| | Ashanti CD Ashanti Discography of CDs
 (63 Customer Reviews)
ASHANTI won the 2003 Grammy Award for Best Contemporary R&B Album.
Ashanti was nominated for the 2003 Grammy Award for Best New Artist. "Foolish" was nominated for the 2003 Grammy Award for Best Female R&B Vocal Performance.
The young R&B thrush Ashanti makes an impressive showing on her self-titled debut album. Unlike many of her peers, Ashanti doesn't resort to vocal histrionics; this siren is more concerned with communicating the emotion of a song than showing off her chops. In fact, the reigning mood on this disc is a gauzy, slow-burn feel that makes the most of Ashanti's sensual, low-key style. Often she seems to be whispering right into your ear. Though there's an undercurrent of hip-hop-influenced production, that simmering, late-night feel remains consistent through the torch ballad "Foolish" (when will these spurned lovers learn?), the considerably less tortured "Happy," and the irresistible come-on of "Movies." Perhaps most telling of all, however, is the closing track "Thank You," which affords us the opportunity to hear Ashanti sing unaccompanied, revealing in plain sight the considerable pipes whose strength she tastefully downplays to fine effect throughout ASHANTI.
Parental Advisory
Personnel: Robert Bacon (guitar, acoustic guitar, bass guitar); Kenneth Crouch (piano); Chink Santana, Trevor Lawrence (drums).
Audio Mixers: Irv Gotti; Brian Springer.
Recording information: Crackhouse Studios, New York, NY; Soundcastle Studios, LA.
Photographer: Tony Duran.
Personnel includes: Ashanti (vocals); Ja Rule, Irv Gotti (rap vocals); 7, Chink Santana (various instruments); Rob Bacon (guitar); Butch Smalls (percussion).
Producers: 7, Chink Santana, Irv Gotti.
Rolling Stone (12/26/02, p.102) - Included in Rolling Stone's "The 50 Best Albums of 2002" - "...Overflows with dimmed-lighting delights..."
Rolling Stone (12/26/02, p.102) - Included in Rolling Stone's "50 Best Albums of 2002" - "...Overflows with dimmed-lighting delights..."
Q (p.132) - 3 stars out of 5 - "[H]er midtempo love, with its satin-y mid-'80s sheen, is phenomenally slick and intelligent." Ashanti Music Review Average Rating: (3.3 out of 5 stars)   List All Reviews Wow
I must admit I was surprised at how well written and thought out this project is; I was not a believer in Ashanti, but there is not one song on this piece that I do not like. You go girl! You made a believer out of me.
Submitted by a reviewer (Torrance, CA) 
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Tasteful
I was impressed when I heard Ashanti's Album. I purchased it based on her singing with JARULE, and her song Foolish. I love her song Foolish...alot of women go through the same situation that she does in that song. She has a soulful voice, and has an elegance with her style of singing. I think she will make it in the music industry and hope to hear more from her. I would recommend her album to family and friends.
Submitted by a reviewer (Arlington, Tx, USA)
Was This Review Helpful? Yes No  HOTT!!!!
THIS HAS GOT TO BE HOTT, I CANNOT WAIT UNTIL MINE GETS HERE.
Submitted by a reviewer (NEWBERN,NC)
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good
this is not the best album but it is really good and i like leaving the best. it's really good so buy it today !!!!!
Submitted by aly (philadelphia, PA, usa)
Was This Review Helpful? Yes No She Can Sing
Ashanti can sing all of her albums are good people need to stop hating on Ashanti .Ashanti will make more albums and all of her fans will by them and litte children will whant to listen to Ashanti.People always talking about AAshanti they need to stop that. I will alway be by Ashanti side she is sexy she can sing all of her albums are good her concerts are good to.
Submitted by LaMonte (Atlanta GA)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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Purchase Ashanti CD To buy, Click on price to add to cart | Alicia Keys Songs In A Minor CD (2001)
Ashanti album
 $9.29    
Alicia Keys won the 2002 Grammy Award for Best New Artist. SONGS IN A MINOR won the 2002 Grammy Award for Best R&B Album. "Fallin'" won the 2002 Grammy Awards for Best Female R&B Vocal Performance and for Best R&B Song.
