| | Machine Gun Fellatio Bring It On CD - Import Machine Gun Fellatio Discography of CDs
Racy Australian band Machine Gun Fellatio delivers another set of provacatively titled alternative tracks with this album. BRING IT ON features songs including "Mutha Fukka On A Motorcycle," "Horny Blonde Forty," and "Butter My Arse With A Pigeon."
Sydney alternative funk act, best known for their single 'Mutha Fukka On A Motorcycle'. They raised the ire of student union leaders in Australia while performing at Melbourne University when singer Christa Hughes, aka KK Juggy, removed her top and cartwheeled around the stage. 'I'm a cabaret artist. I like to think of it as a bit of a tribute to the old-style burlesque performers', she said. Future shows at the university were cancelled. Machine Gun Fellatio Bring It On Songs | 1. | 100 Fresh Disciples |
| 2. | Not Afraid of Romance |
| 3. | Drugsex |
| 4. | Fore |
| 5. | Mojo Pumping |
| 6. | Summer |
| 7. | Smooth Sex Monkey |
| 8. | Mutha Fucka on a Motorcycle |
| 9. | I Dance Electric |
| 10. | Blacklamb |
| 11. | Horny Blonde Forty |
| 12. | Butter My Arse With a Pigeon |
| 13. | 45 Manywords |
| 14. | Final Word |
| 15. | Unsent Letter |
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Bring It On Review
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Purchase Bring It On CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Bring It On
 $14.59   
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Bring It On
$6.39 
With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis ...
| | Melody Gardot My One And Only Thrill CD (2009)
Bring It On
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Although the plaudits for Melody Gardot's debut album, WORRISOME HEART, were entirely justified, it sometimes seemed as if the young singer-songwriter's compelling personal story--hit by a car and severely injured at the age of 19, the aspiring fashion designer began playing piano and writing songs as part of her physical therapy--overshadowed her music. Gardot's second album, MY ONE AND ONLY THRILL, dispells that sense entirely: this gorgeous collection of lavishly orchestrated jazz-pop ballads is the work of a genuinely talented singer-songwriter. Gardot's melodic ...
| | Jesse Cook The Rumba Foundation CD (2009)
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| | Poncho Sanchez Psychedelic Blues CD (2009)
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| | Miles Davis On The Corner CD (1972) Remastered
Bring It On
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ON THE CORNER enjoys a special cult status among musicians, anticipating as it does the punk funk/acid jazz movements. For Miles Davis, ON THE CORNER was another seismic shift. Miles was particularly fond of the lyric sweep of Hendrixian electric guitar, the James Brown-like rhythmic thump of Fender bass, and the bell-like timbre and chordal possibilities of the Fender/Rhodes electric piano. Now the trumpeter sought to incorporate the feel of street rhythms from around the world and to reflect the influence of modern electronic composers such as Karlheinz Stockhausen.
So while ON THE CORNER is generously populated with top-flight jazz players, Davis was zeroing in on a contemporary approach not beholden to jazz players of jazz rhythmic postures--although group ...
| | Chris Botti Slowing Down The World CD (1999)
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| | Richard Wyands Get Out Of Town CD (1997) (Import) Import; Denmark
Bring It On
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| | 16 Blasare Utan Hjarna: Aldrig Mer En Mohikan 1986-1987 CD (2005)
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| | Voyage To Australia Maze Of Wheathered Sandstone Domes CD (2006) (Import)
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| | Newherd Oushizano Uta CD (2005) (Import) Japan; Mini LP Sleeve
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| | Gene Ammons 1951-1953 CD (2006) (Import) France
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This CHRONOLOGICAL CLASSICS set features some of the early recordings by the great tenor sax player Gene Ammons. While Ammons would later move in more experimental directions, his early albums, most notably those for Prestige, fell into a smooth, swinging bebop mode that showed the heavy influence of Charlie Parker. The music is very much of its era, but Ammons's ...
| | Edith Piaf Face A Son Public CD (2000) (Import) France; Box Set
Bring It On
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Track Listing of songs: Comme Moi; Salle D'Attente; Les Prisons du Roi; La Foule; Les Grogards; Mon Manege A Moi; Bravo pour le Clown; Hymne A L'Amour; Les Mots d'Amour; Les Flons Flons du Bal; T'es L'Homme Qu'il Me Faut; Mon Dieu; Mon Vieux Lucien; La Ville Inconnue; Non Je Ne Regrette Rien; La Belle Histoire d'Amour; Les Blouses Blanches; Marie la Francaise; Une Dame; L'Homme A la Moto; Toi Qui Sais; Hymne A L'Amour; Les Amants D'un Jour; Bravo pour le Clown; L'Accordeoniste; Roulez Tambours; Le Diable de la Bastille; Musique A Tout Va; Le Petit Brouillard; Le Droit D'Aimer; Le Billard Electrique; Toi Tu L'Entends Pas; Quoi Ca Sert L'Amour, A; Non Je Ne Regrette Rien; La Foule; Milord; Heureuse; Avec le Soleil; C'Est A Hambourg; Legende; Enfin le Printemps; Misericorde; Je T'ai dans la Peau; La Gualante du Pauvre Jean; Bravo pour le Clown; Padam, Padam; Hymne A L'Amour; L'Accordeoniste; Extrait ...
| | Balibo CD (2009) Original Soundtrack
Bring It On
$29.35
THE MUSIC IN BALIBO COMBINES AN ORIGINAL SCORE BY WORLD RENOWNED AUSTRALIAN COMPOSER LISA GERRARD, WITH TRADITIONAL TIMORESE SONGS. ADDITIONAL ORIGINAL SCORE IN BALIBO WAS COMPOSED BY MARCELLO DE FRANCISCI AND SAM PETTY. TRADITIONAL TIMORESE SONGS ARE A POWERFUL PART OF THE SOUNDTRACK IN BALIBO, AND INCLUDE A CHILDREN'S ...
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