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Davis, Miles - Birth Of The Cool CD Cover Art CD music music CDs songs album

Miles Davis Birth Of The Cool CD

 Miles Davis Discography of CDs
3.5 stars (2 Customer Reviews)

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Recorded in New York, New York on January 21 & April 22, 1949 and on March 9, 1950. Originally released on Capitol (762). Includes liner notes by Pete Welding & Gerry Mulligan.

As Miles Davis came to transcend the influence of Dizzy Gillespie and recognize his own musical voice, he arrived at a terse lyric conception of the trumpet, grounded in Charlie Parker's swinging syncopations. And it was in the course of searching for an appropriate musical corollary that he forged an enduring musical partnership with arranger Gil Evans and a core group of like-minded musicians that yielded three remarkable sessions which have come down to us as BIRTH OF THE COOL.

For Davis and Evans, the challenge was to create a supple new vocabulary out of the angularity of bebop, and greater emphasis on texture and form. By reining in the rhythm, Davis and Evans sought to create a more seamless fabric of written and improvised passages. And by employing tuba, French horn, trombone and trumpet, along with alto and baritone saxophones the Davis Nonet achieved a diaphanous, mellow orchestral texture.

However, the notion of cool as emotional detachment or lack of improvisational heat is somewhat overstated by the title. John Lewis's chart for the opening "Move" is taken at a brisk gallop over a driving Max Roach pulse, animated by deep brass counterpoint. Miles Davis treats his own blues, "Deception," in an almost choral manner, his lovely melodic line snaking through a web of voices. Gerry Mulligan's "Rocker" benefits from the rich contrary motion of his writing, and the big band accents which launch Miles' solo. On "Boplicity," Gil Evans' harmonizes his coy swinging melody with warm, broken voicings, while his spatial, atmospheric chart for the ballad "Moon Dreams" is distinguished by the idiomatic serenity of his voice leading. A masterpiece.

Digitally remastered by Rudy Van Gelder.

This is part of Blue Note's Rudy Van Gelder Editions series.

Reissue producer: Michael Cuscuna.

Personnel: Miles Davis; Gerry Mulligan, Gunther Schuller, J.J. Johnson, Kai Winding, Kenny Clarke, Al Haig, Al McKibbon, Lee Konitz, Max Roach, Nelson Boyd, Junior Collins, John Barber, Joe Shulman.

Recording information: WOR Studios, New York, New York (1949 - 1950).

Personnel: Miles Davis (trumpet); Kenny Hagood (vocals); Lee Konitz (alto saxophone); Gerry Mulligan (baritone saxophone); Junior Collins, Sandy Siegelstein, Gunther Schuller (French horn); J.J. Johnson, Kai Winding (trombone); John Barber (tuba); John Lewis, Al Haig (piano); Al McKibbon, Joe Shulman, Nelson Boyd (bass); Kenny Clarke, Max Roach (drums).

Producer: Walter Rivers, Pete Rugulo.

Q (4/01, p.117) - 4 stars out of 5 - "...Each track is short, subtle and self-contained, the most notable being 'Moon Dreams', a lush, mellow take on orchestrated bop..."
Birth Of The Cool Music


Detailed Birth Of The Cool Music Information



List Price $8.98 (You save $0.59)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Trumpet
Label Blue Note
Orig Year 1956
All Time Sales Rank   5507  
CD Universe Part number 1578474
Catalog number 30117
Discs 1
Release Date Jan 09, 2001
Studio/Live Studio
Mono/Stereo Mono
Engineer Rudy Van Gelder
Personnel Miles Davis - trumpet
MILES DAVIS - trumpet
Al McKibbon
Al Haig - piano
Nelson Boyd - bass
Joe Shulman
Junior Collins
Kenny "Poncho" Hagood - vocals
Sandy Siegelstein
John Barber - tuba

Also: Max Roach, Gerry Mulligan, J.J. Johnson, Kenny Clarke, John Lewis, Gerry Mulligan, Lee Konitz, Kai Winding, Gunther Schuller
Additional Info Remastered
Miles Davis Birth Of The Cool Songs


Miles Davis Birth Of The Cool Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Move
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Jeru
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Moon Dreams
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Venus de Milo
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Budo$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Deception  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Godchild
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Boplicity$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Rocker
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Israel
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Rouge
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Darn That Dream  

Birth Of The Cool Music


Birth Of The Cool Other Versions



Birth Of The Cool Music Review


Customer Birth Of The Cool Reviews 




Average Rating: (3.5 out of 5 stars) 3.5 stars

3 stars Beginnings
These recordings are the first for Davis as a leader and the beginning of his famous collaborations with Gil Evans. Though this is a must own for any Davis fan, jazz historian, or serious jazz musician, Davis and Evans were just discovering their approach, so many of the songs sound very similar. Davis is just beginning to show the lyrical and harmonic insight which would be in full bloom with 'Porgy and Bess' just a few years later.
Submitted by St.Davey (Windham, Me.)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

4 stars Transitions
A wonderful visit to a transition phase in Miles' career- delightful
Submitted by TopCat (Red Bank, NJ) Verified Buyer
Was This Review Helpful? Yes No

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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus ...
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Miles Davis was part of a circle of musicians drawn to arranger Gil Evans' charts for Claude Thornhill's Orchestra--his lovely palette of woodwinds and deep brass, his way of voicing chords and accenting rhythms. Beginning with their innovative collaboration on BIRTH OF THE COOL, they created a luminous body of work, as Gil Evans played Billy Strayhorn to Miles' Duke Ellington. Beginning with MILES AHEAD, and continuing through works such as PORGY AND BESS, SKETCHES OF SPAIN, AT CARNEGIE HALL and QUIET NIGHTS they cultivated a cool attitude that defined jazz in popular consciousness. This is the second CD release of MILES AHEAD (look for the Legacy logo), and this edition returns to the original mono master takes, proceeding as one uninterrupted work--a concerto for flugelhorn soloist and mixed brass, woodwinds and rhythm. The jaunty brass counterpoint and contrary motion of "Springsville" launches Miles in full flight, descending into the gossamer Iberian shadings of "The Maids Of Cadiz." Shadowed ...
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The crown jewel of the epic Evans/Davis triptych that began with MILES AHEAD and PORGY AND BESS, SKETCHES OF SPAIN is as emotionally compelling as any performance in the trumpeter's remarkable body of works. Combining as it does the emotional gravity of two cultures--the deep song of flamenco music and the rich lament of the blues--SKETCHES OF SPAIN is a musical hybrid of enormous power and beauty. Gil Evans' immense canvas of orchestral colors inspires some of Davis' most deeply felt solo flights. He paints vast vistas of velvety, shimmering night sounds, and through it all runs the mountainous backbone of Spain's native rhythms and chants. The centerpiece of SKETCHES OF SPAIN is the Evans/Davis treatment of the second movement of Rodrigo's "Concierto De Aranjuez." Evans' charts engage ...
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