| | Female Blues: Remaining Titles 1922-1927 CD
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Purchase Female Blues: Remaining Titles 1922-1927 CD To buy, Click on price to add to cart | Female Blues: Remaining Titles 1921 - 1928 CD (1997) Import
Female Blues: Remaining Titles 1922-1927
 $13.35
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| | Laurindo Almeida Brazilliance Vol. 1 CD (1955)
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In 1953, the West Coast studio reedman Bud Shank created a first by going into the studio with the Brazilian master guitarist Laurindo Almeida. A good eight years before Stan Getz conducted a similar experiment called JAZZ SAMBA (with non-Brazilian guitarist Charlie Byrd), Shank and Almeida produced a natural-born musical hybrid that still sounds startlingly contemporary today. There aren't too many 1953 jazz albums about which one could make the same claim.
The two musicians stick with mainly Brazilian material, featuring such highly regarded pre-bossa nova composers as Ary Barroso, Luis Gonzaga, and Pixinguinha. The only stateside detour is ...
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Female Blues: Remaining Titles 1922-1927
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Live Recording
Recorded ...
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Debut;Guests Eliza Gilkyson; Produced By Anders Osborne
Recorded at John Schab Recording Studios, Columbus, Ohio; ...
| | Jelly Roll All-Stars Must Be Jelly CD (2004)
Female Blues: Remaining Titles 1922-1927
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This CD features a group of musicians from the upper echelon of classic blues session men from the golden age of the genre: Calvin "Fuzz" Jones (bass) and multiple W.C. Handy Award winner Willie "Big Eyes" Smith (drums/vocals) were the rhythm section ...
| | Monica Attell Band Geek CD (2006)
Female Blues: Remaining Titles 1922-1927
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Few artists could make a successful transition from earning a Masters in Flute Performance from the Boston Conservatory to performing with the Visions 2000 Gospel Choir to fronting the power pop punk band ZETA BANE. Monica Attell has done that, and her stature within the independent music scene is on the rise.Attell was exposed to a wide variety of music from the start; her older brothers had different personalities and tastes in music, so Monica listened to everything from the Muppets to Yes and the Beatles to Barbra Streisand. As a result, she says she’s always found something to “hook her ear onto” with just about any kind of music.After graduating from the Conservatory, Attell knew she needed to go where the music was, because the chances of earning a chair in a symphony orchestra were “one in a million.” “At the graduate level, everyone is really good,” she says. She started playing jazz gigs, singing backup, and playing flute for a lot of jam bands. Then the opportunity came to front ZETA BANE and, inspired by her love for Jethro Tull and his fusion of classical and rock, she made the jump.Fueled by Attell’s powerful yet versatile vocals, which can range from ballad to hard-driving power pop punk goddess, ZETA BANE opened for acts such as Berlin; Wakefield; David Johanssen; and Attell’s brother, stand-up comic and Comedy Central personality Dave Attell.Following her passion for making music, Attell decided to perform her own material, and teamed up with bassist John Propper, a fellow music teacher and product of a Boston music school (Berklee); and drummer Todd Budich, also a graduate of Berklee and a former member of Decifunk.The album “Bank Geek” followed, the title a nod to the band friends that she’s known since starting the flute in fourth grade. “My best friends were always in the school band with me,” Attell says. “When you get to high school, you realize that’s your support group. Many of my band friends are still playing, too.”In August 2005, Attell put her second passion--teaching music--to use, traveling to Haiti for eight days to teach recorder to over 250 children and 75 teachers. Her documentary about the trip, “The Pied Piper of La Gonave,” premiered ...
| | Marva Wright After The Levees Broke CD (2007) (Import) Australia
Female Blues: Remaining Titles 1922-1927
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Studio recording from New Orlean's blues/soul shouter, Marva Wright supported by the "cream" of New Orleans Musicians. Brilliant covers of blues, soul and country classics.
Though the New Orleans singer Marva Wright seems like she's been around since the 1960s, she in fact only made her first record in 1991. She's accompanied on this eclectic, Nola-centric collection of country, pop and R&B covers by an all-star lineup of Big Easy session musicians, notably performing inspirational versions of Jackie Wilson's "Higher and Higher," Sam Cooke's "A Change Is Gonna Come," and Sly Stone's ...
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Female Blues: Remaining Titles 1922-1927
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Track Listing of songs: ...
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