Frances Gershwin For George And Ira CD

For George And Ira Music

List Price	$12.99 (You save $0.80)
Category	Rock/Pop Albums, Jazz CDs, Vocal, Nostalgia, Jazz Vocals
Label	Audiophile
Orig Year	1999
All Time Sales Rank	182354
CD Universe Part number	1492025
Catalog number	116
Discs	1
Release Date	Dec 25, 1999
Mono/Stereo	Stereo
Producer	Bill Borden; Alfred Simon; George H. Buck, Jr.
Engineer	John Post
Personnel	Alfred Simon - piano

Frances Gershwin For George And Ira Songs

	1.	Oh, Gee! Oh, Joy!
	2.	Someone to Watch Over Me
	3.	Medley: My One and Only/Let's Kiss and Make-Up
	4.	Isn't It a Pity?
	5.	Medley: That Certain Party/(I've Got) Beginner's Luck
	6.	Man I Love, The
	7.	Sweet and Low-Down
	8.	Embraceable You
	9.	Oh, So Nice
	10.	Fascinating Rhythm
	11.	How Long Has This Been Going On?
	12.	Medley: When Do We Dance?/Shall We Dance?
	13.	Where's the Boy? Here's the Girl!
	14.	I've Got a Crush on You
	15.	Do It Again!
	16.	My Cousin in Milwaukee
	17.	Love Is Here to Stay

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REVIEWS"a musician of extraordinary musical talent..." Jazz Queensland, 2004"some of the best instrumental talent we got" Rave magazine, 1997"innovative and accomplished." Courier Mail, Sept 12, 2002"Toby Wren's guitar, almost keyboard like in its melodic lines was no slouch when fast & tight was called for." Pemberton Review, August 20th, 2004"the composer revealed a high level of talent, rippling out high-speed single notes and the occasional well-placed chord" The Adelaide Advertiser, August 20th, 2004 Toby is an emerging force on the Australian jazz scene. His approach, while firmly based in the jazz guitar tradition incorporates multiple influences from the avant-garde to Indian classical music. Trained as a composer, Toby has had works performed by many of Australia's great orchestras and broadcast on national radio and his guitar playing keeps him in demand as a freelance player. In early 2005 he will be recording a CD with the Toby Wren Trio and touring nationally."I formed babel to play really complex difficult stuff. It was a way of stretching my playing ability and pushing the limits of ensemble playing. As it developed it became a way of testing unusual musical structures and approaches to incorporating improvisation in a very meaningful and structured way. I was very fortunate to be able to work with some amazing musicians, who stuck with me for the, literally, years it took ...

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