| | Bee Gees High Civilization CD Bee Gees Discography of CDs
 (1 Customer Review)
A misstep. the Bee Gees seem to have felt that their comeback completed by the Top Ten success of "One." It was time to go really contemporary and take on, oh, say, Prince, on High Civilization. Wrong. The techno-rock sounds silly with those near-Chipmunks harmonies, and it's all overdone. You can't really blame a band that has had recurring success by faithfully following contemporary pop trends for trying it, but you can blame them for failing. ~ William Ruhlmann
1991 album by the Brothers Gibb. Unavailable in the U.S., contains 11 tracks, including 'Evolution', 'Secret Love' andthe title cut. Warner.
All songs written by Barry, Robin and Maurice Gibb.
Bee Gees: Barry Gibb (vocals, guitar), Robin Gibb (vocals), Maurice Gibb (vocals, keyboards, guitar).
Additional personnel: Alan Kendall (guitar), Tim Moore (keyboards), George Perry (bass), Lenny Castro (percussion), Julia Waters, Maxine Waters (background vocals).
High Civilization Music | List Price | $12.99 (You save $2.50) | | Category | Rock/Pop Albums, Pop CDs, Rock | | Label | Warner Bros. (Record Label) | | Orig Year | 1991 | | All Time Sales Rank |  16588  | | CD Universe Part number | 1388893 | | Catalog number | 926530 | | Discs | 1 | | Release Date | Jan 13, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | The Bee Gees | | Engineer | Jim Feya | | Personnel | Barry Gibb - vocals, guitar
Barry Gibb - vocals, guitar
Robin Gibb - vocals
Maurice Gibb - vocals, keyboards, guitar
Maurice Gibb - vocals, keyboards, guitar
Also: Lenny Castro, Julia Waters, Maxine Waters, George "Chocolate" Perry, Alan Kendall, Tim Moore |
Bee Gees High Civilization Songs High Civilization Music Review Purchase High Civilization CD To buy, Click on price to add to cart | Henry Paul CD (1982)
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By 1982, Henry Paul was completely devoid of musical direction, let alone inspiration. After issuing a truly fine album in Anytime a year before, Paul decided on yet another musical change in direction. On his eponymously titled final album for Atlantic before re-forming the Outlaws, Paul took the hard boogie stance of Feel the Heat and married it to pop hooks ŕ la Boston, Loverboy, and Styx, making for a truly disastrous finale. The shrill edges in the vocals seem to be trying to get something out of Bruce Springsteen's mileage ...
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