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Gershwin, Frances - For George And Ira CD Cover Art
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Frances Gershwin For George And Ira CD

 Frances Gershwin Discography of CDs

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session originally recorded in 1973 for Monmouth-Evergreen, vocalist performs tunes written by her brothers George & Ira, accompanied by either Alfred Simon or Jack Easton on piano
For George And Ira Music


Detailed For George And Ira Music Information



List Price $15.97 (You save $3.88)
Category Rock/Pop Albums, Jazz CDs, Vocal, Nostalgia, Jazz Vocals
Label Audiophile
All Time Sales Rank   172012  
CD Universe Part number 1492025
Catalog number 116
Discs 1
Release Date Dec 25, 1999
Mono/Stereo Stereo
Frances Gershwin For George And Ira Songs


Frances Gershwin For George And Ira Album Track Listing



1.Oh Gee Oh Joy!
2.Someone To Watch Over Me
3.Medley-My One And Only/Let'S Kiss And Make-Up
4.Isn'T It A Pity?
5.Medley-That Certain Party/(I'Ve Got Beginner'S Luck
6.The Man I Love
7.Sweet And Low-Down
8.Embraceable You
9.Oh So Nice
10.Fascinating Rhythm
11.How Long Has This Been Going On?
12.Medley-When Do We Dance?/Shall We Dance?
13.Where'S The Boy?Here'S The Girl!
14.I'Ve Got A Crush On You
15.Do It Again!
16.My Cousin In Milwaukee
17.Love Is Here To Stay
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REVIEWS"a musician of extraordinary musical talent..." Jazz Queensland, 2004"some of the best instrumental talent we got" Rave magazine, 1997"innovative and accomplished." Courier Mail, Sept 12, 2002"Toby Wren's guitar, almost keyboard like in its melodic lines was no slouch when fast & tight was called for." Pemberton Review, August 20th, 2004"the composer revealed a high level of talent, rippling out high-speed single notes and the occasional well-placed chord" The Adelaide Advertiser, August 20th, 2004 Toby is an emerging force on the Australian jazz scene. His approach, while firmly based in the jazz guitar tradition incorporates multiple influences from the avant-garde to Indian classical music. Trained as a composer, Toby has had works performed by many of Australia's great orchestras and broadcast on national radio and his guitar playing keeps him in demand as a freelance player. In early 2005 he will be recording a CD with the Toby Wren Trio and touring nationally."I formed babel to play really complex difficult stuff. It was a way of stretching my playing ability and pushing the limits of ensemble playing. As it developed it became a way of testing unusual musical structures and approaches to incorporating improvisation in a very meaningful and structured way. I was very fortunate to be able to work with some amazing musicians, who stuck with me for the, literally, years it took to be able to play some of the material! These musicians have all gone on to be some of the driving forces in Australian music - Grant Collins is one of the world's foremost drumset artists (www.grantcollins.com), ...
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British Beat Collection -Mod Style:Pye E
British Beat Collection -Mod Style Pye E British Beat Collection -Mod Style:Pye E CD  (2007) (Import) Japan

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Beautiful Music Is For Everyone
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This is our second full length album.The first full length, TH13TEEN is also available on CDbaby.just go here: http://www.cdbaby.com/cd/littlevoice--------------------NUVO CD Release show review by Paul Pogue:As Little Voice performs in their native habitat, the stage of the Historic Melody Inn, it’s ironic to think that it was right here I once accused them of not even existing.It was 2003 or thereabouts, the first time I’d met them, in the Mel’s back room right after a show. They were describing their eclectic sound, and right around the time they got to comparisons to Gilbert & Sullivan, samba, bayoun and “sincerity with falsified pretenses,” I said to them, “There’s not really a band, is there? Rob and Dave put you up to this!”Nope, as it turns out, there very much is a band — though Rob and Dave, who run the Mel, had a lot to do with Little Voice’s growth in the early years. So it’s appropriate to begin the next chapter here, where it all began, celebrating the release of Beautiful Music For Everyone (along with Red Light Driver, The Melismatics and Mason Proper).Singer/guitarist Erika Thomas’ sound is big, brassy and room-filling. Sharp staccato words punctuate long howls, backed by the band’s remarkable texture and ability to draw its strength and layers from only three musicians. They’re a difficult group to quantify; it’s like the singer-songwriters who often pass through coffeehouses, except instead of just a person and an acoustic guitar, it’s a whole band, but with a certain isolation and weariness to Thomas’ voice, alone in the wilderness.And we can’t go without mentioning Mike Rittenhouse’s extraordinary string work and broad range — straight up indie rock in one song, grand wah-wah sounds right out of 1970s underground film soundtracks on the next, and long trippy takes that make your head feel fuzzy after a while. Meanwhile, Lori Davis (the one ...
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