| | Astronauts Movin' CD - Import Astronauts Discography of CDs
Remastered Japanese reissue of Japanese-only 22track retrospective for this '60s surf/ garage act: 'Movin''(mono version), 'Hot Doggin'', 'Firewater', 'Surf Party','The Hearse', 'El Aguila', 'Baja', 'Pipeline', 'Let's GoTrippin'', 'Misirlou', ... Full Description'Batman', 'Banzai Pipeline', 'Surf-er's Stomp', 'Gouch', 'Quiet Village', 'Devil Driver'sThemes', 'Chevy Scarfer', 'Pyramid Stomp', 'Snap It', 'MainTitle From 'Ride The Wild Surf'', 'Che Che Che' and 'Movin''(stereo version). NOTE: the first four tracks listed are inmono; the rest are in stereo. First released in 1990. Hide Description Astronauts Movin' Songs | 1. | Movin' |
| 2. | Hot-Dogin' |
| 3. | Firewater |
| 4. | Surf Party |
| 5. | Hearse, The |
| 6. | El Aguila |
| 7. | Baja |
| 8. | Pipeline |
| 9. | Let's Go Trippin' |
| 10. | Misirlou |
| 11. | Batman |
| 12. | Banzai Pipeline |
| 13. | Chevy Scarfer |
| 14. | Pyramid Stomp |
| 15. | Snap It |
| 16. | Main Title From 'Ride the Wild Surf' |
| 17. | Che Che Che |
| 18. | Movin' |
| 19. | Surfer's Stomp |
| 20. | Gouch |
| 21. | Quiet Village |
| 22. | Devil Driver's Themes |
|
Movin' Review
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Purchase Movin' CD To buy, Click on price to add to cart | Rob Thomas Cradlesong CD (2009)
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PIRATES is also available with the album RICKIE LEE JONES on one cassette.
This is a Super Audio CD playable only on Super Audio CD players.
Rickie Lee Jones's second album, PIRATES, continues where her self-titled debut left off. With a record built upon storytelling, Jones resumes her role of poet laureate to the disenchanted and disconsolate. A strongly dynamic outing, the emotion of each song resonates in the detailed arrangements and freewheeling improvisations, the latter best epitomized by the funky party song, "Woody and Dutch on the Slow Train to Peking."
However, PIRATES is not a celebratory album. For the most part, this record is darker than its predecessor, and this tone yields even richer insights into Jones's art. For example, "Lucky Guy," a song Jones wrote about her relationship with ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered ...
| | Lacuna Coil Shallow Life CD (2009)
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On Lacuna Coil's highly anticipated 2009 album, SHALLOW LIFE, the Italian metal band presents one of its most accessible outings without toning down its signature heavy, dramatic sound. Enlisting renowned producer Don Gilmore (Linkin Park, Avril Lavigne), the ensemble seems intent on broadening its appeal with ...
| | Tool Lateralus CD (2000)
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"Schism" won the 2002 Grammy Award for Best Metal Performance.
Approaching Tool's LATERALUS with a casual ear would be a careless endeavor, to say the least. The sheer magnitude of the musical and emotional textures is as heady as it is primal. Standing out as one of the defining traits of the Tool sound is Justin Chancellor's hauntingly melodic bass playing, which often launches into a role reversal with the mountainous guitar work of Adam Jones. The best examples of said phenomenon are found in "The Grudge" and "Reflection." Drummer Danny Carey slips easily into the pocket, fearlessly tackling ...
| | Judas Priest Sad Wings Of Destiny CD (1975)
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Frontman Rob Halford has considered this to be Judas Priest's SGT. PEPPER, and it's easy to see why. The album expanded upon the group's debut by tackling a variety of styles, utilizing dynamics to striking effect, and establishing ...
| | Sarah McLachlan Touch CD (1989)
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| | Blue Nile Walk Across The Rooftops CD (2001) (Import) United Kingdom
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| | Peter Gabriel Up CD (2002) Enhanced CD
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Principally recorded at Real World, Box, England; Air Lyndhurst, England; and
"The Barry Williams Show" was nominated for the 2003 Grammy Awards for Best Male Rock Vocal Performance.
Though much effort has obviously been put into the sonic details of UP's production, and to fine effect, the album seems to represent not so much a new direction for Peter Gabriel, but rather a consolidation of the styles he's mined in preceding years. For instance, the opening track "Darkness" combines the dark, tension-filled paranoia of Gabriel's third self-titled album with the positive, seemingly therapy-derived lyrical direction of US's "Digging in the Dirt." Similarly, the heartworn emotionality of "No Way Out" brings to mind US's "Red Rain," but adds some slinky spy-movie guitar lines.
With a decade passing since his last album of new songs, Gabriel clearly has much to say, and accordingly most tracks hover around the seven-minute mark and are filled with sophisticated, enticing touches in an agreeable electronic/organic blend. With nothing to prove anymore, Gabriel sounds appropriately unconcerned about commerciality, as the only thing that comes within shouting distance of an "accessible" track is the TV-sensationalism parody "The Barry Williams Show," whose length and gritty lyrics make it an unlikely candidate for the top 40. In the end, UP is the sound of a mature artist pursuing the perfection of his craft, giving little thought to anything but the realization of his distinctive artistic vision.
Hype Studios, Singapore.
1st New Studio Album Since 1992's "Us"
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If the quintessential San Francisco Sound is defined by lengthy improvised guitarwork and near-telepathic interplay, then HAPPY TRAILS crystallizes the genre on record. Extemporizing mightily two Bo Diddley songs ("Who Do You Love" and "Mona," the quartet introduces new realms of expression to rock ...
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Following up his much-heralded live album and a prominent guest appearance on P.O.D.'s TESTIFY, Hasidic reggae singer Matisyahu unveiled his major-label studio debut, YOUTH, in early 2006. Primarily produced by Bill Laswell (something of an avant-garde equivalent to Rick Rubin), this 2006 outing finds Matisyahu backed by his LIVE AT STUBBS ensemble (here dubbed Roots Tonic), which can turn on a dime from dancehall to heavy rock. Although labeled by some as a novelty act, Matisyahu presents his unusual musical hybrid with passion, whether charging through the fierce, Bad Brains-like title ...
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