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Remastered Japanese reissue of Japanese-only 22track retrospective for this '60s surf/ garage act: 'Movin''(mono version), 'Hot Doggin'', 'Firewater', 'Surf Party','The Hearse', 'El Aguila', 'Baja', 'Pipeline', 'Let's GoTrippin'', 'Misirlou', ... Full Description'Batman', 'Banzai Pipeline', 'Surf-er's Stomp', 'Gouch', 'Quiet Village', 'Devil Driver'sThemes', 'Chevy Scarfer', 'Pyramid Stomp', 'Snap It', 'MainTitle From 'Ride The Wild Surf'', 'Che Che Che' and 'Movin''(stereo version). NOTE: the first four tracks listed are inmono; the rest are in stereo. First released in 1990. Hide Description Astronauts Movin' Songs | 1. | Movin' |
| 2. | Hot-Dogin' |
| 3. | Firewater |
| 4. | Surf Party |
| 5. | Hearse, The |
| 6. | El Aguila |
| 7. | Baja |
| 8. | Pipeline |
| 9. | Let's Go Trippin' |
| 10. | Misirlou |
| 11. | Batman |
| 12. | Banzai Pipeline |
| 13. | Chevy Scarfer |
| 14. | Pyramid Stomp |
| 15. | Snap It |
| 16. | Main Title From 'Ride the Wild Surf' |
| 17. | Che Che Che |
| 18. | Movin' |
| 19. | Surfer's Stomp |
| 20. | Gouch |
| 21. | Quiet Village |
| 22. | Devil Driver's Themes |
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Purchase Movin' CD To buy, Click on price to add to cart | Party CD (2000) Original Soundtrack
Movin' album
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| | Eddy "The Chief" Clearwater Rock 'N' Roll City CD (2003)
Movin' CD music
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ROCK 'N' ROLL CITY was nominated for the 2004 Grammy Award for Best Traditional Blues Album.
Occasionally in the musical world, a younger act will bring in veteran musicians to lend an air of legitimacy to its sound, and a legend may bring in junior artists to update his or her sound. For his 2003 release, revered Chicago blues guitarist Eddy "The Chief" Clearwater tapped the eccentric surf-rock combo Los Straitjackets, and what ensues is fiery, rhythmic rock & roll that sounds (musically not production-wise) plucked off an archival recording from, say, 1956, when Clearwater was just starting out.
While Clearwater is generally filed under "blues," he's always been known for his versatility and the amorphous nature of his music, which has regularly wandered into R&B and rock. It's no surprise then that he's routinely compared to Chuck Berry, and, on tracks like "Hillbilly Rock" and "Ding Dong Daddy," any difference is negligible. Furthermore, on ROCK 'N' ROLL CITY, Clearwater imparts the essence of rock in its infancy, when the blues and country influences were still unmistakable, particularly on tracks like "Old Time Rocker" and "Peggy Sue" (not the Holly classic). And he pours the spirit of rock all over his cover of Fats Domino's "Let the Four Winds Blow." Clearwater has been immersed in music throughout rock's lifetime, and this is reflected on ROCK 'N' ROLL CITY.
Recorded at Tone Chaparral, Madison, Tennessee and The Powwow Fun Room, Mar Vista, ...
| | Jody Reynolds Endless Sleep CD (2003)
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ROCKY & BULLWINKLE creators Jay Ward and Bill Scott devised this 1963 syndicated ...
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Though they had a bona-fide hit with "Gone," many of the Rip Chords' songs weren't performed by the early-1960s surf-hot rod outfit at all, but by producer Terry Melcher and future Beach Boy Bruce Johnston, who used the band's name as a kind of flag of convenience under which to release their own productions. The difference between tracks like the small-group sound of "Karen" and the more sophisticated sound of the Melcher/Johnston ...
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| | Blue Nile Walk Across The Rooftops CD (2001) (Import) United Kingdom
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| | Peter Gabriel Up CD (2002) Enhanced CD
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Principally recorded at Real World, Box, England; Air Lyndhurst, England; and
"The Barry Williams Show" was nominated for the 2003 Grammy Awards for Best Male Rock Vocal Performance.
