| | Dennis Deyoung Desert Moon CD Dennis Deyoung Discography of CDs
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Styx was only a year in the grave before lead singer Dennis DeYoung ventured out on his own with his solo debut, Desert Moon. The solo record does not represent a significant stylistic departure from Styx's brand of pop/rock, although the emphasis is heavier on the pop and not as heavy on the rock. DeYoung continues his gut-busting vocal strategy, belting out his notes. The singer also supplies the keyboards, of which there are plenty -- this is a mid-'80s record, after all. Tom Dziallo handles the wailing electric guitars and arranged the cover of Jimi Hendrix's "Fire." The album yielded a Top Ten hit in "Desert Moon." ~ Evan Cater
Rosemary Butler (vocals); Tom Dziallo (acoustic & electric guitars, bass, percussion, programming); Steve Eisen (saxophone, percussion); Dennis Johnson (bass); Tom Radtke (drums, percussion); Vince Guttman, Gary Loizzo (programming); Sandy Caufield, Dawn Feusi (background vocals).
All tracks have been digitally remastered.
Recorded at Pumpkin Studios, Oak Lawn, Illinois.
Engineers include: Gary Loizzo, Rob Kingsland, Will Rascati.
Personnel includes: Dennis DeYoung (vocals, arranger, keyboards, percussion);
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Though Styx became known as purveyors of seamless AOR power ballads in the late 1970s, few recall that they spent the early part of that decade working a grittier, more complex format. Before
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Kay Hanley, Your Summer "Baby Doll" By John Conroy "Some people buy Hummels to mark the different times of their life," the Boston-bred, critically-praised songstress suggests while lighting a cigarette poolside at her California home. "I write records." If the infectious rock n' roll power of her much-anticipated new EP Baby Doll is any indication, Kay Hanley is indeed in the time of her life. Marking a welcome return to form of the consummate chick rocker, it harks back to Hanley's days as the soaring siren behind the influential alt-rock band Letters to Cleo. A series of sold-out performances in Boston in the summer of 2004 provided the impetus for releasing Baby Doll. "I made it for my fans," Hanley admits. "To go back to Boston without something for them to hear and love and sing along with would have bummed me out. They deserve it." Letters to Cleo established Kay Hanley as one of rock's leading female vocalists. With a voice that swells from whisper to roar and an approachable, ebullient personality, the world discovered Hanley as that most elusive of rock stars - sexy without being threatening, feminine without being precious... the girl that girls want to be and guys want to be with. Awards and acclaim followed four major label albums and the hit single "Here and Now," and the band's gold records, global tours, cult animated television show Generation O (which featured Hanley voicing kid-rocker Molly), prominent and pivotal role in the film 10 Things I Hate About You, and Hanley providing the singing voice for Rachel Leigh Cook in Josie and the Pussycats saw Cleo's rabid following become legion. Yet a moribund creative ebb following the band's dissolution stymied Hanley and her husband and musical partner, former Cleo guitarist Michael Eisenstein. "We had settled into a disturbing amount of familiarity," says Hanley. "Nothing is worse for a creative mind than getting comfortable with things." With Michael on the road for a year and her at home to raise their daughter Zoe and son Henry on the way, Kay saw the writing on the wall. This was the future: an absent husband and father paying the bills and a mother who's given up her life for her family. There had to be a better way, an alternative in which both could work as musicians and not have to be away from each other or their children. The answer was found in a move across the country. Los Angeles freed Hanley and Eisenstein to examine their creative lives and afforded them greater artistic license. Now working on numerous individual and collaborative projects simultaneously, both artists recognize in Hanley ...
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