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Vincent, Gene - 500 Miles CD Cover Art
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Gene Vincent 500 Miles CD - Import

Gene Vincent Discography of CDs
Regular Price: $14.99
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500 Miles Music


Detailed 500 Miles Music Information



List Price $14.99 (You save $1.84)
Category Rock/Pop Albums, Rock CDs, Rockabilly
Label Camden
All Time Sales Rank   229866  
CD Universe Part number 1399701
Discs 1
Release Date Mar 31, 2004
Mono/Stereo Stereo
Additional Info Import; Australia

Gene Vincent 500 Miles Songs


Gene Vincent 500 Miles Album Track Listing



1.Oh Lonesome Me
2.Woman in Black
3.500 Miles
4.Day the World Turned Blue
5.Boppin the Blues
6.How I Love Them Old Songs
7.Listen to the Music
8.If You Could Only See Me Tonight
9.Million Shades of Blue
10.Sunshine
11.I Need a Woman's Love
12.High on Life
13.Our Souls
14.You Can Make It If You Try
15.Geese
16.Slow Times Comin
17.There Is Something on Your Mind
18.Looking Back
19.Danse Colinda
20.North Carolina Line
21.Tush Hog
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RHYTHM AND COUNTRY is a collection of previously unreleased studio outtakes by Elvis, recorded at Stax Studios in July and December of 1973. Elvis Presley recorded his studio albums live, leading his band through take after take until he was satisfied with a recording's feel. Producer Felton Jarvis kept the tape rolling throughout these sessions, never knowing when the group would nail its final take. As a result, the RCA vaults are full of Presley studio tapes. Some of these tapes have been released through the ESSENTIAL ELVIS series, of which ELVIS RHYTHM AND COUNTRY is the fifth volume. This disc documents Elvis' two 1973 marathon sessions at Stax Studio in Memphis, during which he produced material for the albums GOOD TIMES, PROMISED LAND, and RAISED ON ROCK. RHYTHM AND COUNTRY allows listeners to hear Elvis and his band without the added backing vocals, horns, strings, and percussion that often mar Presley's '70s albums. Even better, it includes snippets of Presley singing "Columbus Stockade Blues," "Muleskinner Blues," and "Softly As I Leave You" between takes. Still, the recordings Elvis completed at these sessions are not among his greatest work, mostly because the songs themselves are not as strong as Presley's performances of them. There are enough great moments here to satisfy serious Elvis fans, though. Elvis Presley recorded his studio albums live, leading his band through take after take until he was satisfied with a recording's feel. Producer Felton Jarvis kept the tape rolling throughout these sessions, never knowing when the group would nail its final take. As a result, the ...
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THE BEST consists of material from Benson's CTI recordings from 1969 and 1970. "Footin' It," "Shape of Things to Come" and "Don't Let Me Lose This Dream" are from SHAPE OF THINGS TO COME; the Beatles tunes come from THE OTHER SIDE OF ABBEY ROAD. The guitarist is generally given the featured artist treatment, as the lone soloist facing off against a studio orchestra, usually arranged by Don Sebesky. "Footin' It," the longest cut at just over five minutes, gives organist Charles Covington a little room to solo, and "Water Brother," though over far too quickly, gets into a bit of furious trading between Benson at his hottest and bluesiest, and an anonymous saxophonist. By contrast, "My Woman's Good to Me" and "Tell it Like it Is" are pure pop outings, complete with stomping horn sections and period accents such as congas and background ...
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THE BEST OF TOM JONES is probably the most thorough and entertaining of the many Tom Jones compilations available. Twenty-two tracks are exquisitely remastered to let every one of those over-the-top string sections and all of Jones' manly bellows reverberate as nature intended. All of Jones' biggest hits are included, from 1964's "What's New Pussycat," through such definitive Jones classics as "It's Not Unusual," "She's a Lady," and "Delilah," all the way up to his tongue-in-cheek comeback with the Art Of Noise, a 1989 electro-shock collaboration on Prince's "Kiss." Too long thought of as merely a kitsch figure, Jones is an undeniable talent. However, it seems that either you get him or ...
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Kurt Cobain loved to confound his fans' expectations during his brief stint in the spotlight. So when Nirvana gathered in New York City on November 18, 1993, he had another trick up his sleeve--an acoustic performance of the raw, ferocious grunge songs that propelled the band to stardom. The results were startling, and for many viewers a hidden depth to Cobain's songwriting talents were revealed as gentle renditions of NEVERMIND staples such as "On a Plain" and "Come As You Are" were stripped down and performed for a specially invited audience. Among the many highlights is the performance of "Jesus Don't Want Me For a Sunbeam," which was originally by Scottish indie-pop group (and longstanding favorite of Cobain's) the Vaselines; a stunning opening in the form of the BLEACH-era track "About a Girl"; and a selection of songs originally performed by underground rock act the Meat Puppets. This release includes the entire performance, and is ...
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This pop-punk outfit started out young--VERY young. They were still in their teens when they released their first album, and this one--their third--naturally finds them still flush with youthful enthusiasm but bearing distinct signs of songwriting maturity. There's no slowdown of excitement on STAY WHAT YOU ARE--the band still practices four-on-the-floor, heavy-guitar punk-pop a la Green Day or Blink-182. But their lyrical smarts put them in a place somewhere in between those two bands; smarter and more purposeful than the latter and minus the ballads-with-strings moves of the former. Although the pace seldom lets up from blazing guitars, pounding drums, and proud, loud, and snotty vocals, there's a discernible ...
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cdu4asppid music 1399701 cdu4pidall cdu4pls0 ver226cdu cdu4all 12/1/2008 11:03:44 AM