Picture Roberta Flack with hip-hop trimmings or D'Angelo coming at the world from a female perspective and you get an idea of the immense talent welling up from musical prodigy Alicia Keys. Blessed with a soulful voice, mature-beyond-her-years songwriting, and a classically trained command of piano, it's no wonder music mogul Clive Davis brought the 20-year old performer over from Arista as one of the flagship artists for his new label J Records. Keys displays impressive range on this primarily self-penned debut that finds her taking part in arranging and/or production on every cut, once again redeeming Davis's instincts.
Besides the well-earned buzz for the gripping love-and-loathe single "Fallin'," Keys earns high marks for fusing rap beats and vintage Aretha on a confidently delivered cover of Prince's "How Come You Don't Call Me." Elsewhere, the native New Yorker's flow finds her traversing the same ground as early-'70s Stevie Wonder on the thought-provoking "The Life," while "Goodbye" proves to be the quintessential Quiet Storm kiss-off. Keys wraps up SONGS with a sanctified mix of stride piano, lush strings, and gospel-flavored back-up singers on "Lovin' U."
Includes a bonus track not available on the US version, 'Lovin U.'
Personnel: Alicia Keys (vocals, piano, keyboards, background vocals); Arty White, Cato (guitar); Isaac Hayes (Fender Rhodes piano); John Peters (organ); Brian Cox (keyboards); Richie Goods (acoustic bass, electric bass); Norman Hedman (percussion); Kerry Brothers, Anthony Nance (drum programming); Cindy Mizelle, Kandi Burruss, Paul Green, Andricka Hall (background vocals).
Audio Mixers: Manny Marroquin; Gerry "The Gov" Brown; Phil Tan; Russell Elevado; Tony Maserati.
Audio Remixer: Alicia Keys.
Recording information:
| | Tweet Southern Hummingbird CD (2002)
Ashanti CD music
$14.45
Contains 2 untitled hidden tracks after "Southern Hummingbird (Outro)."
Despite being a protege of hip-hop artist Missy Elliott, Rochester native Tweet has a style much more in common with the urban soul of India.Arie. Having spent nearly a decade trying to get a big break, Tweet offers a more mature approach to her relationship themes. Despite the presence of executive producers Elliott and longtime creative partner Timbaland, much of SOUTHERN HUMMINGBIRD is steeped in Tweet's honeyed vocals and acoustic guitar woven around languid grooves.
Songs like the slow-jam "Smoking Cigarettes" and "Best Friend" (featuring Bilal and his Prince-like falsetto), play up the pain of love and loss while uptempo jams like "Boogie 2Nite" and "Make Ur Move" use infectious beats and juicy harmonies to cast these weightier concerns to the wind. Hip-hop heads end up getting their Jones fed with "Oops (Oh My)," the lead-off smash duet with Missy, defined by Elliott's subtle electronic-flavored production hand. Tweet's organic musical approach comes across best on "Motel," where the soulful siren uses a single acoustic guitar and a dash of background vocal accompaniment ...
| | Avant Ecstasy CD (2002)
Ashanti music CDs
$11.99
On ECSTACY, Myron Avant, the Cleveland native who was also the first artist signed to Magic Johnson's MJM record label, sings satin sheet-smooth R&B with sexy self-assurance. It's tinged with an irresistible pleading tone which he uses time and again to devastating effect on cuts such as the smoky, after-hours "Thinkin' About You" and the reggae-inflected "What Do You Want." "Six in Da Morning" conjures the dazed, freaky mood of the end of a long night's partying, while the darker "Suicide" recalls an R&B poet of a previous generation, Percy Mayfield, in its brooding lyrics.
Avant's silky tones are set against typically laid-back instrumentation, and his fragile vibrato lifts his material beyond the run of the mill--he's no mere R. Kelly copyist, though he's phenomenally popular in Kelly's home town of Chicago. His lyrics on this sophomore release are as direct as those on his debut MY THOUGHTS, but there's a new sophistication here both in his delivery and in ECSTASY's production that bodes well for this young star's future.
Recorded at Stone Recording, Chicago, Illinois.
Personnel: Avant (vocals, background vocals); Sean Don (rap vocals); Charlie Wilson (background ...
| | Nellyville CD (2002)
Ashanti songs
$11.49
"Hot In Herre" won the 2003 Grammy Award for Best Rap Male Solo Performance.
