| | Heartbeats Daddy's Home CD Heartbeats Discography of CDs
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A nice 20-track collection of the two groups both led by James "Shep" Sheppard. "Daddy's Home" was the answer song by Shep and the Limelites to the Heartbeats' "A Thousand Miles Away," and some of the follow-ups that continued the story sequence are aboard here. Sheppard was one of the smoothest of all the doo-wop balladeers, and this collection is classic George Goldner (the group's producer) New York-style vocal group every note of the way. Extra bonus with some of the tracks being in true stereo, a rarity in doo wop records. ~ Cub Koda
/Shep & The Limelights. Heartbeats Daddy's Home Songs | 1. | Thousand Miles Away  | |
| 2. | Everybody Is Somebody's F | |
| 3. | I Found a Job | |
| 4. | People Are Talking | |
| 5. | Allright Okay You Win | |
| 6. | Down on My Knees | |
| 7. | O Baby Don't | |
| 8. | I Want to Know | |
| 9. | Sometimes I Wonder | |
| 10. | Crazy For You | |
| 11. | Five Hundred Miles to Go | |
| 12. | Darling How Long? | |
| 13. | I Won't Be the Fool Anymo | |
| 14. | One Day Next Year | |
| 15. | Daddy's Home | |
| 16. | Ready For Your Love | |
| 17. | Three Steps From the Alta | |
| 18. | Our Anniversary | |
| 19. | What Did Daddy Do | |
| 20. | Stick by Me (And I'll Sti | |
| Daddy's Home Music Review Purchase Daddy's Home CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Daddy's Home album
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making ...
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| | Chase/Ennea/Pure Music CDs (2008)
Daddy's Home album
$16.19 This double-CD set is not only the best of Bill Chase's output but -- comprising all three of their albums -- virtually their complete finished studio work, before the plane crash that killed Chase and much of the group. The mastering on this Wounded Bird reissue is excellent, with a full solid bass sound topped by soaring highs on the brass and no compression to speak of. It's not as though this catalog has been overused, in terms of its master tape library -- apart from the hit "Get It On" -- but it's still good to know that the stuff has been well handled in terms of being digitalized. Additionally, the producers have reprinted Nat Hentoff's original essay about the group from their first album (and oh, for a time when college audiences could resonate to the writings of someone like Hentoff, who is now as much of a legend as a writer as the jazz people he wrote about are as musicians....); and they've also reproduced the beautifully designed back ...
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| | Japan Obscure Altematives CD (1978) (Import) Limited Edition; Remastered; Argentina
Daddy's Home music CDs
$31.55 In 1977, the German label Hansa held a contest that elicited entries from over 1000 bands. The eight winners, including Japan (and an unknown group called the Easy Cure who later became the Cure) received recording contracts and, a year later, ADOLESCENT SEX hit the shops. Perhaps because of its glamrock-esque cover art (this at the height of the first wave of English punk rock), it was largely ignored.
The band's vocalist David Sylvian is legendarily unhappy with the record, and it is possible to guess why: it contains some fairly misguided lyrics--especially on "Wish You Were Black." The album probably seemed pretty edgy and hip at the time, however, complete with its truly odd version of a Barbara Streisand standard, "Don't Rain on My Parade," complete with "ooo-eee-ooo" backing vocals. The record does contain at least two lasting classics: the title track, with its growling "Just keep on dancing" lyric, brittle guitar shards, and punchy rhythm section, and "Communist China," featuring several of Sylvian's early vocal experiments. However, as with all of Japan's albums, the unsung star is Mick Karn's stunningly versatile bass playing, and that is more than enough reason to disagree with Sylvian.
The second Japan album followed their debut by a mere six months and, like its predecessor, the cover art suggested glam-rock. In the heady days of punk, it was largely ignored in England, but the band did begin to find acceptance in Japan--surprise, surprise! Mick Karn's elegant, flexible bass playing is more prominent, and David Sylvian's vocals settled on a very Bowie-esque style--circa THE MAN WHO SOLD THE WORLD. With these elements in place, the band was on their way to developing their signature sound.
The ...
| | Polo Montanez Guitarra Mia CD (2003)
Daddy's Home songs
$12.15 GUITARRA MIA was nominated for the 2003 Latin Grammy Award for Best Traditional Tropical Album.
For years, there was coal, and there were trucks, and there was manual labor. There were chapped hands and sun-burned cheeks. And there was refuge to be taken in music, beginning with the conga drum, which Polo Montañez remembered playing when he was still so small he had to stand on a chair to reach it. And the Cuban tres, a traditional instrument with three doubled strings tuned to a bright open C major. And the tunes that he composed and taught to others without music, humming. Bachata, bolero, rumba, son. Then suddenly, there was an agent, too, and a recording contract and a first single at the top of the charts. Discovered playing with his band at a tourist resort in his native Pinar del Rio, Cuba, Montañez skyrocketed to stardom almost overnight. By the time that Guitarra Mía, his second album, was released in 2002, life was looking good for Montañez. Though it is impossible to listen to it without a sense of foreboding about what came next -- a car accident that ended his life just days before he'd been scheduled to go out on a promotional tour -- the astonishing joy and artistry that define Guitarra Mía ensure that this will be a lasting musical legacy. Guitarra Mía is an album full of stories about simple loves, rivalries, conquests, and triumphs. While lacking the sure hits of Guajiro Natural, it is a worthy follow-up, produced in very little time and proving Montañez's talent as a singer and songwriter. Although there are a few quiet moments, as in title track "Guitarra Mía," a breathtakingly tender duet between a man and the guitar he loves, and "El Bien de los Dos," in which the singer gives his broken heart a good talking to, for the most part the album sounds like the spontaneous victory whoop of one who's spent his whole life getting ready for this one glorious moment. Fans of tropical music will find plenty to dance to on Guitarra Mía, while those of a more cerebral ...
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