| | Cold Chisel Chisel CD - Import Cold Chisel Discography of CDs
 (2 Customer Reviews)
CHISEL is a comprehensive anthology featuring 20 tracks by the Australian rock band Cold Chisel. From "Standing on the Outside" to "Khe Sahn," CHISEL spans the band's career, and boasts finely remastered sound.
Cold Chisel is without doubt Australia 's most successful band of the '70s and '80s and are truly unique within Australian rock. "Chisel' is fantastic package featuring all their greatest hits, remastered spanning their entire career in never heard before sound quality. Cold Chisel Chisel Songs | 1. | Standing on the Outside |
| 2. | Rising Sun |
| 3. | Things I Love in You |
| 4. | Star Hotel |
| 5. | When the War Is Over  |
| 6. | Breakfast at Sweethearts |
| 7. | My Baby |
| 8. | You Got Nothing I Want |
| 9. | Yakuza Girls |
| 10. | Way Down |
| 11. | Forever Now |
| 12. | Cheap Wine |
| 13. | Merry Go Round |
| 14. | Water Into Wine |
| 15. | Bow River |
| 16. | Flame Trees |
| 17. | Saturday Night |
| 18. | Goodbye |
| 19. | Choir Girl |
| 20. | Khe Sahn |
|
Purchase Chisel CD To buy, Click on price to add to cart | Transatlantic The Whirlwind CDs (2009)
Chisel
 $18.38    
| | Halford III: Winter Songs CD (2009) (Import) Special Edition; Digipak
Chisel
$15.55 
Personnel: Rob Halford (vocals); Mike Chlasciak (guitar); Ed Roth (keyboards); Bobby Jarzombek (drums).
Audio Mixer: Pete Martinez.
Arrangers: Rob Halford; Ed Roth.
At first glance, Halford's entry into the crowded holiday market looks like a parody. Heavy metal and Christmas make for strange bedfellows, and WINTER SONGS' pastoral cover art -- which depicts ...
| | Sting If On A Winter's Night... CDs (2009) Digipak
Chisel
$11.94
| | Paul Davis CD (1971)
Chisel
$9.44
| | Rick Derringer Sky Is Falling CD (2009)
$8.80 | | Bob Seger Greatest Hits CD (1994)
Chisel
$9.59 
Personnel includes: Bob Seger (vocals, guitar, piano); Glen Frey (vocals); Joe Miquelon (electric guitar); Steve Lukather, Waddy Wachtel, Drew Abbott (guitar); Rick Vito (slide guitar); Alto Reed (saxophone); Roy Bittan (piano); Bill Payne (piano, organ, synthesizer); Doug Riley (piano, organ); Robyn Robbins (Mellotron, organ); Craig Frost (organ); Michael Boddicker (synthesizer); Chris Campbell, Bob Glaub (bass); Russ Kunkel, Charlie Allen Martin, David Teegarden (drums, percussion).
Producers include: Jimmy Iovine, Jack Richardson, Bob Seger, Punch, Bill Szymczyk.
Engineers include: Shelly Yakus, Brian Christian, Jim Bruzzese.
Includes liner notes by Bob Seger.
Personnel: Bob Seger (vocals, guitar, acoustic guitar, piano, electric piano, synthesizer, background vocals); Drew Abbott (guitar, electric guitar); Rick Vito (guitar, slide guitar); Ken Bell, ...
| | As Long As I'm Singing: The Bobby Darin Collection CDs (1995)
Chisel
$51.49
Personnel includes: Bobby Darin (vocals, harmonica, piano, keyboards); Johnny Mercer, Darlene Love (vocals); Fred Neil, James Burton, Glen Campbell, Roger McGuinn, Milt Norman (guitar); Harmonica Fats (harmonica); Nino Tempo, Steve Douglas (saxophone); Neil Sedaka (piano, keyboards); Bobby Scott (piano); Earl Palmer (drums).
Producers include: Ahmet Ertegun, Jerry Wexler, Nesuhi Ertegun, Charles Koppelman, Don Rubin.
Compilation producers: Jeff Bleiel, Nik Venet, James Austin.
Engineers include: Tom Dowd, Nik Venet (disc 4, track 26).
