| | Wendy & Bonnie Genesis CD Wendy & Bonnie Discography of CDs
San Francsico sisters Wendy and Bonnie Flower (allegedly their real last name) released their lone album, GENESIS, in 1969. A dreamy soft-psych/folk-rock affair, it centered on the teenage sisters' vocal harmonies and ethereal songs. A flop at the time, it became a collector's item over subsequent decades before it was finally reissued in 2001. The 2008 deluxe edition includes a whole extra disc of rarities, including alternate takes and demos, crucially adding to the too-short legacy the one-shot duo left behind.
Re-Issue;1969;5 Bonus Tracks
Recording information: United Recording, Los Angeles, CA (11/1968).
Arranger: Gary McFarland.
Personnel: Larry Carlton (guitar); Michael Lang , Mike Melvoin (piano, organ); Jim Keltner (drums).
Liner Note Author: Irwin Chusid.
Rolling Stone (p.127) - 4 stars out of 5 -- "[T]he holy grail for fans of SF pop-pscyh....[A] sweetly sad 1968 lost gem..."
Mojo (Publisher) (6/02, p.169) - "...A unique beauty...Drifting, mystical, Latin-flavored: somebody once called it 'stoner samba'. The melodies and harmonies are unfailingly strong and atmospheric.." Wendy & Bonnie Genesis Songs | 1. | Let Yourself Go Another Time |
| 2. | Paisley Windowpane, The |
| 3. | I Realized You |
| 4. | By the Sea |
| 5. | You Keep Hanging Up on My Mind |
| 6. | It's What's Really Happening |
| 7. | Five O'Clock in the Morning |
| 8. | Endless Pathway |
| 9. | Children Laughing |
| 10. | Winter Is Cold, The |
| 11. | Night Behind Us, The - (previously unreleased) |
| 12. | Ice Cream Man Song, The - (previously unreleased, demo) |
| 13. | December Sun - (previously unreleased, demo) |
| 14. | Cover Our Child - (previously unreleased, demo) |
| 15. | Story of a Conventional Man - (previously unreleased, demo) |
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Genesis Review
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Purchase Genesis CD To buy, Click on price to add to cart | Bob Dylan Christmas In The Heart CD (2009)
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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have ...
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| | Shakira She Wolf CD (2009)
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Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, ...
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Vernon Reid finally follows up his solo debut with Known Unknown, a mere eight years (!) after Mistaken Identity. The template is basically the same: Reid and his longtime bandmates keyboardist Leon Gruenbaum and bassist Hank Schroy (drummer Marlon Browden is new for this recording) set up deceptively simple little heads and then just throw down. Reid gets some amazingly thick tones out of his guitar, and his playing sounds like no one else. Mistaken Identity was graced with some great clarinet blowing, courtesy of Don Byron. Byron sits out this date (although one of the solos in "Outskirts" sure sounds like clarinet), but that just gives Gruenbaum more room ...
| | Jason Boland Somewhere In The Middle CD (2004)
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| | Mott The Hoople Family Anthology CDs (2005) (Import) England; United Kingdom
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There are ten songs by Mott the Hoople on this two-CD collection, Family Anthology, but about two-thirds of it contains tracks by Mott the Hoople-related artists, not Mott the Hoople themselves. You also get solo efforts by various members of the band, as well as groups in which members played before Mott the Hoople formed (such as the Rats and the Doc Thomas Group) and after Mott disbanded (like British Lions). It's not a great starting point for a highly listenable anthology, though at least the concept will appeal to hardcore Mott the Hoople fans. The execution isn't so good, however, as it jumbles together 32 recordings spanning the years 1964 through 2005; in other words, four decades of very different styles, not all of them strongly related to what Mott the Hoople did while they were active. The discs are sequenced so they jump back and forth all over the place chronologically, and what's more, more than two-thirds of it has already been issued on CD, usually on other releases from the same label (Angel Air) responsible for this compilation. Nothing's truly essential, but there are a few interesting items here, whether live recordings from Mott the Hoople's early-'70s prime; a previously unreleased outtake from their Mad Shadows album, "Can You Sing the Song That I Sing"; Mick Ralphs' original early-'70s demo of "Can't Get Enough"; and odds and ends from '60s groups predating Mott the Hoople's formation, going all the way back to Les Norman & the Buddies' 1964 demo of "I Ain't Got You" (with Ralphs on guitar). Admittedly, most of these '60s rarities are generic period British R&B/rock, blues-rock, and psychedelia without any obvious similarities to Mott the Hoople, but they're more interesting than the various post-Mott projects, which (as in Dale Buffin Griffin's 1993 cover of "The Lady Is a Tramp") can be pretty desultory. In its favor, this set was produced with ex-members' cooperation, and has a 24-page booklet of detailed liner notes. Only Mott the Hoople completists will want it, however, and even they might already have much of it on previous CD releases. ~ Richie Unterberger
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Performing over 300 shows ...
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