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Modern Talking - Victory CD Cover Art
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Modern Talking Victory CD - Import

 Modern Talking Discography of CDs
3.2 stars (6 Customer Reviews)

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 Our Price: $10.05  CD
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German synth-pop duo Modern Talking return with 2002's VICTORY, including the singles "Ready for the Victory" and "Don't Make Me Blue."

The German duo's 11th album, feathres tue singles 'Ready For the Victory', and 'Juliet'. 15 tracks
Victory Music


Detailed Victory Music Information



List Price $11.98 (You save $1.93)
Category Rock/Pop Albums, Rock CDs, R&B, Pop, Electronica, Dance
Label MSI Music
Orig Year 2002
All Time Sales Rank   35937  
CD Universe Part number 3066033
Catalog number 192037
Discs 1
Release Date Apr 16, 2002
Studio/Live Studio
Mono/Stereo Stereo
Modern Talking Victory Songs


Modern Talking Victory Album Track Listing



1.Ready For the Victory  
2.I'm Gonna Be Strong  
3.Don't Make Me Blue  
4.Juliet  
5.Higher Than Heaven  
6.You're Not Lisa  
7.When the Sky Rained Fire  
8.Summer in December  
9.10 Seconds to Countdown  
10.Love to Love
11.Blue Eyed Colored Girl  
12.We Are Children of the World
13.Mrs Robota
14.If I...
15.Who Will Love You Like I Do  
Victory Music Review


Customer Victory Reviews 




Average Rating: (3.2 out of 5 stars) 3 stars

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1 star Talking but not saying much
Modern Talking's 11th CD "Victory" is a complete bore. I listened to it once and put it away....i'll probably never play it again. This is sad because I love MT, but they seemed to have abandoned the MT sound for 70's and 80's type gimmick tunes, and tuneless ballads...."Victory" is very dull.
Submitted by a reviewer (washington, DC) Verified Buyer
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2 stars A big let down !
This is the new album from modern talking and what a big let down.This album tells me that modern talking is getting bored and running out of "original" material,they have resorted to doing "gimmick" type songs. Modern talking is trying too hard to keep up with the sound that's out there today,but for a long time fan like myself who loves modern talking of the 80's,and I'm not saying they should sound like the 80's,I mean lets be real this is 2002,but modern talking does have a "distinctive" and "signature" sound to their music and I hate to see them lose it,or have they already have lost it?
Submitted by a reviewer (So.Cal , USA) Verified Buyer
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5 stars The best pop-group in the world!!!
This album is the best since the come-back! I mostly like the songs "Juliet, Ďf I..."and "Summer in december"what do you like most?
Submitted by secretstar1975 (Netherlands)
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2 stars It's an "ok" album
Been a MT fan since the mid '80s and I am disappointed with this latest album. I wish that Dieter Bohlen would produce more songs like "Mrs. Robota," which is the only tolerable song from the entire album.
Submitted by a reviewer (Eatontown, NJ)
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5 stars Awsome!!!!!
This album from modern talking brings alive the music from the 80´s style of M.T. as well as the ultimate sound of Hi-nrg and euro pop. This is a must buy album from M.T.
Submitted by a reviewer (chula vista, ca, usa)
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Fairfax In The Pacific
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Fairfax in the Pacific – Cory Combs and the Great Plains Ensemble1. \"It takes a hell of a dog to weigh 600 pounds,\" and other statements, observations, or questions repeated over the years by grandfather John Wells (see definitions below):2. Cory, do you like peaches? 3. Variation: Cory, do you like chicken? 4. Oh, about a half-a-mile. 5. How’s Charlie? 6. I’m going to stake you down to a red anthill, tie a piece of wet rawhide around your head and let it dry in the desert sun till your eyes pop. 7. Variation: If I get a hold of you, I’m going to get my two fingers up under your ribs, push on through and rip your guts out. 8. Feel of that, Chrisser 9. Chris, that dude would tear you a new one. 10. That’s a Smokey coming down the road. You best slow down or you’re gonna’ get us all thrown in jail. 11. There’ll be some killin’. These frequent and sometimes puzzling phrase repetitions set the tone of our summer pilgrimages to Fairfax, Missouri, where John and Doris lived. My brothers and I would spend the week driving county farm roads, shooting off bags of fireworks, exploring abandoned farm houses, tearing around the farm on our motorcycle, getting lost in the growing corn fields, and listening to Johnny talk farming. The price of soybeans. The growth of the corn. The predicted rainfall. Whatever Johnny said, we listened. Fairfax in the Pacific was inspired by recent dreams of this period. Dreams of my childhood, combined with the reality of the present. Dreams of my brother Chris and grandfather Johnny. Dreams of Hawaii, dreams of Missouri, Kansas, and San Francisco. Dreams that slam two places on top of each other; dreams that fragment, shift and juxtapose at will. Johnny appears, but his behavior is strange and confusing, and too often he leaves without word. Chris frequently gives a message, but it’s hard to decipher or understand. I wake nostalgic for the past, when those I’m dreaming about were still here, and confused by the symbolic meaning of the people, places and cryptic messages.The music for this CD was written to evoke these dream images, and to go beyond. The dreams were the starting point, but I left them to create new stories for my main characters, the imagined visuals giving life and direction to the music as it developed.The music shifts and turns quickly, changing moods and styles from song to song and within compositions, but returns to sounds that were familiar to me growing up - Americana songs, TV theme music, Hawaiian music, records from our antique Victrola, old western movie music, jazz, rock, esoteric percussion music, adventure music from old kids movies. The sounds of family voices, recorded in 1986, becomes another layer on the CD, another sound, interacting with the music and musicians.Conceived as one extended work with a short intermission, Fairfax in the Pacific is a tribute to the mysteries of family, both here and gone.Fairfax in the Pacific Features: Cory Combs Compositions, 6 & 7 String Bass,Samples, Toy PianoDan Willis Tenor Sax, ClarinetJohn Hollenbeck Drums, Percussion, GlockenspielJohn Gove TromboneHarry Whitney Piano, Prepared Piano (Track 16)Kayo Miki Violin 1Matt Combs Violin 2, Mandolin, Violin Solos, (Track 1, 3, 8) Voice (Track 1)Emily Onderdonk ViolaMark Summer CelloAllen Biggs Xylophone (Tracks 4 & 14)1. Said often and for no particular reason. A nonsense phrase. For example, during a commercial break, while rising to get a piece of chocolate candy, he would say, “Cory, it takes a hell of a dog to weigh 600 pounds.” What choice did I have but to agree?2. Food and the relative like or dislike of it was of great importance to Johnny. “Cory, do you like peaches?” was always asked while ...
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