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THE PRETTY THINGS is an Enhanced CD containing both a full audio program as well as multimedia computer files including a promotional video of "Rosalyn."
All tracks digitally remastered from the original master tapes by Mark St. John and Andy Pearce (February 1998, Masterpiece Mastering, London, England).
Raucous to the point of making their peers the Rolling Stones look tame, the Pretty Things took the emerging British blues-rock sound of the mid-1960s and injected it with a heavy dose of manic energy. Given guitarist Dick Taylor's initial musical camaraderie with classmates Mick Jagger and Keith Richards (Taylor was in the Stones briefly before bowing out to attend art school), it's no surprise that the lesser-known group had much in common with the soon-to-be superstars.
The Pretty Things' self-titled 1965 debut is a restless set of tunes largely made up of Bo Diddley and Chuck Berry covers, with the quartet surging through a feisty take on Diddley's "Roadrunner" and a breakneck-paced rendition of Berry's "Oh Baby Doll," among others. Phil May, the group's hyperactive vocalist, makes Mick seem positively polite, while the rest of the band has clearly borrowed pages from the Keith Moon book of freewheeling musicianship. The resulting album may be too raw for some listeners, but for ardent fans of early Stones, Animals, and Kinks, THE PRETTY THINGS will be a welcome discovery.
2002 reissue of 1965 album includes seven bonus tracks, 'Rosalyn', 'Big Boss Man', 'Don't Bring Me Down', 'We'll Be Together', 'I Can Never Say', 'Get Yourself Home' (prev. unreleased) & a video track section featuring exclusive footage. Digipak. Repertoire.
Includes liner notes by Paul Du Noyer.
CD contains bonus tracks.
The Pretty Things: Phil May (vocals); Dick Taylor, Brian Pendleton (guitar); John Stax (bass); Viv Prince (drums).Rolling Stone (4/1/99, p.100) - 4 Stars (out of 5) - "...THE PRETTY THINGS packs the band's lock-up-your-daughters-and-liquor-cabinets stage charm into tightly wound Bo Diddley covers...and white R&B bullets..." Q (10/00, p.148) - 4 stars out of 5 - "...Apocalyptic R&B, Stonesy rock and Kinksy pop..." Pretty Things Songs | 1. | Roadrunner |
| 2. | Judgement Day |
| 3. | 13 Chester Street |
| 4. | Big City |
| 5. | Unknown Blues |
| 6. | Mama Keep Your Big Mouth Shut |
| 7. | Honey I Need |
| 8. | Oh Baby Doll |
| 9. | She's Fine She's Mine |
| 10. | Don't Lie to Me |
| 11. | Moon Is Rising, The |
| 12. | Pretty Thing |
| 13. | Rosalyn |
| 14. | Big Boss Man  |
| 15. | Don't Bring Me Down |
| 16. | We'll Be Together |
| 17. | Can Never Say |
| 18. | Get Yourself Home |
| Pretty Things Review
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Purchase Pretty Things CD To buy, Click on price to add to cart | Psychotic Reaction: The Very Best Of Count Five CD (1999)
Pretty Things
$10.59 Photographer: Bernard Yeszin.
PSYCHOTIC REACTION: THE VERY BEST OF COUNT FIVE contains all 11 songs from the San Jose, California, garage rockers' sole album, plus six ...
| | Yardbirds Ultimate! CDs (2001)
Pretty Things
$21.09 Recorded between 1963 and 1968. Includes liner notes and song annotations by Cub Koda.
With two discs, 52 songs and a 52-page book, this is a wonderful roller coaster ride through the vitally important Yardbirds catalog. Not only did guitarists Eric Clapton, Jeff Beck, and Jimmy Page emerge from their ranks, but the group spearheaded a unique meld of blues and ferocious rock & roll. Formed in the era of British blues bands, the Yardbirds released a series of singles that gave them Top 40 clout. Though this hastened the exit of Clapton, who decried their abandonment of a purer strain of blues, it created some incendiary, forward-looking material anchored in one of the era's underrated rhythm sections.
