| | Scientist Rids The World Of The Evil Curse Of The Vampires CD - Import Scientist Discography of CDs
 (12 Customer Reviews)
Scientist is a master reggae singer/mix-master who, in 1981, recorded this deep, dark, spooky set of dub. Dub, for those new to the term, is a style of reggae where a song is deconstructed/reconstructed by the person running the mixing board. Echoes are added, vocals are subtracted, voices and instruments bounce about like balls in a game of pool. The boisterous vocals jump out at you, the bass is heavy enough to rock your insides, the drums reverberate like ghostly footfalls and the other instruments--guitar, horns, keyboards--create earthy yet eerie textures. Don't let the title put you off--RIDS THE WORLD is top-of-the-line dub reggae.
Digitally remastered rerelease.
Digitally remastered reggae classic!
Roots Radics: Sowell, Bingy Bunny, Bo Pee, Alan (guitar); Deadly Headley, Dean Fraser (saxophone); Nambo Robinson (trombone); Gladdie Anderson, Ansel Collins, Winston Wright (keyboards); Flabba Holt (bass); Style, Santa (drums); Sticky, Skully, Sky Juice (percussion).
Personnel: Bo Pee (guitar); Deadly Headley, Dean Fraser (saxophone); Nambo Robinson (trombone); Gladdy Anderson, Ansel Collins, Winston Wright (keyboards); Style Scott, Santa (drums); Skully, Sky Juice, Uziah "Sticky" Thompson (percussion).
Audio Mixer: Scientist.
Recording information: Channel One (06/13/1981); King Tubby's (06/13/1981).
Arranger: Henry "Junjo" Lawes. Rids The World Of The Evil Curse Of The Vampires Music Scientist Rids The World Of The Evil Curse Of The Vampires Songs | 1. | Voodoo Curse, The |
| 2. | Dance of the Vampires |
| 3. | Blood on His Lips |
| 4. | Cry of the Werewolf |
| 5. | Mummy's Shroud, The |
| 6. | Corpse Rises, The |
| 7. | Night of the Living Dead |
| 8. | Your Teeth in My Neck |
| 9. | Plague of Zombies |
| 10. | Ghost of Frankenstein |
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Rids The World Of The Evil Curse Of The Vampires Music Review Purchase Rids The World Of The Evil Curse Of The Vampires CD To buy, Click on price to add to cart | Blindside Silence CD (2002)
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After two exceptional albums cut for producer Tommy Cowan, Israel Vibration now linked with Junjo Lawes for the band's third set. It initially seemed an astute move. The roots age was coming to a close, the action moving back to the dancehalls. ...
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Principally recorded at Sound Factory, Sunset Sound, Crystal Recording Studios and Warner Bros. Recording Studios, Hollywood, California between 1969 & 1976.
What self-respecting '70s pop music fan's collection would be complete without James Taylor's GREATEST HITS? Not many, apparently, since it is one of the biggest selling catalog titles of all time. All of Taylor's huge hits from the first, and possibly most acclaimed, leg of his long career are included. "Fire And Rain," "You've Got A Friend," "Sweet Baby James" and "How Sweet It Is" sound as golden as the day they were first heard on the radio.
Interestingly, two of the songs here, "Something In the Way She Moves" and "Carolina In My Mind" from Taylor's first album have been re-recorded especially for this collection. Special guests like Carole King, Carly Simon, Joni Mitchell, Graham Nash, David Crosby and David Sanborn add an extra special something to the atmosphere. Listening to these songs together in one collection takes you back to a gentler time when a carefully crafted song was a thing of beauty and not just a product to be marketed like so many shiny trinkets. If you are among the few who ...
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If you are unfamiliar with Bobby Bland, TWO STEPS FROM THE BLUES is the place to start. The album marked a watershed of creative bursts and commercial recognition for the legendary blues singer. The foundation of TWO STEPS' blues was an uptown Texas blues sound, relying more on sophisticated arrangements, horns, and orchestras than gut-bucket Delta guitar heroics. Inside the lush grooves, Bland moved with restraint, crooning seductively, a tried-and-true ladies man. Which is not to say that Bland is all smooth grooves and sweet nothings. No, his gospel roots rise up like thunderclouds at precise moments, erupting to transform the album's ballads into rattling experiences. The undeniable power of Bland's squalls punctuates "Cry, Cry, Cry" and "I Pity the Fool." His trademark mixture of smoky crooning and strangled outbursts has helped place Bobby Bland alongside the best R&B singers of the century.
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