| | Helloween Dark Ride CD - Import Helloween Discography of CDs
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Produced by Roy Z (Rob Halford, Bruce Dickenson), this 2000 recording from the prolific metalist finds them once again paying unconscious, yet successful homage to Iron Maiden. Features 13 tunes, including the bonus track "Madness Of The Crowds."
One of the most appropriate album titles in metal history, Helloween's 10th full-length release is exactly what it says. The German quintet's first album for Nuclear Blast sees the band break from its traditional pomp-and-romp power metal leanings and experiment with a more dramatic (and less humorous) songwriting approach. Produced and engineered by melodic metal masterminds Roy Z. (Halford, Bruce Dickinson) and Charlie Bauerfeind (Blind Guardian, HammerFall), THE DARK RIDE breathes new, gritty life into the Helloween canon--with a sinister sneer.
After a surprising resurgence following 1996's The Time of the Oath, Helloween continued to expand and enrich their patented power metal, and while 2000's The Dark Ride might lack some of the youthful exuberance of the group's seminal '80s recordings, there are still many fine songs and fiery performances to be appreciated on this late-career gem from the influential German group. While the extreme guitar solos and overall precision of The Dark Ride will surely capture the ears of first-time listeners, it's the massive production and songwriting cohesiveness that will hook metal fans of discerning taste. As usual with this kind of release, there are some tedious and overwrought lyrics, but these things have to be accepted if one is to try and appreciate any power metal offering. Standouts include the detuned "I Live for Your Pain" with its inventive riffing and the epic closers "Immortal (Stars)" and "The Dark Side." Throughout The Dark Ride, and on the last two cuts especially, Helloween proves their historic value by delivering a critical combination that metal bands generally fail to even approximate: that is, high melodicism and sonic excess combined to form a kind of power through isolation. Difficult to explain perhaps, but metal fans know it when they hear it, and they hear it often when listening to Helloween. While not the best this band has to offer, The Dark Ride is still better than nine out of ten metal discs in any subgenre, from any era. [A Japanese version added a bonus track.] ~ Vincent Jeffries
Japanese version of the German metal act's 2000 album. Released one week earlier than the European and no domestic is currently scheduled it includes one bonus track, 'The Madness Of The Crowds' and the singles, 'If I Could Fly' and 'Mr. Torture'. 2000 release. Standard jewelcase.
Recorded at Sueno Music, Tenerife, Canary Islands, Spain.
Personnel: Andi Deris (vocals); Michael Weikath, Roland Grapow (guitar); Markus Grosskopf (bass guitar); Uli Kusch (drums); Billy King (background vocals).
Recording information: MI Sueno Music, Tenerife, Spain (2000).
Illustrator: Rainer Laws.
Photographer: Roger Mendez.
Helloween: Andi Debris (vocals); Michael Weikath, Roland Grapow (guitar); Markus Grosskopf (bass); Uli Kusch (drums).
Additional personnel: Joern Ellerbrock (keyboards); Rolf Koehler, Billy King (background vocals).
Purchase Dark Ride CD To buy, Click on price to add to cart | Stratovarius Infinite CD (2000)
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| | Steeler CD (1983)
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On nearly all counts, the debut from Los Angeles heavy metal quartet Steeler is an unremarkable, even generic release; but what makes the album important is the presence of Swedish guitar virtuoso Yngwie Malmsteen, which marks his official introduction to U.S. audiences. Malmsteen's playing -- which would later gain greater notoriety in the context of Alcatrazz and his own band Rising Force -- was nothing short of a revolution in guitar circles at the time of Steeler's release. While other rock guitarists were still clamoring to figure out Eddie Van Halen's ...
| | Helloween Time Of The Oath CD (1996) (Import) Bonus Tracks; Japan
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Casual metalheads will listen to Helloween and say, "They sound kinda like Iron Maiden." The fact of the matter is that Maiden sounds like Helloween. This 2001 set features the bonus tracks "Still I Don't Know" and "Take It To The Limit," as well as "We Burn," "Street Tormentor," "Power," and the burning title cut.
Despite the difficulties that had plagued them in recent years (including inconsistent albums, constant lineup changes, and even the suicide of founding drummer Ingo Schwichtenberg), German power metal kings Helloween had been gradually finding their way back to the glory of their early days with each succeeding release. And with their seventh album, 1996's The Time of the Oath, ...
| | Stratovarius Intermission CD (2001)
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INTERMISSION contains four new songs and various live, rare and unreleased tracks.
