| | Ultimate Classic Country Collection CD
2CD Set Of The Most Comprehensive Collection Of Charted No.1 Country Hits Ever.
Contains 32 tracks. Ultimate Classic Country Collection Music Ultimate Classic Country Collection Songs | 1. | I Fall to Pieces - Patsy Cline |
| 2. | I Walk the Line - Johnny Cash |
| 3. | On the Road Again - Willie Nelson |
| 4. | El Paso - Marty Robbins |
| 5. | Forever and Ever, Amen - Randy Travis |
| 6. | He Stopped Loving Her Today - George Jones |
| 7. | Make the World Go Away - Eddy Arnold |
| 8. | Hello Darlin' - Conway Twitty |
| 9. | Okie From Muskogee - Merle Haggard |
| 10. | He'll Have to Go - Jim Reeves |
| 11. | Luckenbach, Texas - Waylon Jennings |
| 12. | I'm Movin' On - Hank Snow |
| 13. | King of the Road - Roger Miller |
| 14. | I Will Always Love You - Dolly Parton |
| 15. | Act Naturally - Buck Owens |
| 16. | Rhinestone Cowboy - Glen Campbell |
| 17. | Sweet Dreams - Emmylou Harris |
| 18. | Don't It Make My Brown Eyes Blue - Crystal Gayle |
| 19. | Flowers on the Wall - The Statler Brothers |
| 20. | Streets of Bakersfield - Dwight Yoakam/Buck Owens |
| 21. | Young Love - Sonny James |
| 22. | Wing of a Dove - Ferlin Husky |
| 23. | Heaven's Just a Sin Away - The Kendalls |
| 24. | Hello Walls - Faron Young |
| 25. | For the Good Times - Ray Price |
| 26. | I Love a Rainy Night - Eddie Rabbitt |
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Ultimate Classic Country Collection Review
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Purchase Ultimate Classic Country Collection CD To buy, Click on price to add to cart | Linda Ronstadt Heart Like A Wheel CD (1996) Gold; Remastered
Ultimate Classic Country Collection album
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There are just no two ways about it: if you call yourself a fan of '70s music, you simply must have Linda Ronstadt's HEART LIKE A WHEEL. Like Fleetwood Mac's RUMOURS and The Eagles HOTEL CALIFORNIA, this is a masterpiece that has earned a spot in every record collection that's worth its salt. Ronstadt, the '70s queen of southern California country-rock, is in pristine form. Her angelic voice is flawless as each track flows from one to the other like a gentle stream.
Not only do you get the hit "You're No Good" and the Everly Brothers' classic ...
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Well singing as a viable and big-time career choice is something that only really hit home in the last three years of school. Sure I knew from a young age that I wanted to be on stage and live the big life, but which five year old doesn't. It was only later on in life (grade 11) when I entered the Crawford Idols competition (and won of course), with a huge audience pumping energy that I knew I was going to make this work for me in a huge way - what a way to make a living!So it grew from there - I started getting into as many local Durban (South African) productions as possible - acting at the prestigious Durban Playhouse to the Catalina theatre and pretty much most places - when it hit me that if I wanted to make it truly big in the entertainment industry I would have to start writing my own songs and producing them. So, I did and "Only Home" was the first song I ever wrote, completed August, 2005.Now it's all good and well having written a few songs, but selling them to people, the right people, is another story. And so I spent hours on the web searching for the top guys in the South African music biz and one guys name kept popping up - Deon Mass - one of, if not, the biggest name in the S.A music industry. So I contacted him, sent him a demo and he got back to me two weeks later. He explained that he felt the demos were excellent and asked if I could get to Johannesburg ASAP. I obviously wasn't going to say no and after meeting with him he offered me a contract, which I was ecstatic about. However, after thinking seriously about my goals (to take over the world really) I realised, that in the global scheme of things, this wasn't very big at all and to release in South Africa would just be a waste of time.So I set my sights on America, spent hundreds of hours more on the internet and discovered Big Noise (Providence, RI USA), whom I'm now working with.Having been influenced by many bands and solo artists from the '60s and '70s and actually anyone who makes great music, I have got quite a rebellious steak in me when it comes to music - challenging conventional thinking, questions of religion and love, a degree of sleaziness and absurdity, whilst keeping the music in itself musical and easily accessible. I suppose the fact that (and I've been told this many times) my music has got quite a dark side to it, but constantly has a positive underlying theme of hope separates my music from anything out there. Vocally I also match myself to whatever theme I'm dealing with - having a very harsh tone at times and then a very musical tone at others. I guess this makes me vocally versatile, something that's essential to conveying a vast array of emotions from one end of the spectrum to another, which is shown largely through my live performances too, something that I crucial.I feel ...
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