| | DJ Justin Time Mdma Vol. 4 CD DJ Justin Time Discography of CDs
This is a continuous in-the-mix CD compiled and mixed by DJ Justin Time.
Justin Time brings a fresh approach to the fourth volume in the MDMA series of mix albums, after Anthony Acid and DJ Skribble mixed the first three to diminishing success. Time's mix jumps around a bit from style to style. This approach makes for an adventurous listen, particularly the first listen. However, at the same time, there's little consistency here -- you may find sections or particular tracks that appeal to you, but it's unlikely you'll enjoy everything here. But there are a lot of well-known songs here, and that in itself makes this volume an improvement relative to its predecessors. The highlights include Fatboy Slim's mix of Mike & Charlie's "I Get Live," the Rockdapussy mix of Pussy 2000's "It's Gonna Be Alright," Oliver Lieb's mix of Warrior's "Voodoo," Faithless' "We Come 1," and Mauro Picotto's "Like This Like That." ~ Jason Birchmeier
Deep Swing,Jinnel,Superchumbo, Zicky,Tribal Crew,Faithless++
Personnel: Victoria Wilson-James (vocals); Michael Grant (keyboards).
Audio Mixers: Andrew Remondini; Tom Stephan.
Audio Remixers: DJ Scribble; Oliver Lieb; Anthony Acid; Tom Stephan.
Recording information: Hoedown City II, London, England; Woods Studios, London, England.
Arrangers: Andrew Remondini; Tom Stephan. DJ Justin Time Mdma Vol. 4 Songs | 1. | I Get Live - (Fatboy Slim Remix, Fatboy Slim remix) |
| 2. | It's Gonna Be Alright - (Rockdapussy Mix) |
| 3. | Voodoo - (Oliver Lieb Mix) |
| 4. | When I'm With You - (Anthony Acid and DJ Dkribble Club Mix) |
| 5. | Tribal Beats 1 |
| 6. | In the Music - (Superchumbo's High Octane Mix) |
| 7. | In the Desert - (Original Mix) |
| 8. | We Come 1 |
| 9. | Drums of Life , Pt. 2 - (Original Mix) |
| 10. | Revolution |
| 11. | Runaway - (Davila Takeover Vocal Dub mix, take Davila Takeover Vocal Dub) |
| 12. | Follow Me - (Joy Mix) |
| 13. | Like This Like That - (Album Mix) |
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Review of ...LeftIn basketball they refer to it as being In the Zone; it's the point when a player is peaking, when the hoop seems the size of the Grand Canyon and he or she has the confidence that every shot will go in. Well, Eric Roberson in currently in the Zone as an artist, and is doing it on his own terms. More than a decade into his career, he's selling out shows in increasingly large venues and his four previous albums continue to be hot sellers at indie stores and at his shows. Most importantly though, with ...Left, his first "regular" studio album in a half decade, he shows he is at a creative peak.One of the great attractions to a Roberson show is his presence; a natural, unpretentious leadership that engages the audience as integral participants in the event and makes it all work. It is difficult to channel that presence onto a studio album, but on ...Left Roberson pulls it off in a way only hinted at in his previous discs. In that respect, "Music" is the perfect opening cut, with Roberson providing an organic, conversational, story of his love for music over a mild Latin beat. It sets the tone for an album that is both engaging and comfortable with itself. Erro's lyrics have often been underrated, and they absolutely flow out on ...Left, revealing insights on relationships from the viewpoint of a 30-something year old man. Never is this perspective more poignant than on the extended reworking of his concert favorite, "Couldn't Hear Her," a lyrically stunning piece that describes the personal struggle and sacrifice concomitant with dedication to a musical (or other) career. Musically, the disc has a number of high points, from the previously mentioned cuts to the excellent duet with Algebra ("ILUVU2MUCH"), the Stevie Wonder influenced "Open Your Eyes," and the fun tribute to a pregnant woman, "The Baby Song." Particularly enjoyable is his collaboration with the H2O production team (Mark & Nicole Hamilton) on "Too Soon," the kind of irresistible midtempo track ...
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