Though much effort has obviously been put into the sonic details of UP's production, and to fine effect, the album seems to represent not so much a new direction for Peter Gabriel, but rather a consolidation of the styles he's mined in preceding years. For instance, the opening track "Darkness" combines the dark, tension-filled paranoia of Gabriel's third self-titled album with the positive, seemingly therapy-derived lyrical direction of US's "Digging in the Dirt." Similarly, the heartworn emotionality of "No Way Out" brings to mind US's "Red Rain," but adds some slinky spy-movie guitar lines.
With a decade passing since his last album of new songs, Gabriel clearly has much to say, and accordingly most tracks hover around the seven-minute mark and are filled with sophisticated, enticing touches in an agreeable electronic/organic blend. With nothing to prove anymore, Gabriel sounds appropriately unconcerned about commerciality, as the only thing that comes within shouting distance of an "accessible" track is the TV-sensationalism parody "The Barry Williams Show," whose length and gritty lyrics make it an unlikely candidate for the top 40. In the end, UP is the sound of a mature artist pursuing the perfection of his craft, giving little thought to anything but the realization of his distinctive artistic vision.
Hype Studios, Singapore.
1st New Studio Album Since 1992's "Us"
Personnel includes: Peter Gabriel (vocals, arranger, guitar, piano, harmonium, organ, Mellotron, keyboards, bass, drums, percussion, prgramming, samples); Nusrat Fateh Ali Khan (vocals); Richard Evans (acoustic guitar); David Rhodes (guitar, background vocals); Daniel Lanois, Peter Green, Tony Berg (guitar); John Brion (mandolin, chamberlin); Shankar (violin); The London Session Orchestra (strings); Christian Le Chevretel (trumpet); The Black Dyke Band (horns); David Sancious ...
| | Quicksilver Messenger Service Happy Trails CD (1969) (Import) Japan; Limited Edition; Remastered
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If the quintessential San Francisco Sound is defined by lengthy improvised guitarwork and near-telepathic interplay, then HAPPY TRAILS crystallizes the genre on record. Extemporizing mightily two Bo Diddley songs ("Who Do You Love" and "Mona," the quartet introduces new realms of expression to rock music. Guitarists John Cipollina and Gary Duncan offer contrasting textures and sound, goading each other to greater heights. Largely recorded live in concert, HAPPY TRAILS encapsulates an era of experimentation, employing images that embodied the outlaw chic of the hippie subculture. Its strengths are not, however, bound to that era; the album's mesmerizing power remains as ...
| | Matisyahu Youth CD (2006) (Import) Bonus Tracks; Australia; United Kingdom
Movin' songs
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Following up his much-heralded live album and a prominent guest appearance on P.O.D.'s TESTIFY, Hasidic reggae singer Matisyahu unveiled his major-label studio debut, YOUTH, in early 2006. Primarily produced by Bill Laswell (something of an avant-garde equivalent to Rick Rubin), this 2006 outing finds Matisyahu backed by his LIVE AT STUBBS ensemble (here dubbed Roots Tonic), which can turn on a dime from dancehall to heavy rock. Although labeled by some as a novelty act, Matisyahu presents his unusual musical hybrid with passion, whether charging through the fierce, Bad Brains-like title track or plaintively crooning on the acoustic "What I'm Fighting For" (which strongly recalls Bob Marley's "Redemption Song"), proving that his attempts to reach out and transcend musical and cultural boundaries are, if nothing else, genuine.
Australian pressing of the second major label outing from Matisyahu, a compelling mix of ancient and modern sounds and ideas, features a bonus disc with five additional tracks: 'King Without A Crown' (Mike D Remix), 'Dub Warrior', 'Youth Dub', 'Fire Of Heaven Dub' and 'Spark Seekers'. The album itself has received glowing reviews worldwide and has continued to build his reputation ...
| | Lafee CD (2006) (Import) Import
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| | Radon Humps CD (2006)
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| | Solitudes Rock N Roll Christmas Solitudes: Rock N Roll Christmas CD (2006)
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Movin' Review
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