango |
| 2. | Ali Della Felicita |
| 3. | Renault 4 |
| 4. | Libero |
| 5. | Tormento |
| 6. | Ecco Fatto |
| 7. | Al Cinema |
| 8. | In Riva Al Mare |
| 9. | Irruzione a Scuola |
| 10. | Margherita Sola |
| 11. | Tormento (2 Versione) |
| 12. | Tarlo |
| 13. | Ecco Fatto (2 Versione) |
| 14. | Piterone |
| 15. | Libero (Versione Soft) |
| 16. | Ali Della Felicita (Solo) |
| 17. | Gabriel Tango (Sestello) |
| 18. | Amantide |
| 19. | Attitudine Illegale |
| Ecco Fatto Soundtrack Review
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$16.45 In October of 2001, John Patton and George Braith played a gig at the Continental Club, owned by jazz connoisseur, Steve Wortheimer, in Austin, Texas. A couple of local musicians, including old friend Martin Banks on trumpet, filled out the rest of the band. The young drummer hired sounded great during rehearsal, but came down with a bad case of nerves on the bandstand. George brought a recorder to the gig, but an inattentive sound engineer let the levels run too hot, leaving the sound quality good, but not great. But hey,…, things don’t always work out like you’d hope, especially on a two-night stand in Texas with an unfamiliar band. There would always be a next time … another chance to get things “right.” Then Big John Patton died. Nobody had planned on that. Now those admittedly flawed tapes became invaluable. These are the last recordings of John Patton, one of the greatest jazz organists the world will ever know. They are also the final chapter in a lifelong collaboration with George Braith. Their first recorded meeting, BLUE JOHN, was produced for Blue Note in 1963. It was at the beginning of a golden era for jazz organ. John went on to cement his legendary status, playing with almost every name horn player of the era, from Sonny Stitt to Clifford Jordan. Likewise, George recorded three Blue Note albums of his own with the great organist Billy Gardner, not to mention associations with Larry Young and Freddie Roach among others. However, there was always something special between John and George. They knew it, and when you heard them play together, you knew it too. On this CD George has pulled together some music from the last gig. He has also included some private recordings that he and John made just after September 11, prior to flying to Austin. George has augmented those tapes with additional musicians.Now, to the music.Paul Ray, a DJ for KUT Radio in Austin, and a long time soul-jazz enthusiast, introduces the band. You can hear the anticipation of the crowd as John hits a few telling notes on the B-3, and George warms up the BraithophoneFUNKY MAMA. John first recorded this on Lou Donaldon’s “The Natural Soul.” It was a big hit at the time, and John played it throughout his career. You can hear Patton call to the drummer, “just you and me” as he brings it in. Nobody could lay a groove down like John, especially when it came down to something as funky and down-home as this, his signature piece. Pay special attention to the way John develops his solo. Patton played the way he talked, never a word wasted, but with meaning and plenty of color.America. This was the song the John and George opened up with here in Austin. And let me tell you, it was one of the most spiritual moments, I’ve ever witnessed. The world was still reeling from the events of September 11 and the aftermath. We were no different here in Texas. To see these two legendary jazz musicians ...
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