| | Carter The Unstoppable Sex... Straw Donkey: The Singles CD - Import Carter The Unstoppable Sex... Discography of CDs
Straw Donkey: The Singles Music Carter The Unstoppable Sex... Straw Donkey: The Singles Songs | 1. | Sheltered Life |
| 2. | Sherrif Fatman |
| 3. | Rubbish |
| 4. | Anytime, Anyplace, Anywhe |
| 5. | Bloodsport For All  |
| 6. | After the Watershed |
| 7. | Only Living Boy in New Cr |
| 8. | Do Re Me, So Far So Good |
| 9. | Impossible Dream |
| 10. | Lean on Me I Won't Fall O |
| 11. | Lenny & Terence |
| 12. | Glam Rock Cops |
| 13. | Let's Get Tattoos |
| 14. | Young Offender's Mum |
| 15. | Born on the 5th of Novemb |
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Straw Donkey: The Singles Review
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Purchase Straw Donkey: The Singles CD To buy, Click on price to add to cart | Alice In Chains Black Gives Way To Blue CD (2009) Limited Edition; Digipak
Straw Donkey: The Singles
 $10.49   
When Layne Staley died from a drug overdose in 2002, it had already been several years since most Alice in Chains fans stopped hoping for a new album. The singer had become a recluse since the late-`90s, and there was little indication that AIC would ever again produce much in the way of new music. As a result, when the remaining members reunited to release BLACK GIVES WAY TO BLUE in 2009, expectations were low. To the delight of all however, the album proved to be perhaps the Seattle combo's most energetic and consistent effort since its masterpiece DIRT. Perhaps the most surprising element of the new record was how much it sounded exactly like Alice in Chains. While new singer William DuVall was not an exact Staley soundalike, he managed to evoke both the unique timbre and sense of deep angst that were the late vocalist's trademarks. Throughout, the sound is heavier and sturdier than ever before, with songs like the first single "A Looking In View" and "Check My Brain" borrowing a bit ...
| | Rosanne Cash List CD (2009)
Straw Donkey: The Singles
$15.65 
After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" feel at once both lovingly rendered and reborn for a new century in Cash's hands. There's also her fine rendering of Bob Dylan's "Girl from the North Country," a nice turn at Harlan Howard's "Heartaches by the Number" (which features Elvis Costello), a calm but still spooky duet with Jeff Tweedy on the faux-murder ballad "Long Black Veil," and a duet with Bruce Springsteen on Hal David and Paul Hampton's "Sea of Heartbreak." Cash ...
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| | R E M Live At The Olympia CDs (2009) With DVD
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R.E.M.'s five-night residency at Dublin's Olympia in the summer of 2007
"This is not a show," murmurs Michael Stipe at the start of LIVE AT THE OLYMPIA and it's not quite misdirection. R.E.M.'s five-night residency at Dublin's Olympia in the summer of 2007 functioned as working rehearsals for their fourteenth album ACCELERATE, with the band testing out each of the songs, exploring arrangements, finding breaking points, and pairing them with older songs that informed their back-to-basics move. As rehearsal, it paid off splendidly -- road-testing the material made it stronger, resulting in their best album in years -- but the audience was in for a real treat, with the band digging deep into their back catalog to play some of their best non-hit songs. Just as importantly, the band sounds completely engaged with the material, enjoying playing the songs again. And that is what R.E.M. is here -- a tighter, cleaner band than the scruffy renegades of the '80s, but still the same band, which is evident here in ...
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No one understands American music like the British, and U.K. label Ace Records has released some of the hippest jump-blues, early-rock, garage, and psychedelic compilations and reissues ...
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