| | Skins 'N' Pins CD (1 Customer Review)
Features tracks by Pinkerton Thugs, Dropkick Murphy's, U.S. Chaos, Man's Ruin, Ducky Boys, Working Stiffs and more. 28 tracks. Skins 'N' Pins Songs | 1. | Times, The - The Pinkerton Thugs |
| 2. | Nightmare - Major Accident |
| 3. | Innocent - The Burdens |
| 4. | Ballad of the Forgotten - The Ducky Boys |
| 5. | You Can't Take It - Murder City Wrecks |
| 6. | Youth Is Wasted on the Young - The Trouble |
| 7. | Let It Go - Reducers SF |
| 8. | Believe in Yourself - One Way System |
| 9. | There's a Difference - Lower Class Brats |
| 10. | Whipping Boy - The Working Stiffs |
| 11. | Curse of a Fallen Soul - Dropkick Murphys |
| 12. | Under the Rainbow - Stray Bullets |
| 13. | Alex - The Choice |
| 14. | Eye for an Eye, An - U.S. Chaos |
| 15. | Bleed - Oxymoron |
| 16. | It's a Coin - The Subversives |
| 17. | Skinhead Justice - Pressure Point |
| 18. | Man's Ruin - Man's Ruin |
| 19. | Stay Gold - The Unseen |
| 20. | Bare Knuckle Pete - Patroit |
| 21. | Man's Ruin - Service |
| 22. | I'm an Anti-Hero - Anti-Heroes |
| 23. | Martin Decker - The Randums |
| 24. | In the Gutter - Condemned 84 |
| 25. | West End Kids - The Bodies |
| 26. | I'm a Piss Artist - Adolf & the Piss Artists |
| 27. | Our Country - Distoderly Conduct |
| 28. | Gone But Not Forgotten - Last Year's Youth |
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| | Clifford Brown Memorial (Ojc) CD (1956)
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Recorded in New York, New York on June 11, 1953; Stockholm, Sweden on September 15, 1953. Originally released on LP on Prestige (7055). Includes liner notes by Ira Gitler.
Digitally remastered by Joe Tarantino (Fantasy Studios, Berkeley, California).
This inaccurately named "Memorial" album is a reissue of two recording sessions by Clifford Brown made in 1953 and 1954 with an alternative take added to the CD to bring it close to 45 minutes of music. These recording events took place about halfway between Brown's two serious car accidents, the last in 1956 was the fatal one. The first four tracks were cut while Brown and Art Farmer were on a European tour with the Lionel Hampton Orchestra with a group called the Swedish All Stars. The remaining tracks were done with a group headed by Tadd Dameron. Like most of his recordings as a leader, Dameron compositions and arrangements made up the musical play list. Both these performances represented another step in Brown's musical development that came to fruition in 1954. Then he and Max Roach formed their quintet where their collaboration produced what was to become known as hard bop. But at this juncture in Brown's career, he had not yet reached the apex of his musicianship, or as much of an apex as he could with a life cut so short. With regard to the Dameron-led performances, his arrangements are interesting and compelling but, with the passage of time, they turn out to be not all that memorable. Of special note is Brown's swinging on "Philly J.J." and his muted horn on "Theme of No Repeat." There's plenty of top-notch playing as might ...
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Nisha Kataria was born on the 9th of May 1986, in the city of Ottawa, Ontario, Canada. However, shortly there after, she moved to Phoenix, Arizona, along with her family, where she would live and discover her love of singing.At the tender age of three, her ardor for music was hard to miss. At an age where most children tend to be shy, Nisha was seizing every opportunity available to display her vocal ability and her passion for singing. Whether it was the middle of a mall, or the living room in her own home, Nisha was guaranteed to be putting on a show to a very welcoming audience; who in turn could not take their eyes off the small girl with no inhibitions.As time went by and Nisha grew older, Nishas vocal range and list of accomplishments broadened. At the age of 11, Nisha was awarded with the Martin Luther King Scholarship. She also won the annual school talent shows for five consecutive years.As time went by and Nisha grew older, Nishas vocal range and list of accomplishments broadened. At the age of 11, Nisha was awarded with the Martin Luther King Scholarship. She also won the annual school talent shows for five consecutive years. She established a name for herself in her home city of Phoenix by singing the national anthem at many sporting events, including the one-time world champions in baseball, the Arizona Diamondbacks. She also gained popularity in her own Indian community by performing the national anthem for such legendary singers as Asha Bhosle, a native artist and one of the most successful of India.However, Nishas big musical break came in 2003 when she was discovered in the parking lot of the Arizona State Fair and grasped the attention of the celebrated Michael Jackson. Michael Jackson was so impressed by Nisha’s voice that he decided to record with her, something he had never done in the past with anyone.Nishas musical style can be described as a combination of pop, rock, and R&B. Almost anyone can find her music enjoyable since it contains a variety of sounds, from various parts ...
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