"Dilemma" (w/ Kelly Rowland) won the 2003 Grammy Award for Best Rap/Sung Collaboration.
NELLYVILLE was nominated for the 2003 Grammy Awards for Album Of The Year and
Best Rap Album. "Dilemma" (w/ Kelly Rowland) was nominated for the 2003 Grammy Award for Record Of The Year.
NELLYVILLE could fairly be billed as its creator's coming-of-age album, with a sophisticated sheen that's a world and several million dollars away from its predecessor, the hugely successful COUNTRY GRAMMAR. Confidence and an undeniable musicality are the watchwords here, from the opening title track which is a both half-sung, half-rapped statement of first principles and a tour through the artist's psyche. The infectious club track "Hot in Herre" should bring fans and Nelly neophytes alike running with its old-school chorus, while the tight, steamy textures of "Pimp Juice" show Nelly as a master of insinuating vocalese. There are the usual guest appearances, notably from Justin Timberlake on the rap/pop crossover "Work It," where Timberlake's smooth vocals are expertly used to provide a cool, stylish counterpoint to Nelly's urgent rapping. Beanie Sigel guests on the remix of "Roc the Mic" while the take-no-prisoners stomp of "On the Grind" featuring King Jacob is a reminder, if any were necessary, that no matter how sophisticated his music gets, the streets of St. Louis will always be Nelly's spiritual home.
Principally recorded at The Hit Factory, Miami, Florida.
Personnel includes: Nelly, Murphy Lee, Justin Timberlake, King Jacob, Kelly Rowland, Beanie Sigel, Freeway, ...
| | Beyonce Dangerously In Love CD (2003)
Ashanti album
$9.69
DANGEROUSLY IN LOVE won the 2004 Grammy Award for Best Contemporary R&B Album. "Dangerously In Love" won for Best Female R&B Vocal Performance. "The Closer I Get To You" won for Best R&B Performance By A Duo Or Group With Vocals. "Crazy In Love" won for Best R&B Song and for Best Rap/Sung Collaboration. The song was also nominated for Record of the Year.
Besides deft, pitch-perfect hit songs, the talented if volatile Destiny's Child was remarkable for its unpredictability, not always a defining characteristic of mainstream R&B. While there was certainly a formula at play in the songs, the structure was subtly unstable, never following standard progressions. Yet most of their singles flew to the top of both the pop and R&B charts. While DC was generally a collective, Beyonce Knowles clearly emerged as the most high-profile member, even before major turns on the big screen, signaling anticipation for her debut album, DANGEROUSLY IN LOVE.
Beyonce's opening salvo should disappoint neither her fans nor the general public, as it features skillful songwriting balancing innovation and abundant hooks. DANGEROUSLY IN LOVE starts with a flourish, as the omnipresent Jay-Z brashly introduces the feverishly catchy, brass-fueled dance cut "Crazy In Love," followed by three more lush club-bangers, including a typically inviting guest toast by Sean Paul and some tongue-twisters from Outkast's Big Boi. From there, the soulstress shifts into ballad mode, the starkest moment coming with "Yes," beautifully reminiscent of the DC sound. On DANGEROUSLY IN LOVE, Beyonce both remains true to her past success while forging intriguing new ground.
Contains a hidden track following ...
| | Ashanti Chapter II CD (2003)
Ashanti CD music
$11.19 
Skits notwithstanding, Ashanti's sophomore album is a confident leap away from her self-titled debut. She makes the most of her lightweight, breathy voice, incorporating airy, summery, string-laced arrangements in a variety of settings that go down extremely smoothly even, as in "Living My Life," when they're about that thorniest of topics, the struggle to make it.
Ashanti never hectors or browbeats, instead soaring effortlessly above the Murder Inc. goons who populate the skits between the cuts, sounding persuasive even on an ostensibly downbeat song such as "Carry On." The lyrics may tell us she's had enough, but there's a quiet, constant center to her voice that says otherwise. She's also at home with a sexy lyric such as that of the self-descriptive "Ohhh Ahhh," and her delivery is confident and understated even here. CHAPTER II is an assured, leisurely ride with an artist who's becoming more accomplished with time and experience.