Recorded betweeen January 24, 1958 and 1972. Includes liner notes by Dodd Darin, Michael Oricchio, Darcy Sullivan, Nik Venet, Ahmet Ertegun, Dick Clark, Tom Dowd, Jerry Leiber, Mike Stoller, Sandra Dee, Dion, Steve Blauner, Roger McGuinn, Brian Setzer, Jerry Wexler, Billy Vera, Jimmie Haskell and Joel Dorn.
All tracks on disc 1 are mono except tracks 8, 16 and 26. All tracks on disc 2 are stereo except tracks 1-4, 9-10, 16-17 and 21. All tracks on disc 3 are stereo except track 15.
AS LONG AS I'M SINGING: THE BOBBY DARIN COLLECTION includes 11 previously unreleased tracks.
A four-CD box set spanning several styles, labels, and eras, this will stand as the most thorough retrospective of Darin's eclectic career, though not necessarily the best. There's a lot of material here -- 96 songs, including not only the hits, but obscure flops, B-sides, album cuts, and 11 previously unreleased tracks. Because Darin covered a lot of different genres, it's not programmed chronologically, but by style -- one disc for "The Rock'n'Roll Years" (which, truth be told, were often closer to pop than rock), two to his pop sides, and one to his folk and country outings. In hindsight (and in the enclosed 64-page book), much has been made of Darin's versatility. But while it's true he could handle a range of genres competently, versatility does not automatically equate with quality. Just as a baseball player who can play all the positions is not necessarily a great player, Darin's unusual eclecticism did not mean that he was as great a singer as some legends who concentrated only on rock, or only on pop, or only on folk. There are some neat surprises here -- the mid-'60s protest folk-rock of "We Didn't Ask to Be Brought Here," the full-bodied pop of "When I Get Home," the fine rendition of "Nature Boy," and the reasonably cogent and sincere late-'60s folk-rock. But a lot of it is not more than competent, and some of it (especially the slighter rock efforts) are less than that. And the almost diametrically opposed range of sounds (it's a long way from "Splish Splash" to "Mame" and "If I Were a Carpenter," after all) means that not many listeners except Darin fanatics will be able to get through the whole set without skipping over a lot of the tracks. ~ Richie Unterberger
A four-CD box set spanning several styles, labels, and eras, this will stand as the most thorough retrospective of Darin's eclectic career. Thorough, however, doesn't necessarily mean the best. There's a lot of material here -- 96 songs, including not only the hits, but obscure flops, B-sides, album cuts, and 11 previously unreleased tracks. Too much material, really, if you're not a committed fan. Because Darin covered a lot of different genres, it's not programmed chronologically, but by style ...
| | Quicksilver Messenger Service Happy Trails CD (1969) (Import) Germany; Remastered
Chisel
$15.75
German reissue of the acid/psychedelic rock act's sophomore album, originally released in 1969 on Capitol, digitally remastered with extensive sleeve notes. 2000 release. Standard jewelcase.
Quicksilver Messenger Service: John Cipollina, Gary Duncan, Greg Elmore, David Freiberg.
The remastered German edition features an extensive booklet.
Without question, this follow-up to Quicksilver Messenger Service's self-titled debut release is the most accurate in portraying the band on vinyl in the same light as the group's critically and enthusiastically acclaimed live performances. The album is essentially centered around the extended reworkings of Bo Diddley's "Who Do You Love?" and "Mona," as well as the lesser lauded -- yet no less intense -- contribution of Gary Duncan's (guitar/vocals) "Calvary." This album is the last to feature the original quartet incarnation of QMS. The collective efforts of John Cipollina (guitar/vocals), Greg Elmore (percussion), David Freiberg (bass/vocals), and the aforementioned Duncan retain the uncanny ability to perform with a psychedelic looseness of spirit, without becoming boring or in the least bit pretentious. The side-long epic "Who Do You Love?" suite is split into an ensemble introduction and coda as well as four distinct sections for the respective bandmembers. The perpetually inventive chops of QMS are what is truly on display here. The musicians' unmitigated instrumental prowess and practically psychic interaction allow them to seamlessly weave into and back out of the main theme. Yet all the while, each player takes center stage for uncompromising solos. "Mona" and its companion, "Calvary," continue in much the same fashion. Here the members of QMS play off each other to form a cohesive unit. This track also contains some of Cipollina's finest and most memorable fretwork. He is able to summon sonic spirits from his guitar in a way that is unlike any of his Bay Area contemporaries. A prime example of his individuality is the frenetic "Maiden of the Cancer Moon" -- ascending from the remnants of "Mona." The angst and energy in Cipollina's guitar work and line upon line of technical phrasing could easily be considered the equal of a Frank Zappa guitar solo. ...
