| | Five Du-Tones 5 Du-Tones CD - Import Five Du-Tones Discography of CDs
Ring Of Stars. 1996. Five Du-Tones 5 Du-Tones Songs | 1. | Shake a Tail Feather |
| 2. | Dry Your Eyes |
| 3. | Nobody But My Baby |
| 4. | We Want More |
| 5. | Don't Let Go (Part 1) |
| 6. | Don't Let Go (Part 2) |
| 7. | Come Back Baby |
| 8. | Let Me Love You |
| 9. | Monkee See Monkee Do |
| 10. | Divorce Court |
| 11. | Get It |
| 12. | Woodbine Twine |
| 13. | Flea |
| 14. | Moutain of Love |
| 15. | Cool Bird |
| 16. | Please Change Your Mind |
| 17. | Outside the Record Hop |
| 18. | My World |
| 19. | Ghouster |
| 20. | That's How I Love You |
| 21. | Chicken Astronaut |
| 5 Du-Tones Review
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Purchase 5 Du-Tones CD To buy, Click on price to add to cart | Shakira She Wolf CD (2009)
5 Du-Tones album
$11.18 Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as cuckoo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven't in a long time, but also John Hill and Wyclef Jean -- is giddily addicting, a celebration of all the strange sensuality that comes out at night. ~ Stephen Thomas Erlewine
Last time around, Shakira touched upon so many styles she couldn't be contained to one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes ...
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$12.54 On his tenth album (and first as the chairman of Priority Records), Snoop Dogg continues to prove he's not a relic of the G-funk era, proving that while the music may change, good flow never goes out of style. Right out of the gate, Snoop drops a song for the West Coast Jerkin' set with "I Wanna Rock" before switching gears back to classic Snoop with the Dre-inspired "2 Minute Warning," where the rapper lets everyone know he's still the same Snoop Dogg after all these years as he proclaims, "Ponytail still swingin', hair still braided/Laker to a Clipper I won't be faded." With production by Lil Jon, Timbaland, Danjahandz, Battlecat, and the Neptunes (just to name a handful), it's no wonder the album sounds like not only a retrospective of every stage of his career, but of the trends in rap music as a whole. With the album touching on his G-funk beginnings with "Secrets," crunk on the Lil Jon-produced "1800," the Dirty South on the Soulja Boy collaboration "Pronto," and his time on the Neptunes-fronted Star Trak on "Special" (featuring guest spots by Pharrell and Brandy), Snoop Dogg is able to prove simultaneously that he's still relevant while showing off his veteran status. With all the big production on the album, it comes as a bit of a surprise that Snoop shines the brightest on the sparse "Upside Down" (produced by longtime Snoop collaborator Terrance Martin). Sounding like a throwback to "Drop It Like It's Hot," the simple ...
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$13.10 On her second album for Concord's Stax imprint (and fourth overall), Angie Stone delves deeper into funk and hip-hop than on her previous outings. Her last offering, The Art of Love & War, was a critical and commercial triumph for the vastly underrated vocalist, and topped the Billboard chart. With a slew of producers including Sly Williams, Willie "Chuck" Shivers, Karrim King and Fitzroy Reid, Steven "Supe" White, Jonathan Richmond, Jazze Pha, and Stone herself, these dozen tracks continue to reveal her versatility as a vocalist and recording artist; she can sing whatever it is she wants to with equal verve, authenticity, and flair. Despite the slicker and more diverse sounds on Unexpected, the soul quotient is high, even if this isn't strictly a neo-soul album. The new beat consciousness reveals itself most on the title track, which is hard funk at its 2009 best. Cuts such as ...
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