| | Nirvana Lithium CD Single Nirvana Discography of CDs
(2 Customer Reviews)
The track "Been A Son" was recorded live at the Paramount Theatre, Seattle, Washington on October 31, 1991.
Includes complete lyrics to every song on the album NEVERMIND.
The third single taken from the breakthrough NEVERMIND album, "Lithium" is firmly in the Nirvana tradition of anthemic, singalong chronicles of teen disaffection and alienation.
All lyrics by Kurt Cobain. All music by Nirvana.
Lyricist: Kurt Cobain.
Audio Mixer: Andy Wallace.
Recording information: Dogfish Mobile Truck, Paramount Theatre, Seattle, WA (10/31/1991); Paramount Theatre, Seattle, WA (10/31/1991).
Photographer: Kurt Cobain.
Producers: Butch Vig, Nirvana, Andy Wallace, Barrett Jones.
Engineers: Butch Vig, Nirvana, Andy Wallace, Barrett Jones.
Lithium Music Review Average Rating: (4.5 out of 5 stars)   It's Nirvana! When I got this I obviously wasn't expecting much other than a collector's item, but it's more than that. I recommend this for big Nirvana fans with all the albums for two reasons, 1) probably the most accurate complete lyrics to Nevermind which is pretty handy, and 2) the touched-up studio version of Curmudgeon. This is now one of my favorite Nirvana songs. It's riff (if you can call it a riff) is heavy and catchy. For big fans, recommended. Submitted by DarkTemplar04J (Oxford, MA)  Was This Review Helpful? Yes No
Lyrics to NEVERMIND included. A good single. If you can, get the U.S. release, which includes the lyrics to every song on NEVERMIND (except "Endless,Nameless").
Lithium: a classic NIRVANA song
Been A Son: recorded live on Halloween, 1991 at the Paramount Theatre in Seattle, Washington.
Curmudgeon: Rare song. At first, it is a dissapointment; however, after a few listens, it grows on you! Submitted by a reviewer (Baltimore, MD, USA) Was This Review Helpful? Yes No
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Purchase Lithium CD To buy, Click on price to add to cart | Nirvana From The Muddy Banks Of The Wishkah CD (1996)
Lithium
$10.39 Recorded live between 1989 and 1994. Includes liner notes by Krist Novoselic.
The electric smashes and thrashes compiled on FROM THE MUDDY BANKS OF THE WISHKAH were originally intended as half of a double album; the other half would have been the acoustic show released as MTV UNPLUGGED IN NEW YORK. But after Kurt Cobain's death, UNPLUGGED was released on its own, and the task of putting together a live electric disc was put aside for a couple years.
Now completed, FROM THE MUDDY BANKS OF THE WISHKAH (named for a river that cuts through Nirvana's hometown, Aberdeen, Washington) serves as a perfect mirror to UNPLUGGED. Where that one offered a recontextualization of Nirvana's oeuvre, this one offers a reaffirmation of the band's raw power. All the elements that made the band a legend are present here: piledriver rhythm section, scabrous guitar work that combines a Neil Young-ish tone with a punk sensibility, and Cobain's anguished, sandpaper vocal delivery.
Many of Nirvana's best-known songs are included in versions that double the intensity and aggression (and sometimes the speed) of the original recordings. "Smells Like Teen Spirit" finds the band charging at a pace that suggests its life depends on reaching the end of the song. "Scentless Apprentice" is a raging howl that makes the original version sound like a beer commercial.
Personnel: ...
| | Green Day Nimrod CD (1997)
Lithium
$9.35 All tracks have been digitally mastered using HDCD technology.
Green Day's infectious brand of thrashy power-pop is full of references to the generation of punk which preceded them, with adenoidal vocals spinning tales of youthful angst against a backdrop of hard, fast riffs. The difference, of course, is that Green Day is having more fun than the Buzzcocks would ever have admitted to. NIMROD catches the band updating their sound while holding onto the speed and recklessness that made their previous albums so exciting.
Touches like the atmospheric, flanged guitars of "Redundant" and the violin on "Hitchin' A Ride" and "Last Ride In," (courtesy of That Dog's Petra Haden) help to take the band in a new, more serious direction. Lest anyone fear that this expansion ...
| | Nirvana Bleach CD (1989)
Lithium
$10.19 With a sludgy, chainsaw guitar sound that owes as much to early Black Sabbath as to Kurt Cobain's heroes The Melvins, whose drummer puts in an appearance here, Nirvana emerges from Seattle's underground scene as standard-bearers of a style that embraces the anger and energy of punk alongside the thick, muddy sonic attack favored by early '70s proto-metal bands. Cobain's lyrics are fueled by outrage and self-loathing, combining literary flair with a direct, visceral quality that makes him a viable candidate for the John-Lennon-of-Gen X award.
Nirvana's debut album showcases what sounds more like a force of nature than a rock band. The unrelenting fervor with which the group delivers these 13 tunes is almost frightening. There is also a strong melodic flair that leavens the ferocity occasionally, hinting at the scope of Cobain's compositional talents. "Love Buzz" and "About A Girl" ...
| | Nirvana Incesticide CD (1992)
Lithium
$6.55 INCESTICIDE is a compilation of material recorded for the John Peel Sessions, rare singles from Nirvana's tenure with Sub Pop, and previously-unreleased tracks.
All songs written by members of Nirvana except "Turnaround" (Mark Mothersbaugh/Gerald V. Casale), "Molly's Lips" and "Son Of A Gun" (Eugene Kelly/Francis McKee).
More than just a b-sides collection, INCESTICIDE culls together Nirvana's work before and around their now-legendary albums. Released between the groundbreaking NEVERMIND and the artsier IN UTERO, the rarities and outtakes which make up this album shed new light on Nirvana's oeuvre, filling in the gaps between official releases and providing fans with a wider variety of recordings from different sources.
Highlights include three covers, taken from John Peel sessions: a Devo tune ("Turnaround") and two songs by Scotland's The ...
| | Nirvana Unplugged In New York CD (1994)
Lithium
$10.65 Recorded live at Sony Music Studios, New York, New York on November 18, 1993.
UNPLUGGED IN NEW YORK won a 1996 Grammy Award for Best Alternative Music Performance.
What is ultimately so sad about Kurt Cobain taking his own life is that he was so giving to others, constantly campaigning for the artists who influenced him. Cobain breathed new life into the Raincoats' career (who thanked him on their latest EP), brought a wider audience to Eugenius' pop genius, and proved there was grunge in Seattle before the '90s by covering a Wipers song on INCESTICIDE.
The same reverential awe seeps through every minute of the UNPLUGGED IN NEW YORK performance, released nearly a year after its recording in November 1993. Cobain's originals, from the wrenching "All Apologies" to the numbing "Dumb," exempify his rare gift of saying so much with deceptively simple chords and melodies. His choice of covers displays influences as diverse as David Bowie ...
| | Nirvana Singles CDs (1996) Import; Boxed Set
Lithium
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