Large selection of tunes. I'd have rated this CD a 5 if it weren't for the errors on the liner notes (spelling, etc.) and the fact that one of the songs listed on the line-up isn't on the disc. Other than that, it's a great collection of the favorites. Submitted by bri4daz (Seattle, WA) Was This Review Helpful? YesNo
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$13.55 Any doubts about the incongruity of jazz icon Herbie Hancock covering singer-songwriter extraordinare Joni Mitchell will be obliterated on the first journey through RIVER: ...
$11.05 BRAND NEW DAY won the 2000 Grammy Award for Best Pop Album. "Brand New Day" won the 2000 Grammy Award for Best Male Pop Performance.
BRAND NEW DAY continues Sting's sophisticated approach toward pop music as he once again collaborates with ace musicians on material that knows no cultural or stylistic boundaries. Not surprisingly, the tantric guru chooses love as the theme for this eclectic collection of songs.
Sting's cross-cultural forays range from a collaboration with Algerian singing sensation Cheb Mami on the Ofra Haza-meets-William Orbit "Desert Rose" to the bossa nova-influenced "Big Lie Small World." There's a jazz patina throughout--guest trumpeter Chris Botti emulates Miles Davis on the coffee-house hip-bop of "Perfect Love...Gone Wrong" and long-time friend Branford Marsalis adds mournful clarinet to the sumptuous string arrangements of the noirish "Tomorrow We'll See," a song about a weary prostitute straight out of a Raymond Chandler novel. Although the upbeat yet moody title track cheerfully rings with Stevie Wonder's bubbly harmonica, Sting's restlessness on "Fill Her Up" truly stands out. The track starts out as a country song (a la "I'm So Happy I Can't Stop Crying") in 9/8 ...
$12.09 LOST TREASURES is a collection of rare and previously unreleased tracks.
Early in 2005, Shout! Factory launched an extensive reissue campaign of Herb Alpert & the Tijuana Brass' '60s catalog. In the first wave of reissues, Alpert's classic 1962 debut, The Lonely Bull, and his third album, 1964's South of the Border, were given upgrades and they were joined by a new compilation of rarities called Lost Treasures. Compiled in large part by Alpert himself, Lost Treasures features a generous selection of 22 tracks, recorded somewhere between 1962 and 1972. It's difficult to discern the exact dates since the otherwise excellent liner notes by Josh Kun (with an introduction by Alpert) do not mention when any of the individual songs were recorded or if they've appeared on other albums (Alpert alludes to the fact that some of the cuts here were album tracks on otherwise "unsuccessful" LPs from the early '70s), nor do they mention recording personnel. This is a bit infuriating for any fan or collector who wants to place the cuts in historical context, but as a listening experience, Lost Treasures is as pleasurable as any of the best Tijuana Brass albums. Part of this is that Alpert has cherry-picked the best of the leftover sessions -- and he admits that he did re-record some trumpet parts in order to complete the tracks, but these overdubs are not really noticeable -- and he's carefully selected and sequenced these tunes so they flow like a real album. But the main reason that Lost Treasures is so enjoyable is that the songs are strong and the performances are nicely laid-back and breezy. Apart from a limber, rather funky reading of James Taylor's "Fire and Rain" and a silky take on the electro-novelty "Popcorn," this is pretty much the signature Tijuana Brass sound served straight up with no frills but a lot of breezy good vibes. But this is a time when no surprises is actually a good ...
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