Buster Williams Dreams Come True CD Canada

Dreams Come True Music

List Price	$15.98 (You save $2.83)
Category	Rock/Pop Albums, Jazz CDs, Jazz Instrument, Soul/R&B
Label	Unidisc
Orig Year	1981
All Time Sales Rank	295080
CD Universe Part number	1573330
Catalog number	4110
Discs	1
Release Date	Jul 26, 2005
Studio/Live	Studio
Mono/Stereo	Stereo
Engineer	Tom Dwyer; Harold Tarowski; Bill Messina; Llew Horowitz; Ted Brosnan
Personnel	Hubert Laws - flute Kenny Barron - piano Eddie Henderson - trumpet, flugelhorn Hank Crawford - alto saxophone Ben Riley Billy Hart - drums Buster Williams - acoustic bass Buster Williams - acoustic bass Onaje Allan Gumbs - electric piano Darryl Tookes List all 24 contributors
Additional Info	Canada

Buster Williams Dreams Come True Songs

	1.	When the Sky Is Clear
	2.	Betcha by Golly, Wow
	3.	Ain't Misbehavin'
	4.	Seascape
	5.	So Falls the Past
	6.	Dreams Come True

Dreams Come True Music Review

Average Rating: (4 out of 5 stars) 4 stars

4 stars Dreams do come true
I have this CD on a worn out LP. I was excited when I found it at CD universe. This 1970's era CD covers pop tunes of the day, as well as originals.
Submitted by sasimon2030 (Houston)
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Many folks only know New Orleans R&B through the teenage singing and songwriting duo of Shirley Goodman and Leonard Lee, who penned and recorded the definitive version of the most explosive party tune of all time (with the possible exception of "Great Balls of Fire" that came six years later), "Let the Good Times Roll." Given the fact that this box set is four CDs in length, anyone who believes that Shirley & Lee were mainly responsible for that smash hit alone have incomplete knowledge of the duo. Here are 113 performances that include all of their singles, outtakes, albums, and unreleased and rehearsal tracks, which serve not only as a chronology of the pair's contribution to the Crescent City's R&B tradition, but as a portrait of the studio scene and its players who were already changing musical history. This set has all the chapters of their "Sweethearts of the Blues" story on disc one and then gets deep into their scorching, risqué, utterly moving, and joyous R&B tracks. The "Sweethearts of the Blues" moniker was concocted by Aladdin, their label, as a way of getting regional fame based upon the success of their first single, "Sweethearts" and "I'm Gone." When they had the "Sweethearts" angle in place, Shirley & Lee began to write songs to match the chapters in a love affair. With "I'm Gone," the first chapter was written; next came "Shirley, Come Back to Me," which was followed by "Shirley's Back" (the alternate take of which is the better of the two), "So in Love," "The Time Has Come," "I Love You So," "The Proposal," and "Two Happy People," before Lee got sick of it and wrote "Lee Goofed." The folks in New Orleans and throughout the regional South followed the pair's antics on record and Aladdin's scheme worked. Shirley & Lee even had a stage routine to go with the songs! This set documents Shirley & Lee's regional successes and their gradual national buildup, which broke down popular culture's door nationwide with "Let the Good Times Roll." Finally, the appeal of the pair was noticed in terms of the raw excitement they provided. The record broke out of New Orleans like a rocket and didn't stop for years. DJs everywhere were playing the hell out of it until about 1960, four years after it was released! The pair's edgy, sharp voices enunciated perfectly above the crackling din of the Crescent City's finest musicians. And that's the other part of the story -- that many players, such as Dave Bartholomew (who first recorded them commercially), Earl Palmer, Alvin "Red" Tyler, Lee Allen, James Booker, Frank Fields, Herbert Hardesty, Wardell Quezergue, and many others played on dozens of these records. Bartholomew, Palmer, Tyler, and Allen appear on almost everything here! The cream of the crop in New Orleans backed these two singer/songwriters. And as a unit, the combination was unbeatable, as the Aladdin, Warwick, and Imperial sides all attest. Just check the deep horn section swing on "When I Saw You," or hear Allen ...

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