| | Herbie Mann Monday Night At The Village Gate CD Herbie Mann Discography of CDs
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'Monday Night At The Village Gate', recorded in 1966, features jazz piano legend Chick Corea. Reissue, 5 tracks. Standard jewelcase. 2001 release.
Personnel: Herbie Mann (flute); John Hitchcock, Mark Weinstein (trombone); Dave Pike (vibraphone); Chick Corea (piano); Earl May (bass); Bruno Carr (drums); Carlos "Patato" Valdes (congas). Recorded live at the Village Gate, New York, New York. Includes liner notes by Art D'Lugoff. Personnel: Herbie Mann (flute); Herbie Mann; John Hitchcock, John Hitchcock (trombone); Earl May (bass instrument); Mark Weinstein (trombone); Chick Corea (piano); Dave Pike (vibraphone); Carlos "Patato" Valdes (drums, congas); Bruno Carr (drums). Recording information: The Village Gate, NY (05/24/1961). Arranger: Oliver Nelson. Five years on from his career-defining live set AT THE VILLAGE GATE, flautist Herbie Mann returned to that Greenwich Village venue to record a follow-up with a different lineup--now featuring future superstar Chick Corea on piano--and a subtly different sound. Mann's music was still based on the Latin jazz that he had spent years exploring, but rather than the frenetic beats of Afro-Cuban music or samba, the rhythmic pulse of these five tracks is decidedly more laid-back. On the centerpiece eight-minute rendition of the gospel standard "Motherless Child," the vibe is straight-up soul jazz, complete with some bluesy comping by Corea and a long, mellow flute solo by Mann. The rest of the album picks up the tempo, most notably on Arif Mardin's "The Young Turks," but there's still a looser, more flexible sense of rhythm on MONDAY NIGHT AT THE VILLAGE GATE than on its better-known predecessor, one that hints at the full-on fusion of Mann's later career.
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Purchase Monday Night At The Village Gate CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Monday Night At The Village Gate
$38.49 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts. Personnel includes: Gregg Allman, Dickey Betts (vocals, guitar); Duane Allman (guitar, dobro, background vocals); Paul Hornsby, Scott Boyer, Elvin Bishop, Tommy Talton, Steve Beckmeier, Rickey Hirsch, John Hug, Dan Toler (guitar); John Hughley ...
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Monday Night At The Village Gate
$15.29 This compilation contains 38 songs, including many new remixes from original master tapes, 6 previously unreleased songs, alternate versions of 3 others, and a comprehensive 36 page booklet, with historic liner notes and photos. Personnel: Jim Messina (vocals, guitar, bass); Richie Furay (vocals, guitar); Paul Cotton (vocals, guitar); Rusty Young (vocals, pedal steel guitar, dobro, banjo); Randy Meisner (vocals, bass); Timothy Schmit (vocals, bass); George Grantham (vocals, drums). Producers: Jim Messina, Steve Cropper, Poco, Jack Richardson, Jim Mason. CD Compilation produced by Bob ...
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Monday Night At The Village Gate
$10.45 Personnel: Herbie Mann (flute); Hagood Hardy (vibraphone); Ahmad Abdul-Malik, Ben Tucker (bass); Rudy Collins (drums); Ray Mantilla (conga drum, percussion); Chief Bey (African drum, percussion). Recorded live at The Village Gate, New York, New York in 1961. Includes original release liner notes by Willis Conover. Remarkably few of flutist Herbie Mann's ...
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Monday Night At The Village Gate
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Personnel: Miles Davis (trumpet); John McLaughlin (guitar, electric guitar); Harvey Brooks (electric guitar, electric bass, bass guitar); Bennie Maupin (bass clarinet); Wayne Shorter (soprano saxophone); Joe Zawinul (electric piano, organ); Chick Corea, Larry Young (electric piano); Don Alias (drums, congas, percussion); Jack DeJohnette, Lenny White (drums); Jumma Santos (congas, shaker, percussion); Airto Moreira (cuica, percussion); Jim Riley, Jimmy Riley (percussion). Recording information: Columbia Recording Studio B., New York, NY (08/19/1969-01/28/1970). Illustrator: Mati Klarwein. Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most influence rock and funk musicians, Bitches Brew is, by its very nature, mercurial. The original double LP included only six cuts and featured up to 12 musicians at any given time, most of whom would go on to be high-level players in their own right: Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Benny Maupin, Larry Young, Lenny White, and others. Originally thought to be a series of long jams locked into grooves around one or two keyboard, bass, or guitar figures, Bitches Brew is anything but. Producer Teo Macero had as much to do with the end product on Bitches Brew as Davis. Macero and Davis assembled, from splice to splice, section to section, much of the music recorded over three days in August 1969. First, there's the slow, modal, opening grooves of "Pharaoh's Dance," with its slippery trumpet lines to McLaughlin's snaky guitar figures skirting the edge of the rhythm section and Don Alias' conga slipping through the middle. The keyboards of Corea and Zawinul create a haunting, riffing groove ...
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