| | Puddle Of Mudd Come Clean CD Puddle Of Mudd Discography of CDs
 (20 Customer Reviews)
Limp Bizkit's Fred Durst has a growing stable of talent that is building a track record of amazing successes; first with the wildcard explosion of Staind and then with the signing of melodic alt-rockers Puddle Of Mudd to his Flawless label. It's frightening how well the songs on COME CLEAN stick with the listener immediately. "Control" couples a sleaze-meets-Tool middle eight with STP-flavored guitar crunch. The single-worthy offerings "Nobody Told Me" and "Blurry" burn their way into one's consciousness with the soon-to-be-signature octave-unison vocals of Wes Scantlin.
Former Eleven/Chris Cornell drummer Greg Upchurch brings seasoned chops to the table, especially in "Basement" and "Out Of My Head." The lovesick parody of "She Hates Me" is destined for movie soundtrack infamy, even if it owes a great debt to early Suicidal Tendencies material (the chord progression could have been lifted from "I Saw Your Mommy"). COME CLEAN closes with the Soundgarden-meets-Jane's Addiction "Piss It All Away," the clearest evidence that Puddle Of Mudd are disciples of 90's rock, to great compliment.
Parental Advisory. 1st Rel. On Fred Durst's Flawless Label
Recorded at Third Stone Recording and NRG Studios, North Hollywood, California.
Puddle Of Mudd: Wesley Reid Scantlin (vocals, guitar); Paul James Phillips (guitar, background vocals); Douglas John Ardito (bass, background vocals); Greg Upchurch (drums, background vocals).
Puddle Of Mudd Come Clean Songs Come Clean Music Review Average Rating: (3.9 out of 5 stars)   List All Reviews ....And then there was Mudd
All of the songs on the CD are great. So, if you are interested and like their song: "Never Change," then I suggest strongly that you buy this CD because I know you will not be disappointed :)
Submitted by frenchie1783 (Hamilton, NJ (USA)) 
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Awesome!!! :)
THe whole song is awesome not just the single (Control) which does kick @$$, especailing "She Hates Me". I HIghly recommed by this cd
Submitted by short_n_stupid (Houghton Lake, MI, USA)
Was This Review Helpful? Yes No Should be a top seller
Excellent C.D...........for both the hard rocker and the easy listener.Mellow when it needs to be but delivers the punch you're looking for.
Submitted by a reviewer (Nashport,Ohio,U.S.A)
Was This Review Helpful? Yes No Puddle of Mudd ROCKS!
Hearing this CD made me a fan of this group, especially after hearing "She Hates Me" and "Blurry". Whoever likes it hard and heavy ought to check this CD out. Put it on and crank up the volume!
Submitted by Rock and Roll Roy (Lakewood, WA)
Was This Review Helpful? Yes No  I have seen the future of blandness and it's Puddle of Mudd
Ok, I don't own this album but I have heard some of the songs off it. They are extremely bland, uninspired, formulaic and just bloody awful. People should realize that grunge is dead and no one now can ever capture the image Nirvana, Alice in Chains (best band in the genre), Pearl Jam and Stone Temple Pilots had. These manufacture wannabe "nu" grunge band just don't have the dirty sound the real grungers had. This band is trying to sound like all the real grunge bands but they are just extremely watered down versions of them. The guitar riffs are very boring and they are so easy to play, a beginner guitarist could play them too, the drumming is even more boring, the lyrics are very teen angsty and the vocals are AWFUL! It honestly sounds like he's straining with a sore throat and coughing up phlem all over the mic. Eachtime these guys try to make their song's "harder", they just use that intensely annoying wall of sound theory that ruins the songs and makes them unbearable to hear. The wall of sound is being oversued in modern rock n roll and should be eliminated. Only a few people have gotten it right but it still should go away. Hopefully, when this band runs out of whiny teen angst lyrics and realize they are ripping off other bands, they will break up. If people in bands are past their teens, they should stop writing about the past because that happened so long ago that it doesn't matter now and you should be happy with what you got now instead of being a pussy. Alot of lyrics you hear today sound like someone's d*mn journal entry, as Neil Fallon of Clutch put it and he is right. Clutch is how modern rock n roll should be done. Listen to them and you will never want to hear Puddle of Mudd ever again.
Submitted by Hamster Slamster (Temple, TX, USA)
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Tearing Sky reviewed:from URB MAGAZINE 4 1/2 Stars!From the organ that opens up this LP to Piers Faccini's heartbreaking voice that shelters and simultaneously shatters as he sings "and the ocean knows each wave that breaks is comin' home," this is music that captivates and captures your imagination. Before long, the rhythms of "Sharpening Bone" and "If I" are having its way with soul, making it groove and soar. Faccini, already popular in his native France, worked with Ben Harper/Jack Johnson producer JP Plunier on Tearing Sky, recording it in less than two weeks in Los Feliz, California. Plunier has a way of bringing out the details in his nuanced artists and his work with Faccini is no exception. He has the quiet, whispering, plate-shifting soul similar to that of Harper and Johnson and, like his contemporaries, he isn't afraid of rising to the occasion or opening up the experience to sounds from across the world, other rooms, galaxies. It's sometimes eerie, sometimes haunting and also consistent. An all-around standout that manages never to show off. "...uses just a few instruments and echoes of Celtic tunes to whisper of grand mysteries." - The NY Times"...the songs on Tearing Sky showcase worlds that he has truly inhabited: Southern California colors with rainy British folk, Malian Blues and tribal percussion that transcends (or predates) nations...he's starting to master the recipe." - Planet Magazine"If your ears love Ben Harper they will also love the sound of London-born vocalist Piers Faccini...Sheer musical bliss." - CBS-5, San Francisco, CAPiers Faccini Tearing Sky BiographyCall it a netherworld, a sweet spot. That’s where the songs composing Tearing Sky, the U.S. debut from Piers Faccini, rest, where they come alive—some sort of intangible middle ground that exists between English folk, the blues of the Mississippi Delta and the rhythms of North Africa.And if the songs sound as if they were culled from all over the musical map, well, then that would be appropriate, as the nomadic Faccini fancies himself and his music as very much a cultural and musical collage or hybrid drawn from the various races dotting his lineage, and years spent splitting time between London and Paris.Born in London, Faccini speaks four languages and considers himself a “mongrel” of sorts, one who has gypsy, Polish, English, Irish and Italian blood running through ...
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