| | Ted Nash Sidewalk Meeting CD - Import Ted Nash Discography of CDs
Live Recording
Recorded at LoHo Studios, New York, New York on October 23-24, 2000. Includes liner notes by Ted Nash.
Personnel: Ted Nash (tenor saxophone, clarinet); Wycliffe Gordon (trombone, tuba); William Schimmel (accordion); Miri Ben-Ari (violin); Jeff Ballard, Matt Wilson (drums).
Down Beat (8/01, p.64) - 3 stars out of 5 - "...An enjoyable listen...with quick shifting timbres, deft dynamic control and punchy phrasing..." Ted Nash Sidewalk Meeting Songs | 1. | Premiere Rhapsodie (Debussy) |
| 2. | Jump Line |
| 3. | Reverie |
| 4. | Tango Sierra |
| 5. | Sidewalk Meeting |
| 6. | Amad |
| 7. | Bemsha Swing |
| 8. | Summer Night in the Deep South |
| 9. | Sidewalk Meeting - (reprise) |
|
Sidewalk Meeting Review
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Purchase Sidewalk Meeting CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Sidewalk Meeting
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| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Sidewalk Meeting
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often credited to Davis, "Blue In Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on ...
| | Melody Gardot My One And Only Thrill CD (2009)
Sidewalk Meeting
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Although the plaudits for Melody Gardot's debut album, WORRISOME HEART, were entirely justified, it sometimes seemed as if the young singer-songwriter's compelling personal story--hit by a car and severely injured at the age of 19, the aspiring fashion designer began playing piano and writing songs as part of her physical therapy--overshadowed her music. Gardot's second album, MY ONE AND ONLY THRILL, dispells that sense entirely: this gorgeous collection of lavishly orchestrated jazz-pop ballads is the work of a genuinely talented singer-songwriter. Gardot's melodic sense is greatly matured: opening track "Baby I'm A Fool" and "Lover Undercover" have the feel of new standards in the making. Similarly, she's a more expressive and self-assured singer, with a canny sense of timing and a sultry lower register that's ...
| | Jesse Cook The Rumba Foundation CD (2009)
Sidewalk Meeting
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Liner Note Author: Jesse Cook.
Recording information: Coach House Music, Toronto, CA; Phase One Studios; Avila Producciones.
Arranger: Jesse Cook.
Personnel: Juan Alberto ...
| | Poncho Sanchez Psychedelic Blues CD (2009)
Sidewalk Meeting
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Recording information: Henson Recording Studios, Los Angeles, CA; The Village Studios, Los Angeles, CA.
Photographer: Devin Dehaven.
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| | Miles Davis On The Corner CD (1972) Remastered
Sidewalk Meeting
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ON THE CORNER enjoys a special cult status among musicians, anticipating as it does the punk funk/acid jazz movements. For Miles Davis, ON THE CORNER was another seismic shift. Miles was particularly fond of the lyric sweep of Hendrixian electric guitar, the James Brown-like rhythmic thump of Fender bass, and the bell-like timbre and chordal possibilities of the Fender/Rhodes electric piano. Now the trumpeter sought to incorporate the feel of street rhythms from around the world and to reflect the influence of modern electronic composers such as Karlheinz Stockhausen.
So while ON THE CORNER is generously populated with top-flight jazz players, Davis was zeroing in on a contemporary approach not beholden to jazz players of jazz rhythmic postures--although group improvisation is still very much the order of the day. In paving the way for his Afro-psychedelic working bands of the mid-70's, Davis was roundly dissed, but ON THE CORNER endures brilliantly--the dark lady of Miles' musical sonnets.
The album is a furious carnival of rhythm. The first section is dominated by an Afro-Cuban groove, the eerie distortion of Miles' wah-wah trumpet, John McLaughlin's nasty electric leads and a swelter of rhythms--every instrument seemingly ...
| | Crusaders Street Life CD (1979)
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| | Courtney Pine Closer To Home CD (1992)
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Personnel: Pam Hall, B. Gould, T. Gould, Carroll Thompson (vocals); Courtney Pine (saxophone, ...
| | Impaled Nazarene Urga Karma CD (Import) W / 2 Bonus Tracks; Netherlands
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| | Hard House #2 CDs (2003) Boxed Set
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$13.75 | | Glenn Hughes Live In Australia CD (2009) (Import) United Kingdom
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Track Listing of songs: Coast to Coast; ...
| | Going Up Yonder - The Best Of The Gospel Choirs CD (2008)
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Named for the gospel classic made famous by the Edwin Hawkins Singers, GOING UP YONDER: THE BEST OF GOSPEL CHOIRS is a fine survey of some of the high points of contemporary black gospel. Artists on these 12 tracks include the Edwin Hawkins Singers, Danniebelle Hall, the Reverend Clay Evans, Bishop Paul Morton, Walt Whitman and Soul Children, and the legendary ...
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