CHAPTER II was nominated for the 2004 Grammy Award for Best Contemporary R&B Album. "Rain On Me" was nominated for Best Female R&B Vocal Performance. "Rock Wit U (Awww Baby)" was nominated for Best R&B Song.
Personnel: ...
| | Dan Balmer If We Never Meet Again CD (2000)
Ashanti music CDs
$12.19
Tom Grant's former guitarist fuses acid jazz, reggae, hip hop & latin styles with his own contemporary jazz sound.
Recording information: Bigger Better Studios; Falcon Studios; The Litterbox; White Horse Studios.
Personnel: Dan Balmer (guitar); Hans Teuber (alto saxophone); George Mitchell (piano, Hammond ...
| | Rare Earth Ma CD (1973)
Ashanti songs
$4.89
Rare Earth's most satisfying LP, Norman Whitfield wrote and produced all five songs. "Ma," the title track, had been done by Temptations and Undisputed Truth but nobody rocked the sucker like Rare Earth; they jam for 17:17 on the funkiest mama song ever. "Hum Along and Dance," first appeared on the Temptations' Psychedelic Shack; Rare Earth gives the groover and update, a rolling organ sets it off. Lead, Gil Bridges brags about his musical ability on the loud, horn dominated stomper "Big John In My Name."A haunting arrangement of "Smiling Faces Sometimes" will make you shiver. And you don't get much more sensual than the soft and lush "Come With Me," where a female simulates an orgasm that puts Donna Summers' exhibition on "Love to Love You Baby" to shame; it's the only new song on the LP, but who's quibbling, MA is da bomb! ~ Andrew Hamilton
This is part of Motown's ...
| | Jeru The Damaja Heroz4hire CD (1999)
Ashanti album
$8.99
Jeru the Damaja returned from a three-year absence with Heroz4hire, an independent album released on his own Knowsavage label, featuring both production and mixing by Jeru himself. His rapping style, as dense and inventive as ever, entails listening to the album at least three or four times to understand the tongue-twisting rhymes. From his last album, Jeru continues his interrogation of women with more than love on their mind on "Bitchez Wit Dikz," and contributes an apocalyptic production to the historical saga "Renagade Slave." Jeru is surprisingly good as a producer, weaving scratchy, repetitious samples around tough, lo-fi beats -- similar to DJ Premier's work on the first two Jeru LPs. Though the hooks here aren't quite as catchy as Premier's, the incredibly raw production suits the independent status of Heroz4hire. Jeru also shares the mic and the credits on several tracks; female rapper Mizmarvel appears on ...
| | Whispers Greatest Hits CD (1990) (Import) Canada
Ashanti CD music
$19.49
Track Listing of songs: ...
| | Harvest CD (2004)
$8.09 | | Marshall & Alexander Nur Das Beste CD (2006)
Ashanti music CDs
$11.79
Track Listing of songs: Stop The Rain; Bridges Over Water; ...
| | No1 Club Anthems Album CDs (2007) (Import) Import; Boxed Set
Ashanti songs
$21.69
2007 four CD set that is just jumpin with great electronic Dance tunes and ferocious ...
| | Jerome Sabbagh Pogo CD (2007)
Ashanti album
$13.89
Jerome Sabbagh has pleasing and mellow tones on tenor and soprano. Most of Pogo is a quiet recording, one in which the solos and ensembles are thoughtful and laid-back rather than exciting. There are spots where the melodic music becomes rather sleepy, and it is not until Ben Monder takes a rockish solo on the fourth cut, the bluesy "Stand Up," that the set comes to life. Even then, by the time "As One" rolls around, the introspective mood has returned in full force. Monder has some intense moments during his solo on the drone piece "Hamra," but Sabbagh never really cuts loose. Some listeners will find this set to be subtle and full of quiet invention; others will be bored. Certainly the musicianship is excellent, but one wishes that a fire had been lit under these players. Even their song titled "Eye of the Storme" could easily be used as a lullaby. ~ Scott Yanow
Composer: Jerome Sabbagh.
Personnel: Jerome Sabbagh (soprano ...
| | Beethoven: Complete Symphonies & Selected Overtures CDs (2007) Box Set
$56.05 |
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