Miles Davis - Live-Evil Super Audio
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Davis, Miles - Live-Evil SA Cover Art
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Miles Davis - Live-Evil Super-Audio CD

 Miles Davis Discography of CDs
Super Audio CD
3 stars
3 out of 5 stars (1 Customer Review)



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Digitally remastered by Tom Ruff (Sony Music Studios, New York, New York).

Broken into a group of short studio pieces and four extended live jams, LIVE EVIL finds Miles Davis going further up the river, into the heart of uncharted musical darkness. In the studio, Miles took simple tone ballads and immersed them in the electrified air that he'd been breathing since IN A SILENT WAY. "Nem Um Talvez" and "Selim" are sister pieces; with Miles' trumpet bathed in Hermeto Pascoal's keyboards and vocal moans, sprinkled with proto-dub percussion effects.

The live pieces are another animal altogether. Augmented by John McLaughlin's Hendrixian guitar runs and bolstered by Michael Henderson's funky bass pops, these are blues-tinged tickets to an electric, improvisational nirvana. With room to stretch out in any direction, each soloist develops fluidly within the ensemble, then thrusts powerfully forward. Jack DeJohnette and Airto Moreira hold down the backbeat, shifting it into a multitude of forms; Keith Jarrett fills the down-tempo breaks admirably. But it's Miles and McLaughlin who incite this music to the frenzied riot that is it's true calling. When the time comes and the massive, dark groove descends, it comes with a ritualistic, heretofore-unheard fervor.

Recorded at Columbia Studio B, New York, New York between February 6 and June 4, 1970, and live at the Cellar Door, Washington, D.C. on December 19, 1970. Includes liner notes by Gary Bartz.

Personnel: Miles Davis (trumpet); Hermeto Pascoal (vocals, whistling, electric piano, drums); John McLaughlin (guitar); Khalil Balakrishna (electric sitar); Gary Bartz (soprano saxophone, alto saxophone); Steve Grossman, Wayne Shorter (soprano saxophone); Keith Jarrett (electric piano, organ); Chick Corea, Herbie Hancock, Joe Zawinul (electric piano); Dave Holland (acoustic bass, electric bass); Ron Carter (acoustic bass); Michael J. Henderson (electric bass); Jack DeJohnette, Billy Cobham (drums); Airto Moreira (percussion).

Audio Mixer: Russ Payne.

Liner Note Author: Gary Bartz.

Recording information: Columbia Studio B, New York, NY (02/06/1970-12/19/1970); The Cellar Door, Washington DC (02/06/1970-12/19/1970).

Photographer: Don Hunstein.

Personnel: Miles Davis (trumpet); Hermeto Pascoal (vocals, whistling, electric piano, drums); Conrad Roberts (spoken vocals); Gary Bartz (soprano & alto saxophones); Steve Grossman, Wayne Shorter (soprano saxophone); Keith Jarrett (electric piano, organ); Joe Zawinul, Herbie Hancock, Chick Corea (electric piano); John McLaughlin (guitar); Khalil Balakrishna (electric sitar); Dave Holland (acoustic & electric basses); Ron Carter (acoustic bass); Michael Henderson (electric bass); Jack DeJohnette, Billy Cobham (drums); Airto Moreia (percussion).

Stereo

Rolling Stone (1/20/72, pp.51-52) - "...Everybody is just playing away, and there aren't any weak links....Miles reacts to this happy situation by playing his ass off....this sounds like what Miles had in mind when he first got into electric music and freer structures and rock rhythms..."
Spin (8/97, p.117) - "...splices together live chunks and cool studio vignettes, and features the Hindu heavy-metal fretwork of John McLaughlin..."
Entertainment Weekly (8/01/97, p.75) - "...With his inimitable trumpeting--by turns melancholy, pungent, and lyrical--at the music's center, his electrified cohorts stretch the limits of jazz, rock, and funk..."
- Rating: A-
Down Beat (7/97, p.65) - 4 1/2 stars (out of 5) - "Initially recorded in '69 and '70, when the band was in flux, this palindrome-titled monster was later assembled out of live and studio tapes by Davis and producer Teo Macero.... this isn't pyrotechnic techno-dweeb fusion, but an outstandingly creative electric collage..."
JazzTimes (10/97, p.87) - "...Miles' true electric rite of passage..."
Musician (8/97, p.87) - "...The ears-open interactivity of Davis' ensembles--that ability to engage in serious musical conversation while flying in the upper atmosphere--is enough to shame any current bebop-babbling jazz automaton..."

**Super Audio CD (SACD)**
A Super Audio CD player is required to play this CD.
This item will not play on standard CD players.
Live-Evil Music


Detailed Live-Evil Music Information



Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Super Audio, Jazz, Live Performances, Trumpet, Enhanced CD
Label Columbia
Orig Year 1971
All Time Product Rank 154,347
CD Universe Part number 1764722
Discs 2
Release Date Mar 06, 2001
Studio/Live Live
Mono/Stereo Stereo
Producer Teo Macero; Bob Belden (Reissue)
Engineer Stanley Tonkel; Mark Wilder; Stanley Tonkel
Additional Info Super Audio CD
Miles Davis - Live-Evil Songs


Miles Davis - Live-Evil Album Track Listing



Click to hear an MP3 sound sampleTrkSongTime Price
1Sivad * See All 515:13 $0.99
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(From different album)
2Little Church * See All 133:14 $0.99
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(From different album)
3Medley: Gemini/Double Image: Gemini / Double Image *5:53 $0.99
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(From different album)
4What I Say * See All 721:09 $0.99
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(From different album)

Disc 2
1Nem Um Talvez * See All 44:03 $0.99
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(From different album)
2Selim * See All 42:13 $0.99
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(From different album)
3Funky Tonk * See All 323:25 $0.99
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4Inamorata And Narration
(*) MP3 for this song is from a different CD. Listen to the sound sample to be sure this is the version you're looking for.
Live-Evil Music


Live-Evil Other Versions



Live-Evil
Live-Evil CDs  (1971) 3 stars Audio Samples Definitive Album Limited Edition
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MP3 Buy It 
Sorry, there is no artwork available at this time
Live-Evil Vinyl LP  (1971) 3 stars
Vinyl Record Buy It 
Live-Evil Music Review


Customer Live-Evil Reviews 




Average Rating: (3 out of 5 stars) 3 stars

3 stars ANOTHER GOOD MILES DAVIS RELEASE!
I first got this cd in mid-2006,and the cd highlights are the songs "What I Say"(except for the pointless 4 minute drum solo),which is 21 minutes long,the 23.5 minute song "Funky Tonk",and the 26.5 minute song "Inamorata",which includes a bit of narration of some sort by Conrad Roberts 23 minutes into the song.These 3 songs are pure jazz-rock fusion.The other 5 songs are o.k.,but not great.I recommend this cd for the what i say,funky tonk,and inamorata songs.
Submitted by jason (modesto,ca.)
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cdu4asppid music 1764722 cdu4pidall cdu4pls3 ver239cdu cdu4all 2/13/2012 6:23:53 PM