| | After Mozart CD Kremer, Gidon CDS
| Category | Classical, Chamber Music/Recitals, 20th Century Period, Orchestral/Symphonic, Classical Period, Concerto, Symphony, Contemporary, Serenade, Cassation, Performance Art |
After Mozart Music | List Price | $16.97 (You save $2.48) | | Label | Nonesuch | | Orig Year | 9/18/2001 | | All Time Sales Rank |  7422  | | CD Universe Part number | 2073909 | | Discs | 1 | | Release Date | Sep 18, 2001 | | Recording Time | 1 6 |
After Mozart Review
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After Mozart Songs | 1. 5 min. aus dem Leben von W.A.M., for violin, string orchestra & percussion (5:19) | | Composer | Alexandr Raskatov (1953 - ) | | Performer | Andrei Pushkarev (Percussion)
Gidon Kremer (Violin) | | Genre | Concerto | | Date Written | 1999 | | Ensemble | KREMERata BALTICA | | Period | Contemporary | | Venue | Angelika Kauffmann Hall, Schwarzenberg, | | Recording Date | 06/2000 | | 2. Serenade No. 6 for orchestra in D major ("Serenata Notturna"), K. 239 (14:16) | | Common Name | Serenata Notturna Serenade, Serenade 6 For Orchestra | | Catalog No. | K 239 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Andrei Pushkarev (Percussion)
Ula Ulijona (Viola)
Gidon Kremer (Violin) | | Genre | Classical Period / Serenade | | Date Written | 1776 | | Ensemble | KREMERata BALTICA | | Period | Classical | | Country | Austria | | Venue | St. Johannis-Kirche Harvestehude, Hambur | | Recording Date | 10/1999 | | 3. The Messenger, for strings & piano (9:41) | | Composer | Valentin Silvestrov (1937 - ) | | Performer | Andrei Pushkarev (Percussion)
Ula Ulijona (Viola)
Gidon Kremer (Violin) | | Date Written | 1996 | | Ensemble | KREMERata BALTICA | | Period | Contemporary | | Venue | Conservatory Chapel, Feldkirch, Austria | | Recording Date | 09/2000 | | 4. Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 (17:26) | | Common Name | Eine Kleine Nachtmusik Serenade, Serenade 13 For Strings | | Catalog No. | K 525 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Andrei Pushkarev (Percussion)
Marta Sudraba (Cello)
Ula Ulijona (Viola)
Gidon Kremer (Violin) | | Genre | Classical Period / Serenade | | Date Written | 1787 | | Ensemble | KREMERata BALTICA | | Period | Classical | | Country | Austria | | Venue | St. Johannis-Kirche Harvestehude, Hambur | | Recording Date | 10/1999 | | 5. Moz-Art a la Haydn, for 2 violins & 11 strings (11:46) | | Composer | Alfred Schnittke (1934 - 1998) | | Performer | Gidon Kremer (Violin) | | Genre | Performance Art | | Date Written | 1977 | | Ensemble | KREMERata BALTICA | | Period | Contemporary | | Country | Russia | | Venue | Conservatory Chapel, Feldkirch, Austria | | Recording Date | 09/2000 | | 6. Toy Symphony, (Cassation for toys, 2 oboes, 2 horns & strings) in G major (formerly K. 63) (7:12) | | Catalog No. | K 63 | | Composer | Leopold Mozart (1719 - 1787) | | Genre | Classical Period / Symphony | | Date Written | by 1759 | | Ensemble | KREMERata BALTICA | | Period | Classical | | Country | Austria | | Venue | Conservatory Chapel, Feldkirch, Austria | | Recording Date | 09/2000 |
After Mozart Music Composers on After Mozart CD : Alexandr Raskatov, Leopold Mozart, Wolfgang Amadeus Mozart, Alfred Schnittke, Valentin Silvestrov Ensembles on After Mozart CD : KREMERata BALTICA Genres on After Mozart CD : Classical Period, Concerto, Performance Art, Serenade, Symphony Performers on After Mozart CD : Andrei Pushkarev, Gidon Kremer, Marta Sudraba, Ula Ulijona Purchase After Mozart To buy, Click on price to add to cart | Frank Sinatra Only The Lonely CD (1958) Remastered
After Mozart
 $8.55    
All tracks have been digitally remastered using 20-bit technology.
For an artist of Sinatra's stature, an artistic peak is a thing of no uncertain majesty. Such a peak was reached on ONLY THE LONELY, with the invaluable assistant of arranger Nelson Riddle. Foreshadowed by the glorious sob-fest of IN THE WEE SMALL HOURS, this album is a case of serendipity, where songs, arrangement and performance all combine for an unrelenting dose of heartbreak.
The ominous, film-noirish flatted-fifths of "Angel Eyes" set the scene for a cuckold's tale, which ends with Sinatra's evanescently graceful bow-out, "'Scuse me while I disappear." The timeless "One For My Baby," one of the songs ...
| | Count Basie At Newport CD (1957) Bonus Tracks; Reissue; Remastered; Deluxe Edition
After Mozart
$12.65
Originally released on Verve (6024). Includes liner notes by Richard Sudhalter.
By the time of this 1957 recording, the Basie band was enjoying something of a renaissance, and the appreciation of the audience for this legendary musician helps make this live recording all the warmer. This was a special night for the band, as it represented a coming together of the contemporary Basie assemblage with some of the original Kansas City veterans. Entrepeneur John Hammond, who helped bring Basie to national attention in the '30s, warmly introduces the band one by one, stressing the importance of each member.
Thad Jones, Frank Foster and company lay down a solid version of "Swingin' At Newport," after which they are joined by one after another of Basie's old Kansas City cohorts. From Lester Young to Jimmy Rushing, the stage soon becomes flooded with KC royalty, as old meets new with glorious results. Clearly, this evening at Newport ...
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After Mozart
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Claudia Heurermann directs ...
| | John Adams Road Movies CD (2004)
After Mozart
$14.09
This album was nominated for the 2005 Grammy Award for "Best Chamber Music Performance."
ROAD MOVIES offers a portrait of acclaimed composer John Adams at different stages of his career and working in a medium he's not generally associated with. His best-known compositions are musical statements made on a grand scale. The pieces selected for this disc were written for one or two instruments, but by no means are they "small" works--there's plenty of the Adams style and substance. 'China Gates' and 'Phrygian Gates,' both for solo piano, date back to the very beginning of his professional life in 1977. They bear the mark of youthful exuberance and are excellent examples of his compositional language in the early stages of development.
The later ...
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