| | Boyskout School Of Etiquette CD (2004)
Chisel
$12.89
| | Yolanda Adams Day By Day CD (2005)
Chisel
$6.25  
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Yolanda Adams (vocals); Donnie McClurkin, Mary Mary (vocals); Gregory Curtis (various instruments, background vocals); Paul Jackson, Jr. , Philip Hamilton, Todd Parsnow (guitar); Bobby Sparks (keyboards, mini-Moog synthesizer, programming); Barry Eastmond (keyboards, bass guitar, programming); Keith Taylor (bass guitar); Iz, Luis Conte (percussion); Chris Godbey (programming); Gordon Chambers, Keith Allen , Sharon Bryant, Lisa Curtis, Demeka Jackson (background vocals).
Recorded in the aftermath of personal turmoil and the dissolution of Elektra as a record label proper, Yolanda Adams' tenth career album, Day by Day, had every reason to get lost in the shuffle. It almost did, as the album appeared nearly four years after Believe, the underwhelming follow-up to the singer's now-classic Mountain High...Valley Low -- the benchmark against which all other Adams albums must be assessed. Day by Day sees the songstress grabbing hold of her gospel heritage with more aplomb than ever before, if not in sound, at least in message, sidestepping the inspirational pleasantries of previous semi-hit "I Gotta Believe" or her cover of R. Kelly's "I Believe I Can Fly." Here, Adams doesn't succumb to niceties and offers unabashed declarations of triumph in Christ ("Victory"), praise ("Lift Him Up"), and gratitude ("I'm Grateful"), all of which are delivered with such joy and gladness that you'd never think Adams recorded them in the face of trials. More striking still is Adams' ability to switch gears and slow things down, entertaining her urban soul sensibilities with the class of an Anita Baker or a Toni Braxton, but suffusing them with her own brand of uplifting contemporary R&B. What sets her apart from other smooth divas is that she's an encourager first and a singer second, something that's self-evident in the chart-topper "Be Blessed," the slow-burning "Someone Watching Over You," and the stirring "This Too Shall Pass," collectively some of the most inspiring material Adams has recorded. She isn't just content with singing to her audience, but she outright demands their attention -- not forcefully, but with poise and elegance, using her own victory over hardships as leverage. It all amounts to one stunning, well-balanced collection -- and the de facto follow-up to her beloved Mountain High. ~ Andree Farias
With its heavy ...
| | Front 242 Geography CD (2005) (Import) Import
Chisel
$36.79
Listening to Geography in the 21st century is a surprising experience in ways; one can tell exactly who's making the music, but things were still incredibly different at the start for Front 242. That said, the edge of the band is fully present, but the sheer amped-up level of brute aggression isn't. As a self-consciously modernist electronic body music act, though, Front 242 made a good debut, with a lot of the familiar elements of the group -- de Meyer's disembodied, passionless voice, Codenys and Daniel B's ears for threatening atmospherics -- in place. The Depeche Mode comparisons are understandable (check out the synth stabs and general pace of "U-Men" for a good example) but not perfectly accurate. Lyrically, Front 242's focus is mostly turned well away from love and religious imagery in favor of cryptic threats, though the THX 1138-sampling "GVDT" is calm and playful enough to imagine David Gahan singing it. A good demonstration of where Front 242 was at can be heard with the first two songs. While "Operating Tracks" adds enough white noise and full percussion slams to indicate the future, "With Your Cries" isn't all that removed from what Kraftwerk had already done. From there the quartet keep bouncing back and forth, sometimes offering up flashes of real inspiration but often indulging in the kind of random noodling that gave early-'80s industrial/dance music something of a bad ...
| | Robin Smith Veterans Of The Wars CD (2007)
Chisel
$6.69
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