| | Helge Schneider Es Rappelt Im Karton CD Helge Schneider Discography of CDs
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Es Rappelt Im Karton Music Helge Schneider Es Rappelt Im Karton Songs | 1. | Musik Musik Musik |
| 2. | Der Sensemann |
| 3. | Hoffnung |
| 4. | Gitarre |
| 5. | Das Ratsel |
| 6. | We Gotta Rock |
| 7. | Tropfsteinhohle |
| 8. | Gartenzaun |
| 9. | Meisenmann |
| 10. | Wenn der Abend Kommt |
| 11. | Blaue Lagune |
| 12. | Erziehung |
| 13. | Boogie Woogie |
| 14. | In Italien |
| 15. | Scrapple From the Apple |
| 16. | Sex Machine |
| 17. | Auf den Spuren Kara Ben N |
| 18. | Orientalische Sonate |
| 19. | Comeback |
| 20. | Klapperstrauss |
| 21. | Transatlantic Blues |
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Es Rappelt Im Karton Review
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Purchase Es Rappelt Im Karton CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Es Rappelt Im Karton album
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that ...
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| | Glee The Music 1 Glee: The Music, Vol. 1 CD (2009) Original Soundtrack
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| | Willie Barcena Hey! They're Just Jokes CD (1999)
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| | Eric Clapton Riding With The King CD (2000)
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Although Eric Clapton and B.B. King's long friendship originated during a chance meeting and subsequent jam session at New York City's Cafe Au Go Go in 1967, the idea for a collaborative album only crystallized during the sessions for King's 1997 album DEUCES WILD. The resulting record, 2000's RIDING WITH THE KING, is a stellar event, thanks to a wealth of rich material and a solid supporting cast including ...
| | En Vogue Masterpiece Theatre CD (2000) (Import) Bonus Track; Japan
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| | Grateful Dead Shakedown Street: Expanded & Remastered CD (1978) Bonus Tracks; Remastered; Digipak
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For hardcore hippies, SHAKEDOWN STREET was the Dead's nadir, as they moved from the arty jazz-rock epics of WAKE OF THE FLOOD and TERRAPIN STATION to a radio-friendly light-funk sound. While the band seemed to have momentarily abandoned their more experimental leanings, they had shored up their songcraft, and SHAKEDOWN STREET contains several of the Dead's finest tunes, presented with a minimum of fuss for maximum impact. The band even managed to score a semi-hit with their Latin-tinged arrangement of the Rascals' "Good Lovin'."
Bob Weir's bluesy "I Need A Miracle" wound up becoming a staple of the Dead's live shows for years to come, as did the funky the-scene-is-dead plaint that is the title tune. Garcia's hits his stride, both vocally and melodically, on the beautiful devotional ballad "If I Had The World To Give," whose construction bears more than a hint of a Beatles influence. SHAKEDOWN STREET also marked the end of an era for the Dead, as it would be the last album to feature keyboardist Keith Godchaux and his vocalist wife Donna.
Since the Grateful Dead were notorious for recording awkward studio albums, it always seemed that the answer to their problem was simply getting the right producer to coax magic out of the band -- and nobody would seem better suited for the position than Little Feat leader Lowell George, whose own band shared the Dead's tendency to wander and jam in a live setting, yet made almost nothing but good studio records. But 1978 was not a great year for either camp, as the Dead were drifting in their attempts to score a crossover hit for Clive Davis' Arista Records, while George was pushing Little Feat toward disbandment as he was inching closer to his premature death in 1979. Add to that the Dead's sudden, inexplicable fascination with disco, a desire to have Donna Jean Godchaux be an integral part of the record, plus no new songs ready to go at the beginning of the sessions, and it's little surprise that Shakedown Street wound up as a mess. It rambles and wanders all over the place, as the Dead cover the Rascals' "Good Lovin'" before they revive "New Minglewood Blues" (which they originally cut for their debut), as Jerry Garcia and Robert Hunter write their own "Stagger Lee" while Mickey Hart and Bill Kreutzmann get a percussion workout on the brief instrumental "Serengetti" and Bob Weir affects a bluesy growl on "I Need a Miracle." In George's hands, this is all given a smooth gloss not all that far removed from such latter-day Feat LPs as The Last Record Album, but since the Dead favor hazy, lazy grooves to Feat's laid-back but tight New Orleans funk -- ...
| | American Heartbreak CD (2006)
Es Rappelt Im Karton album
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Much like they have for the entire history of what is commonly considered glam rock, the New York Dolls exercise a massive influence over San Francisco's American Heartbreak -- a band whose authentic interpretations of the style border on almost museum-like studiousness. That's not to say that the band lacks spontaneity (well, just a little bit) or originality (well, quite a bit, but then that's the point). It's just that their purist hearts are locked in such strict rhythmic step with their retro-minded mission that there's very little room for surprises -- unless one can recognize surprises in the spirited revisions of time-proven winning formulas, in which case this album's generous helping of 13 songs is as reliably entertaining as it is inherently familiar. Opening trio "Somebody," "Sick n' Tired," and "Love Your Abuse" set the tone with their gritty, minimal AC/DC riffs that inevitably give way to the ...
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