It's obvious that Intermission is ...
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| | Hank Mobley Straight No Filter CD (1966) Remastered
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This is part of Blue Note's Limited Edition Connoisseur series.
No Hank Mobley collection would be complete without STRAIGHT NO FILTER, a gathering of extra cuts from many of his mid '60s Blue Note sessions. The first three tracks come from a 1966 session, next are two cuts from Mobley's THE TURNAROUND session, the third session was originally cut for the classic NO ROOM FOR ...
| | Cheb Abed Tellement Fort Fi Zin CD (2001)
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Personnel includes: Cheb Abed (vocals).
| | Sepultura Roorback CD (2003)
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Losing a lead singer can be incredibly disruptive for a band. Some bands will bounce back -- AC/DC, for example, sounded better than ever when it hired Brian Johnson after Bon Scott's untimely death -- while others will suffer a creative decline. Sepultura experienced a major loss when former lead singer Max Cavalera left to form Soulfly in 1996, but thankfully, Derrick Green proved to be a highly capable replacement. If 1998's mildly uneven Against -- Sepultura's first album with Green -- found the band struggling with the transition, Green was filling Cavalera's shoes much more confidently on 2001's Nation. And if there are still any lingering doubts about the Green/Sepultura match, 2003's excellent Roorback should put them to rest for good. Green is passionate and focused throughout the album -- he has no problem going that extra mile -- and the writing is consistently strong. Unrest and political corruption are recurring themes on Roorback; American singer Green and his Brazilian colleagues spare no anger on incendiary tracks like "Mind War," "Apes of God," and the crushing opener, "Come Back Alive" (which is about surviving the horrors of wartime combat). The songs that Sepultura wrote for Roorback paint a consistently bleak and troubling picture of the world -- one that is only reinforced by an unlikely remake of U2's "Bullet the Blue Sky" appended to the album. Sepultura successfully give U2's gem a ferocious alternative metal makeover, and Bono's dark lyrics are right at home on this politically charged CD. When Roorback came out during the summer of 2003, Sepultura had been together for 19 years -- and this compelling disc finds them very much on top of their game after almost two decades in the metal field. ~ Alex Henderson
Losing a lead singer can be incredibly disruptive for a band. Some bands will bounce back -- AC/DC, for example, sounded better than ever when they hired Brian Johnson after Bon Scott's untimely death -- while others will suffer a creative decline. Sepultura experienced a major loss when former lead singer Max Cavalera left to form Soulfly in 1996, but thankfully, Derrick Green proved to be a highly capable replacement. ...
| | Flamin Groovies Jumpin' In The Night CD (1979)
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The third and last of the Flamin' Groovies late-'70s albums for Sire, Jumpin' in the Night storms out of the gate with the title song, a top-shelf rocker that brings the muscle of the Flamingo-era lineup of the Groovies to the more style-conscious British Invasion sonics of Cyril Jordan's version. Though Jumpin' in the Night never rocks that hard or that well again, it does sound decidedly tighter and tougher than 1978's Flamin' Groovies Now, and guitarist Mike Wilhelm, a new addition to the Now lineup, is much better integrated into their wall of guitars, with the Groovies sounding more solid than they did a year before. But while Jumpin' in the Night finds the Flamin' Groovies sounding better than ever, the material unfortunately lets them down. It's no wonder why the Flamin' Groovies loved the Byrds -- both were American bands who fell in love with the sounds of British rock and crafted their own variation on the ...
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Dogged by constant musician turnover, Zao stumbled and spluttered throughout the early 2000s, just as the metallic hardcore style they helped define was enjoying its greatest commercial acceptance via contemporaries and inspired followers such as Shadows Fall, Unearth, and Killswitch Engage. 2004's Legendary collection appeared to symbolize the nail on their collective coffin, especially as it followed the definitive departure of founding drummer and guiding force Jesse Smith; but long-tenured members Daniel Weyandt (vocals) and Scott Mellinger (guitars), were soon lured to carry on by a new contract with leading independent Ferret Records, hiring a new rhythm section and frightening many of their devout Christian followers with the following year's mixed-review concept ...
| | One Accord Alive One CD (2005)
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One Accord is a contemporary worship band at Faith Lutheran Ministries in Lincoln, Nebraska, where they have served since 1999. Blessed with an abundance ...
| | Robby Ameen Days In The Life CD (2009)
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