| | Akosh S Unit Eleter CD Akosh S Unit Discography of CDs
Eleter Music | List Price | $26.99 (You save $4.90) | | Category | Rock/Pop Albums, Jazz CDs | | Label | Barclay | | CD Universe Part number | 2455185 | | Catalog number | 538769 | | Discs | 1 | | Release Date | Feb 02, 1999 |
Akosh S Unit Eleter Songs | 1. | Foldeken (Lungoj Drom) |
| 2. | Let |
| 3. | Eredet |
| 4. | Lelekzet |
| 5. | Turul |
| 6. | Zradat (Zrviz) |
| 7. | Igeret |
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Purchase Eleter CD To buy, Click on price to add to cart | Diana Krall Quiet Nights CD (2009)
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$13.05 Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene ...
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| | Herb Alpert Whipped Cream & Other Delights CD (1965) Bonus Tracks
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| | Dan St Marseille Departure CD (1998)
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$18.99 Jazz saxophonist/clarinetist and recording artist Dan St. Marseille plays in ...
| | Electric Range CD (1996)
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$11.39 ELECTRIC RANGE founders John Alden, Billy Darnell, Patrick Aicholtz and Peter Bradstreet had converged on Southern California in late 1969 and began writing and recording with Buffalo Springfield's Dewey Martin for his "Medicine Ball" album.By the spring of 1971 John, Pete, and Billy, along with Lynn Rowe, Larry Galt, Patrick Aicholtz and Sandy Leigh were signed to Atlantic Records' Clean Records label as the band STARBUCK.With Don Everly producing the album, and the band playing Los Angeles venues like the Hollywood Bowl, things were looking good. As things sometimes go, the scene turned sour and the album was never finished.The group was forced to disband and they scattered about the country wondering "what if...?".John and Peter made there way back to their original stomping grounds of Dayton, Ohio and played in the esoteric outfit DYS (Dayton-Yellow Springs Band) for several years.Patrick moved out of the area but continued songwriting on his own. Billy, however, became a much sought-after studio musician and contributor to music greats like Dr. John, Garth Hudson, Roger McGuinn, Rick Roberts, Randy Meisner, Nicky Hopkins and Gene Clark. Billy also did stints as guitarist for the Byrds, Buffalo Springfield Again, and Hoyt Axton.Fast forward to 1995. With prodding and encouragement from long time fan Jim Foreman, the band reunited for a performance in Dayton and things clicked big time.Though Lynn was not available, the rest of the original Starbuck got together and revived the early material and presented new songs to each other that revealed they were still on the same page musically. Smokehouse Records was just gearing up and looking for their first client when Foreman brought them to the labels attention.The result of that introduction lead to the signing of what came to be Electric Range. Original Starbuck members Alden, Bradstreet, Darnell, and Aicholtz were joined by Darnell collaborator and bassist/vocalist Robin Lamble.Robin, a native of England, had done stints with Al Stewart on four albums and was completely captivated with the quality of songs that Peter and John had to offer for the project.Smokehouse then set upon the task of finding the best person for the job of overseeing ...
| | Patti Moran McCoy Jesus In Paris CD (2001)
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$17.09 Lord, let my next child be a pianist." This was the prayer of Patti's mother Frieda. A few years later, at the age of four, this diminutive little girl, from the plains of Eastern Oklahoma, climbed upon the piano bench, stretched her little fingers over the keys and began to make music.At the age of 12, Patti was playing with symphony orchestras and a few years later received a scholarship to study piano privately with Edwin Hughes, famed professor of music at Juilliard. From there, she went to the Cincinnati Conservatory of Music with dreams ...
| | Bill Stevens Quintet Full Circle CD (2005)
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$14.79 Bill StevensFull Circle Liner NotesShortly after the release of my fifth CD, Dedication, in 2003 I began to reevaluate my musical journey. Over the following year I began to see this journey more as a quest, one that is still incomplete and may be realized, completing the circle, during my next project. As I look back over the past year I have incorporated some theories that have shaped the compositions and improvisations on this CD.These theories were developed initially through my study of Jazz history, primarily the influences of Miles Davis' Second Great Quintet through Kilimanjaro, the spiritual approach to sound of John Coltrane to the freedom of the 1960's "New Thing" musicians and the electrified sounds of Miles Davis' 1970's "Lost Quintet" are all represented as the foundation of this music. Others who have shaped my approach on this CD include Ornette Coleman, early Weather Report, Mark Isham, Woody Shaw and the last recordings of Lee Morgan. This study of the past has allowed me to explore musical concepts that I feel have opened up the compositions to allow the musicians to break through to a new, freer conception of Jazz improvisation and performance. My desire is for each player to construct what he feels in the music at any given moment. I want them to play what they hear in the music for themselves. These concepts have included the following:* I have explored, in some of the compositions, the idea of not grouping the rhythm in patterns of repetitive 3's or 4's. I have sought to remove the feeling of the continual one coming, now here in the present and then going.* Instead of melody being the jumping off point for the improvisations, in all but two of the compositions, I have attempted to interweave the improvisations within the context of the melody.* I have attempted to deconstruct the concept of the 8 or 12 bar phrase creating a more open feeling by minimizing or extending the phrase lengths within the compositional process. The improviser is asked to solo both individually and collectively through this process by letting go of repetitive phrase lengths.* In examining chord structure and harmony, I have used the words of Wallace Roney to focus my study of melodic improvisation, "as being polyharmonic, not simply chromatic, but attempting to hear and play in three or four different keys simultaneously."* The rhythm section has been asked to approach this music in two ways. One, as a more ...
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$16.39 If you've heard famous Texas Tenors such as Arnett Cobb, Don Wilkerson, Wilton Felder and David "Fathead" Newman then you've heard this organ trio which backed them up on many performances in the eighties. They toured with Arnett Cobb in Texas, nationally, and in Europe, and were known as "Cobb's Mob" during this time. They were also featured on such albums as the Fantasy Records release "Showtime," backing both Arnett Cobb and Dizzy Gillespie. The chefs for this Texas home cooking are Clayton Dyess on guitar, Mike Lefebvre on drums and Kenny Andrews playing the authentic, old-fashioned Hammond B3. Even without ...
| | Sarah Severson To These Unknown CD (2002)
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| | Jazz 6 Bossa Do Jazz CD (2007) (Import)
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