Flush with the experimentation that was fueling the era, there are countless treasures to be heard here. "I Can't Make Your Way" is a mix of skiffle, cowboy swagger, and infectious riffing. "He's Always There" is pre-psych fuzziness combined with cool background vocals and handclaps. And then of course, there are all the hits, richly mastered and delivering a hefty wallop.
Those who worship at the Guitar God altar will have their prayers answered on July 17, when Rhino delivers The Yardbirds - Ultimate!, the first-ever collection to include tracks by the patron saints of guitar rock: Jeff Beck, Eric Clapton, and Jimmy Page. Boasting more than 50 songs, the two-CD anthology marks the first ...
| | Kinks Ultimate Collection CDs (2002) (Import) Thailand
Pretty Things
$20.09 Although generally not as highly regarded by the critics as the Beatles, the Rolling Stones, or the Who, the Kinks may well have influenced far more musicians. The three-chord sledgehammer proto-metal burst of teenage lust called "You Really Got Me," the Kinks' third single and first hit, touched off a garage band explosion, which in turn influenced the rise of punk a decade later. Blessed with an astute songwriter in Ray Davies, the Kinks followed the template of "You Really Got Me" for a couple years, racking up hits with "All Day and All of the Night," "Tired of Waiting for You," and "Till the End of the Day." But Davies had more than one card in his pocket, and he blossomed into a sharp social satirist ("Dedicated Follower of Fashion"). By the time the album The Kinks Are the Village Green Preservation Society was released in 1968, Davies had become a master of elegiac studies in English suburbia. The gender-bending "Lola" was a big hit in 1970 and the Kinks entered the video era in 1983 with "Come Dancing" and its memorable video. The Ultimate Collection spans the group's career in two discs, including the hits, B-sides, and key album tracks. ~ Steve Leggett
Arguably the finest and most expansive Kinks collection on the market! The first disc of this double-disc begins with their third single and first No. 1, the insistent 'You Really Got Me', then races through ...
| | Cramps Stay Sick CD (2007) (Import)
Pretty Things
$26.29
| | Idle Race Back To The Story CDs (1996)
Pretty Things
$14.19 Before making history together with the Move and then ELO, Roy Wood and Jeff Lynne both did time in the British psych-rock oddity the Idle Race. Though they were only in the band together briefly, the Race proved to be a testing ground for many of the ideas the two would bring to fruition--both together and separately--with their many subsequent projects. BACK TO THE STORY, originally released in 1996 and reissued over a decade later, collects the band's three studio albums, as well as alternate takes, demos, and rarities. It's a must-have for fans of Wood and Lynne, yet is also a key piece for those attempting to complete the vast and complicated puzzle that is British rock in the 1960s and '70s.
The Idle Race are a beloved band of British psychedelia collectors, because the music was rare, because the band was Jeff Lynne's first significant group, and because the music was, by and large, very good. There is a bit of a relative judgment there -- this is not music that stands among the very best of British pop-psych of the '60s, since it's not as innovative or consistent as the Beatles, Pink Floyd, the Move, or even Tomorrow, but it's certainly among the best of the second tier, as singles like "Impostors of Life's Magazine," "Big Chief Wooly Bosher," and "Girl at the Window" illustrate. Since this band itself is a collector's item, it only makes sense for collectors to seek out EMI Premier's 1996 collection Back to the Story, which was only available for a brief period (possibly a matter of months) the year of its release. This is the complete Idle Race, containing the ...
| | Early ZZ Top CD (Import) Import
Pretty Things
$13.15
| | Xuxa 4 CD (1998) (Import) Brazil
Pretty Things
$26.29
| | Madonna Music CD (2000) (Import) Bonus Tracks; Hong Kong
Pretty Things
$22.99 MUSIC won the 2001 Grammy Award for Best Recording Package. The album was nominated for the 2001 Grammy Award for Best Pop Vocal Album. "Music" was nominated for the 2001 Grammy Award in the categories of Record Of The Year and Best Female Pop Vocal Performance.
