| | Classic Blues, Jazz & Vaudeville Singers Vol. 4... CD
Eliza Christmas Lee/Marion Harrison/Josie Harley/Helen Ba
Performers include: Lillyn Brown, Eliza Christmas Lee, Marion Harrison, J. Churchill, Josie Harley, Helen Baxter, Mandy Lee, Viola mcCoy, Lena Wilson, Lillian Harris, Edna Hicks, Gladys Bryan, Faye Barnes, Bessie Brown. Classic Blues, Jazz & Vaudeville Singers Vol. 4... Music Classic Blues, Jazz & Vaudeville Singers Vol. 4... Songs | 1. | If That's What You Want Here It Is |
| 2. | Ever Lovin' Blues |
| 3. | Bad-Land Blues |
| 4. | I Ain't Givin' Nothin' Away |
| 5. | Arkansas Blues |
| 6. | Baby Can't You Understand |
| 7. | So Blue |
| 8. | Mad Man Blues |
| 9. | I'm Through With You as I Can Be |
| 10. | 2 A.M. Blues |
| 11. | Cruel Back Bitin' Blues |
| 12. | You Got Ev'ry Thing a Sweet Mama Needs (But Me) |
| 13. | If Your Man Is Like My Man |
| 14. | Midnight Blues |
| 15. | I Don't Let No One Man Worry Me |
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Classic Blues, Jazz & Vaudeville Singers Vol. 4... Review
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Purchase Classic Blues, Jazz & Vaudeville Singers Vol. 4... CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Classic Blues, Jazz & Vaudeville Singers Vol. 4...
 $6.75    
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes ...
| | Howlin Wolf Moanin' In The Moonlight/Howlin' Wolf CD (1959)
Classic Blues, Jazz & Vaudeville Singers Vol. 4...
$8.49
Recorded in Memphis, Tennessee and Chicago, Illinois between 1951 and March 1959. Originally released on Chess (9195) in 1959. Includes original liner notes by Ralph Bass.
Recorded ...
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Music has the power to heal, to restore and empower, not only the artist but the listener as well. Lurrie Bell’s remarkable new album, Let’s Talk About Love, is proof positive of this.In fact, with Let’s Talk About Love, the firebrand Chicago blues guitarslinger – whom the Boston Phoenix declared “the most talented blues guitarist of his generation” – has released his most accomplished, deeply heartfelt album yet. Bell’s masterful creation, produced by longtime associate Matthew Skoller, is upbeat, warm, wise, and deeply inspiring, vividly displaying Bell’s unshakeable faith in the curative power of the blues. Let’s Talk About Love is a personal triumph for Bell, who has certainly experienced his share of adversity and come out, as his producer describes, “without any bitterness or anger. Lurrie’s a quiet, sweet guy who takes refuge in his music – that’s how he survives.” In 2007 alone, Bell lost two of the most-loved people in his life: his father, Chicago blues harmonica great Carey Bell; and Susan Greenberg, his partner and the mother of his toddler daughter, Aria (for whom he named his current music label, Aria B. G. Records). Bell had already triumphed over a debilitating bout of mental illness that stretched through much of the ’80s and ’90s, a period during which he’d even gone homeless for a time – a far cry from the stardom that authoritative publications including the New York Times and Rolling Stone had predicted for this scintillating second-generation bluesman.In choosing the songs for Let’s Talk About Love, “a theme started to emerge,” says producer Skoller. “And that theme was love.” Rather than selecting songs that would simply serve to vent his frustrations or bemoan his many ...
| | Nick Mundy Just Songs CD (2008)
Classic Blues, Jazz & Vaudeville Singers Vol. 4...
$16.45
Philadelphia-born, self-taught musician Nick Mundy started his musical odyssey at the young age of 17 as lead singer and guitarist for London Records’ family group, "The Beck Family." Nick continued his journey with another Philadelphia family group, "Sister Sledge," as their musical director and guitarist. He performed on their album titled My Guy.Columbia Records industry veterans Cecil Holmes and Ron Mosley saw green in Mundy and believed it wasn’t long before Nick’s 12-inch single, “Ain’t It Alright,” hit the streets.Nick left the East Coast for Los Angeles to pursue his artistry. Armed with only one hundred dollars and 14 songs, he promptly landed himself a publishing deal with MCA Publishing and Warner Chapell Music. It wasn’t much time before Nick was signed to Warner Brothers by Benny Medina. He released his first solo album in 1985 titled, “Your Kind of Guy.”Along the way, Nick found time to co-write and produce songs such as Talk to Me for Chico DeBarge; Trade Him In with Janice Ian; Jody Mowatt Working Wonders What Comes Naturally for ...
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