| | Philip Bailey Soul On Jazz CD Philip Bailey Discography of CDs
(1 Customer Review)
Ira Coleman (acoustic bass); David Dyson (bass); Billy Kilson (drums); Don Alias (congas, percussion); Daniel De Los Reyes (congas); DJ Smash (programming); David Whitworth, Charmaine Cousins, Billy Baker, Robert Brookins (background vocals).
This is a hybrid Super Audio CD playable on both regular and Super Audio Cd players.
There was a strong jazz vibe running through some of Philip Bailey's sides with Earth, Wind & Fire. On Soul on Jazz, his second release for Heads Up International, co-producer Bailey remakes several jazz standards, some with new lyrics by his son, Sir Bailey. The foray is most successful on Thelonious Monk's "Ruby My Dear," a percussive take on Gene McDaniels' "Compared to What," and Joe Zawinul's "Mercy, Mercy, Mercy." R&B and jazz stylishly intersect on the smooth airy ballad "Unrestrained." Bailey redoes the EWF classic "Keep Your Head to the Sky," giving it a mellow sheen that's close to one of his past cuts, "Children of the Ghetto." On that and his dusky cover of Herbie Hancock's "Tell Me a Bedtime Story" and the loopy "Bop-Skip-Doodle," Bailey flexes his legendary falsetto. More jazz-oriented than Dreams, Soul on Jazz benefits from the sharing of production chores with Myron McKinley, Bob Belden, and Scott Kinsey. The album is definitely on track. ~ Ed Hogan
6th Rel;Guests-DJ Smash,Don Alias,John Hart,Ronnie Cuber++
Recorded at Bennett Studios, Englewood, New Jersy. Includes liner notes by John Murph.
Personnel includes: Philip Bailey (vocals, timbales); Alan Burroughs (acoustic guitar); Mike "Dino" Cambell, John Hart (guitar); Myron McKinley (melodica, piano, keyboards); Bob Belden (soprano saxophone); Lou Marini (alto saxophone); Ronnie Cuber (baritone saxophone); Scott Wendholt (trumpet); Scott Kinsey (piano, Fender Rhodes piano, keyboards, programming);
Producers: Bob Belden, Myron McKinley, Scott Kinsey, Philip Bailey.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.JazzTimes (7-8/02, p.90) - "...Bailey is blessed with impeccable taste and superb musical instincts..." Vibe (7/02, p.138) - 4 discs out of 5 - "...Backed by a swinging combo, Bailey's vivid vocals extend to realms beyond category..." Soul On Jazz Music | List Price | $18.97 (You save $3.32) | | Category | Rock/Pop Albums, R&B CDs, Jazz Instrument, Gospel, Pop, Smooth, Jazz, Enhanced CD | | Label | Heads Up | | Orig Year | 2002 | | All Time Sales Rank | 66010  | | CD Universe Part number | 3117945 | | Catalog number | 3068 | | Discs | 1 | | Release Date | Apr 23, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Robert Friedrich | | Personnel | Philip Bailey - vocals, timbales Lou Marini - alto saxophone Scott Kinsey - piano, Fender Rhodes piano, keyboards, programming ; John Hart - guitar Myron McKinley - melodica, piano, keyboards Alan Burroughs - acoustic guitar Mike "Dino" Cambell
Also: Ronnie Cuber, Robert Brookins, Scott Wendholt, Bob Belden, DJ Smash | | Additional Info | Enhanced CD |
Philip Bailey Soul On Jazz Songs Soul On Jazz Music Review Purchase Soul On Jazz CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
Soul On Jazz album
$18.05 Growing up among Afro-Americans in Berkeley, CA, Greek-American Johnny Otis (born John Veliotes) always identified strongly with people of color. Before he had attained the age of 20 he was gigging with black jazz bands throughout the Southwest, and eventually organized an ensemble deliberately patterned after Count Basie's orchestra. This highly charged album of historical musical artifacts documents the very beginning of Johnny Otis' recording career. With one apparently unobtainable exception, the Classics Blues & Rhythm Series has assembled all of Otis' Excelsior recordings, made in Los Angeles between 1945 ...
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Soul On Jazz album
$18.79 This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King with the contents taken from three different recording sessions in a 13-month period (March 1, 1962 through April 11, 1963). Based on the results, the artist was being presented as a blues shouter, supported by an antiquated big band and/or orchestra. Arguably the best of the lot comes from the Maxwell Davis led ensemble on the first of several Big Joe Turner tunes, the Ahmet Ertegun penned "Chains of Love." The upgrade of Ivory Joe Hunter's "Blues at Midnight" is closer to the spirit of modern era King as he aptly demonstrates his singular testifyin' style. The fun and frolic of both "I'm Gonna Sit in 'Til You Give In" and "My Baby's Comin' Home" ...
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