| | Heartbeats Daddy's Home CD - Import Heartbeats Discography of CDs
 (1 Customer Review)
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Our Price: $10.05  CDFor Sale Usually ships in 1-2 days
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/Shep & The Limelights.
A nice 20-track collection of the two groups both led by James "Shep" Sheppard. "Daddy's Home" was the answer song by Shep and the Limelites to the Heartbeats' "A Thousand Miles Away," and some of the follow-ups that continued the story sequence are aboard here. Sheppard was one of the smoothest of all the doo-wop balladeers, and this collection is classic George Goldner (the group's producer) New York-style vocal group every note of the way. Extra bonus with some of the tracks being in true stereo, a rarity in doo wop records. ~ Cub Koda Heartbeats Daddy's Home Songs | 1. | Thousand Miles Away - (with Heartbeats/Shep & Limelit)  | |
| 2. | Everybody Is Somebody's F - (with Heartbeats/Shep & Limelit) | |
| 3. | I Found a Job - (with Heartbeats/Shep & Limelit) | |
| 4. | People Are Talking - (with Heartbeats/Shep & Limelit) | |
| 5. | Allright Okay You Win - (with Heartbeats/Shep & Limelit) | |
| 6. | Down on My Knees - (with Heartbeats/Shep & Limelit) | |
| 7. | O Baby Don't - (with Heartbeats/Shep & Limelit) | |
| 8. | I Want to Know - (with Heartbeats/Shep & Limelit) | |
| 9. | Sometimes I Wonder - (with Heartbeats/Shep & Limelit) | |
| 10. | Crazy For You - (with Heartbeats/Shep & Limelit) | |
| 11. | Five Hundred Miles to Go - (with Heartbeats/Shep & Limelit) | |
| 12. | Darling How Long? - (with Heartbeats/Shep & Limelit) | |
| 13. | I Won't Be the Fool Anymo - (with Heartbeats/Shep & Limelit) | |
| 14. | One Day Next Year - (with Heartbeats/Shep & Limelit) | |
| 15. | Daddy's Home - (with Heartbeats/Shep & Limelit) | |
| 16. | Ready For Your Love - (with Heartbeats/Shep & Limelit) | |
| 17. | Three Steps From the Alta - (with Heartbeats/Shep & Limelit) | |
| 18. | Our Anniversary - (with Heartbeats/Shep & Limelit) | |
| 19. | What Did Daddy Do - (with Heartbeats/Shep & Limelit) | |
| 20. | Stick by Me (And I'll Sti - (with Heartbeats/Shep & Limelit) | |
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Daddy's Home Music Review Purchase Daddy's Home CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Daddy's Home
 $6.75    
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. ...
| | Egberto Gismonti: Saudacoes CDs (2009)
Daddy's Home
$22.29
Photographer: Milton Montenegro.
| | Everette Harp First Love CD (2009)
Daddy's Home
$14.84 
Audio Mixer: Erik Zobler.
Liner Note Author: Everette Harp.
On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld ...
| | Keith Jarrett Testament: Paris/London CDs (2009)
Daddy's Home
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| | Japan Obscure Altematives CD (1978) (Import) Limited Edition; Remastered; Japan
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24bit digitally remastered Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. K2 laser cutting.
Japan: David Sylvian (vocals, guitar), Rob Dean (guitar, vocals), Richard Barbieri (keyboards, vocals), Mick Karn (bass, vocals), Steve Jansen (drums, vocals).
Additional personnel: Ray Singer (background vocals).
Recorded at Audio International Studios, London, England.
Japan: David Sylvian, Rob Dean (vocals, guitar); Richard Barbieri (keyboards, synthesizer); Mick Karn (bass, saxophone, background vocals); Steven Jansen (drums, percussion, background vocals).
Additional personnel: Ray Singer, Anna, Claudine (background vocals).
Their second album to hit the shelves in 1978, Japan's sophomore effort, Obscure Alternatives, found the band dropping most of their debut's funk fringe in favor of guitar-oriented fuzz and quirk -- scooping up the glitter left behind by all the scene's other nascent Siouxies and Adam Ants. Although the set isn't quite up to par with its predecessor, Obscure Alternatives is still a challenging listen. David Sylvian is snotty, snotty on "Automatic Gun" -- a spit-shined punk shocker backed by bright pop guitar -- and ironically playing into all the guises they eschewed. Both the wonderfully atmospheric and slightly menacing title track and "Love Is Infectious" put the band completely into discordant post-punk art house-dom, the latter including a twisted piano solo in the middle of the guitar crunch. "....Rhodesia," on the other hand, brought the funk back and infused it with a Caribbean essence. While there is no doubt that Obscure Alternatives paled in the shadow of Adolescent Sex, Japan had obviously, in their eyes, broken through to find their style, their groove. Still eons away musically from their more commercial Tin Drum heyday, the band were nevertheless cultivating a breathtaking crop of kernels. ~ Amy Hanson
Although Japan later became one of new romantics' poster children, their 1978 Adolescent Sex LP predated the movement by two years. A remarkable debut, the set snarls with leftover punk intent, a few glam rock riffs, and a wealth of electronics that not only reach back to the band's youth, but also predate much of what would explode out of the next wave of British underground. Sounding absolutely nothing like MTV's mainstream Japan, the quintet snarls across the opener "Transmission," all snotty lads and frazzled hair, setting the stage for what follows. Except, rather than toeing that line, the band pull some remarkable tricks out of their admittedly tight ...
| | Polo Montanez Guitarra Mia CD (2003)
Daddy's Home
$12.29
GUITARRA MIA was nominated for the 2003 Latin Grammy Award for Best Traditional Tropical Album.
For years, there was coal, and there were trucks, and there was manual labor. There were chapped hands and sun-burned cheeks. And there was refuge to be taken in music, beginning with the conga drum, which Polo Montañez remembered playing when he was still so small he had to stand on a chair to reach it. And the Cuban tres, a traditional instrument with three doubled strings tuned to a bright open C major. And the tunes that he composed and taught to others without music, humming. Bachata, bolero, rumba, son. Then suddenly, there was an agent, too, and a recording contract and a first single at the top of the charts. Discovered playing with his band at a tourist resort in his native Pinar del Rio, Cuba, Montañez skyrocketed to stardom almost overnight. By the time that Guitarra Mía, his second album, was released in 2002, life was looking good for Montañez. Though it is impossible to listen to it without a sense of foreboding about what came next -- a car accident that ended his life just days before he'd been scheduled to go out on a promotional tour -- the astonishing joy and artistry that define Guitarra Mía ensure that this will be a lasting musical legacy. Guitarra Mía is an album full of stories about simple loves, rivalries, conquests, and triumphs. While lacking the sure hits of Guajiro Natural, it is a worthy follow-up, produced in very little time and proving Montañez's talent as a singer and songwriter. Although there are a few quiet moments, as in title track "Guitarra Mía," a breathtakingly tender duet between a man and the guitar he loves, and "El Bien de los Dos," in which the singer gives his broken heart a good talking to, for the most part the album sounds like the spontaneous victory whoop of one who's spent his whole life getting ready for this one glorious moment. Fans of tropical music will find plenty to dance to on Guitarra Mía, while ...
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