MUSIC is international pop star Madonna's 12th release and features "Music" and extra tracks "Cyberraga" and "American Pie."
With MUSIC, Madonna expands upon the electronic advances made on her previous album, RAY OF LIGHT. RAY producer William Orbit is back on board, joined by French artiste electronique Mirwais Ahmadzai. Both men aid Madonna in pursuing ever more sophisticated electronic soundscapes. The accent here is squarely on club-oriented dance music, as propulsive electronic beats and percolating synthesizers power such pure-pop confections as the title tune and "Runaway Lover." Even Madonna's voice undergoes a fair amount of electronic modification, as on the moody "Nobody's Perfect" which bears a hook that hinges on the same vocoder effect that endeared millions to Cher's "Believe."
There's another side to MUSIC, though. While Orbit and Ahmadzai maintain the sonic thread of loops and samples throughout the album, several songs leave the party atmosphere behind in favor of a more melancholy, balladic approach. "I Deserve It," "Gone," and "Don't Tell Me" are pushed along by drum loops, but are based around acoustic guitar, and it's easy to imagine them being performed effectively with nothing more than guitar and voice. While MUSIC pushes Madonna into the future, it allows her to arrive in her new surroundings with the ...
| | Blasters Live: Going Home CD (2004)
Pretty Things
$12.39 Additional personnel includes: Sonny Burgess, Billy Boy Arnold, The Calvanes, The Medallions.
Recorded live at The Galaxy Theatre, Santa Ana, California on August 13, 2003. Includes liner notes by Holly George-Warren.
In 2002, the original lineup of the Blasters -- vocalist and guitarist Phil Alvin, guitarist Dave Alvin, drummer Bill Bateman, and bassist John Bazz -- reunited to play a few shows to celebrate the release of a retrospective compilation of their recordings for Slash Records. In the grand tradition of giving the public what they want, a year after the original set of five shows had come and gone the reunited Blasters were still playing gigs for their loyal fans, and when Dave Alvin decided to pull the plug on the reunion in August of 2003, he did so in style with a special gig featuring a handful of special guests -- Chicago blues harp master Billy Boy Arnold, rockabilly legend Sonny Burgess, and members of two classic L.A. doo wop groups, the Calvanes and the Medallions. A mobile recording truck and a video crew were on hand to preserve the show for the ages, and the results have been released in both audio and video form as The Blasters Live: Going Home. The CD version has the burden of competing with an earlier live album from the first set of reunion gigs, Trouble Bound, but while Trouble ...
| | Yuichiro Fujimoto Kinoe CD (2005)
Pretty Things
$11.09
| | Bob Dylan Modern Times CD (2006)
Pretty Things
$8.99 It's arguable that at no point since his 1960s heyday has Bob Dylan been as celebrated as in the decade following his critically acclaimed 1997 album TIME OUT OF MIND. Numerous films, books, and albums--mostly Columbia's impressive archive series of reissues--have been part of a universal canonization of the singer and met with considerable enthusiasm by fans and critics alike. 2006's MODERN TIMES, the third album to have been released in nearly 10 years and part of a trilogy that also includes 2001's brilliant and upbeat LOVE AND THEFT, is easily deserving of such enthusiasm and is further reason for the formal veneration.
Musically, the album finds Dylan once again mining the stately traditionalist sound first heard on LOVE AND THEFT. Lazy blues numbers, piano-based songbook pop, and jumpin' country swing provide the backdrop for Dylan's continuing study of the vicissitudes of life, love, and death. Although he is certainly world-weary, a lot of life is lived in the verses of these songs and there is a dogged spirituality that provides, if not hope (a rather prosaic notion for Dylan by this point, to be sure), at least ...
| | Woody Guthrie American Folk Songs CD (2006) (Import)
Pretty Things
$10.49
| | Another Joe Cran: Doodle Daddy CD (2007)
Pretty Things
$24.65
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