| | Classic Blues & Vaudeville CD
Classic Blues & Vaudeville Music Classic Blues & Vaudeville Review
GuidelinesRemember to focus your comments on Classic Blues & Vaudeville CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Classic Blues & Vaudeville CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Classic Blues & Vaudeville
 $6.75    
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and ...
| | Howlin Wolf Moanin' In The Moonlight/Howlin' Wolf CD (1959)
Classic Blues & Vaudeville
$8.49
| | Johnny "Guitar" Watson Funk Anthology CDs (2005) Digipak
Classic Blues & Vaudeville
$15.99 
| | Chris Smither Time Stands Still CD (2009)
Classic Blues & Vaudeville
$13.35
| | Isley Jasper Isley Broadway's Closer To Sunset BLVD. CD (1984)
Classic Blues & Vaudeville
$9.99
| | Savoy Brown Raw Sienna CD (1969)
Classic Blues & Vaudeville
$6.59
| | Memphis Minnie Complete Recorded Works Vol. 2 (1930-31) CD (1994)
Classic Blues & Vaudeville
$13.25
| | George Thorogood 30th Anniversary Tour: Live In Europe CD (2004)
Classic Blues & Vaudeville
$11.29
Live Recording
| | Dr John Right Place Wrong Time CD (1997)
Classic Blues & Vaudeville
$7.89
| | Ray Charles & His Band King Of Soul CD (2005) (Import) Argentina
Classic Blues & Vaudeville
$10.49
| | Moon Dogs Blues'll Get Ya! CD (2007) (Import) United Kingdom
Classic Blues & Vaudeville
$18.29
| | Glenn Miller Chattanooga Choo Choo CD (2006) (Import)
Classic Blues & Vaudeville
$27.59
| | Love Is All Nine Times That Same Song CD (2006) Bonus CD
Classic Blues & Vaudeville
$11.39
| | Lisa Dominique Sensation/Baby I Don't Care CD (2007)
Classic Blues & Vaudeville
$6.69
“Lisa’s voice carries the same distinctive quality of Chrissie Hynde of the Pretenders and Debbie Harry,” Mick Wall, Renowned Rock Writer and Author."Lisa’s public aren’t just excited youths, it just happens they seem to be the most successful in getting tickets before the place is sold out! Before long the stage becomes a shark feeding frenzy as Lisa slings her jacket off and proceeds into rock n’ roll lady. She writes great songs and delivers them dynamically." Al Simpson, Metal Hammer“The Marilyn Monroe of Rock n’ Roll”, Keith McMillan, Producer/Director Channel 4 ECT"Sex kitten Lisa Dominique struts the stage like Scarlet O’Hara on Acid," Kerrang!"Lisa Dominique delivers! She does pout and tease for all she’s worth - at one stage the whole band disappear under ...
| | Reflect Hope Wuz Here CD (2008)
Classic Blues & Vaudeville
$9.35
"He thinks he can change the world..."REFLECT is his stage name. It's a word that defines his music; reflective, deep emotionally, and bouncing descriptive images. REFLECT extends the meaning to simply "I am you." "I see myself in my audience and if they are open they will see themselves within me… I‘m a reflection of them and they are a reflection of me." Born the middle of three sons to folk/blues musicians and raised by his mother, a singer songwriter and instrumentalist who supported herself and her boys. She worked singing in clubs until her health began to deteriorate and she was forced to go on disability to support her family. His mother taught him about the healing power of music and the role it plays in life. She taught her sons the importance of taking an active role in the community and making an effort to uplift yourself and those around you, qualities seen and heard in REFLECT’s music. "I was raised to be socially conscious and I have a commitment to those in the struggle, the youth, and anyone who feels helpless or disenfranchised." Music wasn’t always a priority. REFLECT’s primary focus until graduating highschool was always athletics. "I had a hoop dream like many youth and it kept me going to school and taught me hard work… it served a great purpose in my life." REFLECT wrote lyrics from the time he was 14 years old but not with the intention of pursuing a music career. Not until 2004, after several injuries continued to sideline his athletic pursuits, pushing him closer and closer to music as a needed outlet, did REFLECT begin to seriously pursue music as a career option. Influenced by several artists, among them: Tupac Shakur, Bill Withers, Marvin Gaye, Curtis Mayfield, Bob Marley, Sly Stone, Common, Nas, Jay-Z, D‘angelo and Lauryn Hill. REFLECT studied these artists and learned to write and produce songs. With a natural ability to construct hooks and melodies, REFLECT also taught himself to play several instruments including bass, percussion and keyboards. A series of misfortunes left him jobless and homeless and he spent much of 2006 and 2007 bouncing between cities, frustrated working low paying jobs. "I went through a lot in a short period. Many times, all I had was myself, so I got the opportunity to learn how to be comfortable in my own skin." Reflect credits music and his drive for coming out of those situations in one piece and stronger for the experience. Determined to create an album and with growing support he began recording his first opus in January 2008 entitled "HOPE wuz HERE." His sound has the bounce and edge of hip hop with harmonies, melodies and hooks reminiscent of blues and soul recordings. His smoothly delivered lyrics and grooves have a cinematic feel, as if every song is a film. He succeeds in many of the album's ...
| | Aleya Bellyliciousraks CD (2008) (Import)
Classic Blues & Vaudeville
$12.85
About the CD:BellyliciousRaks was created with the bellydancer in mind. Combining the old with the modern, BellyliciousRaks features traditional favorites fused with rich sounds and accents as well as four hot new drum solos which are sure to keep you on your toes. Fresh and dynamic, you will love this album. Please click on the link to see the review in Guilded Serpent:www.gildedserpent.com/art43/andreablisious.htmAnd another review by the always Fabulous Princess FarhanaCD REVIEW: BELLYLICIOUS RAKSBy Princess Farhana (www.princessfarhana.com)“Bellylicious Raks” is a fab CD specifically designed for professional dancers…in fact, from the moment you hit “play” and hear the strains of “Hasan” you won’t be able to stop moving your hips! Produced by Los Angeles-based dancer Aleya, with musical arrangements by acclaimed Lebanese percussionist Ziad Islambouli and keyboardist/ accordion player Fayez Deryan, the music featured is a sublime mix of traditional Middle Eastern favorites and new modern pieces. Aleya, who has spent a considerable amount of time in both Egypt and Lebanon, was, like many of us dancers, tired of the over-synthesized, soul-free music on the market today, and she hand-picked the compositions with performance in mind. Consequently, this CD is textured with dynamic live percussion and beautiful, intricate kanoun and accordion playing. There are great versions of Oriental classics like Om Kalthoum’s “Ya Msaharne”, “Zay El Hawa” and “Gana El Hawa”, which are timed perfectly for restaurant work, private parties or even competitions. One of my personal favorite tracks is the romping, upbeat “Madah Elkamar”.Islambouli, known for his work with Suhaila Salimpour ( as well as many others) is a master percussionist, innovative and powerful. This CD provides FOUR separate, innovative tabla solos, ranging in length from just over a minute to three minutes, so there is definitely something here for everybody! The drum solos and orchestrated tracks could be put together in a number of ways to make quite a few high-energy routines.I highly recommend “Bellylicious Raks”- it’s a must for any working dancer and would be a wonderful addition to any CD collection.About ...
|
|
|
|
 |
|
|
567916 
Email a Friend
