| | Ted Nash Sidewalk Meeting CD - Import Ted Nash Discography of CDs
With Sidewalk Meeting, saxophonist Ted Nash premieres a new, highly unconventional group called Odeon. Nash, playing saxophones and clarinets, is joined by Wycliffe Gordon on trombone and sousaphone, Miri Ben-Ari on violin, Jeff Ballard and Matt Wilson on drums, and Bill Schimmel on accordion. The absence of bass -- Gordon fills in the bottom with his sousaphone as much as he can -- makes Odeon far from your ordinary jazz group, although jazz improvisation is mainly what informs the band's approach to repertoire. Nash opens with his arrangement of Claude Debussy's "Premier Rhapsody" and makes it sound like Duke Ellington. Schimmel gets his accordion to sound like a full big-band saxophone section, a feat he also accomplishes during the groovy "Jump Line." Gordon often goes for maximum effect on the wah trombone, particularly with his intro to "Sidewalk Meeting (I)," which evolves into a beautiful folk song for bass clarinet, trombone, and violin. "Sidewalk Meeting (II)" closes the album with the same melody, but hyped up to a jamboree tempo. Nash also mixes up the instrumentation with "Reverie," a masterful clarinet/accordion duet, and Thelonious Monk's "Bemsha Swing," a jam-style foray for tenor sax, sousaphone, and drums. Odeon seamlessly integrates the different sides of Nash's musical personality (he's a member of both the maverick Jazz Composers Collective and the more conservative Lincoln Center Jazz Orchestra), and that's just the kind of bridge-building that modern jazz needs. ~ David R. Adler
Live Recording
Recorded at LoHo Studios, New York, New York on October 23-24, 2000. Includes liner notes by Ted Nash.
Personnel: Miri Ben-Ari (violin); William Schimmel (accordion); Wycliffe Gordon (trombone, tuba); Jeff Ballard (drums).
Audio Mixer: Lou Holtzman.
Recording information: Loho Studios, New York, NY (10/23/2000/10/24/2000).
Editor: Lou Holtzman.
Personnel: Ted Nash (tenor saxophone, clarinet); Wycliffe Gordon (trombone, tuba); William Schimmel (accordion); Miri Ben-Ari (violin); Jeff Ballard, Matt Wilson (drums).
Down Beat (8/01, p.64) - 3 stars out of 5 - "...An enjoyable listen...with quick shifting timbres, deft dynamic control and punchy phrasing..." Ted Nash Sidewalk Meeting Songs | 1. | Premiere Rhapsodie |
| 2. | Jump Line |
| 3. | Reverie |
| 4. | Tango Sierra |
| 5. | Sidewalk Meeting |
| 6. | Amad |
| 7. | Bemsha Swing |
| 8. | Summer Night in the Deep South |
| 9. | Sidewalk Meeting (Reprise) - (reprise) |
| Sidewalk Meeting Review
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Purchase Sidewalk Meeting CD To buy, Click on price to add to cart | Diana Krall Christmas Songs CD (2005)
Sidewalk Meeting album
$10.49 On 2005's CHRISTMAS SONGS, Diana Krall applies her sultry vocals and nuanced piano lines to a strong set of holiday classics. In addition to turning in a stirring performance of "The Christmas Song" that would make Nat "King" Cole proud, Krall eases into a swaying version of "Winter Wonderland" and a lush rendition of "Have Yourself a Merry Little Christmas." With its dynamic arrangements and pitch-perfect mix of pop and jazz, this album stands alongside other timeless Yuletide outings.
Recording information: Capitol Studios, Hollywood, CA; Ocean Way Studios, Hollywood, CA; Schnee Studios, North Hollywood, CA; Sony Music Studios, New York, NY.
Photographer: Sam Taylor-Wood.
Arrangers: ...
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
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$6.29 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized ...
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| | Michael Buble It's Time CD (2005)
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$10.05 Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
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| | Hank Mobley Soul Station CD (1960) Remastered
Sidewalk Meeting CD music
$8.85 The Rudy Van Gelder Edition of SOUL STATION includes an essay by Bob Blumenthal.
Digitally remastered using 24-bit technology by Rudy Van Gelder (van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
Of all Hank Mobley's classic sessions for Blue Note, the timeless SOUL STATION is by far the most cherished. This 1960 set features a quartet of Mobley and three masters of the rhythm section, Wynton Kelly, Paul Chambers, and Art Blakey. What makes this so special, however, is the sheer perfection of it all; Mobley's tenor is soulful and confident, Kelly is at his tasteful best, and Chambers and Blakey work in tandem like a well-oiled machine. The themes are all executed with straightforward swinging panache and the solo spots by all are some of their most flawless excursions. From bouncing grooves like "This I Dig of You" and the slow blues ...
| | Crusaders Street Life CD (1979)
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$8.75 Although the Crusaders could not have known it at the time, their recording of "Street Life" (which features a memorable vocal by Randy Crawford) was a last hurrah for the 20-year old group. Their recordings of the next few years would decline in interest until the band ...
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| | Hard House #2 CDs (2006) Boxed Set
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| | Going Up Yonder: The Best Of The Gospel Choirs CD (2008)
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