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John McLaughlin resurrected the esteemed old Mahavishnu Orchestra for his mid-'80s quintet, even getting old mate Billy Cobham to fill the drum slot on the band's first album. But this is an entirely different conception than any of the '70s Mahavishnu outfits. The sound is cooler, less strident, more thoroughly dominated by advanced electronic textures -- including a sleekly elegant digital guitar played through a Synclavier. Instead of a violin, Bill Evans contributes some swirling and sometimes bop-flavored work on saxes, and McLaughlin gets mobile but not overly combustible support from keyboardist Mitch Forman and bassist Jonas Hellborg. The homages continue; the opening of "Nostalgia" is exactly that, a throwback to "In a Silent Way" as filtered through digital gear. While this is undeniably prog-minded, beautifully played electric music, it is not terribly absorbing; the quality of the material and the intensity level aren't too high. ~ Richard S. Ginell
John McLaughlin is regarded as one of the greatest guitarists in the history of music. Making albums from the 60's through the present, his intense guitar work with The Mahavishnu Orchestra and Miles Davis gave birth to jazz/fusion. In 1984 he formed a reincarnation of sorts of The Mahavishnu Orchestra. Featuring original Mahavishnu drummer Billy Cobham, plus saxophonist Bill Evans and bassist Jonas Hellborg, this high-energy electric album is regarded as one of his best efforts and has been his most sought after album for CD reissue. It is making its worldwide CD debut! Wounded Bird Records.
Recorded at Ramses Studios, Paris, France in May 1984.
Personnel: John McLaughlin (guitar, synthesizer, Synclavier); Bill Evans (flute, soprano saxophone, tenor saxophone); Mitchel Forman (piano, Fender Rhodes piano); Katia Labèque (piano, synthesizer, Synclavier); Jonas Hellborg (bass guitar, fretless bass); Billy Bobham, Billy Cobham (drums, percussion); Hariprasad Chaurasia, Danny Gottlieb, Zakir Hussain (percussion).
Audio Mixers: Brian Risner; Jean Louis Rizet.
Recording information: Ramses Studio, Paris, France (04/1984-05/1984).
Photographer: Arthur Elgort.
Mahavishnu Orchestra: John McLaughlin (guitar, Synclavier); Bill Evans (soprano saxophone, tenor saxophone, flute); Mitchell Forman (piano, Fender Rhodes piano, keyboards); Jonas Hellborg (bass); Billy Cobham (drums, percussion).
Additional personnel: Katia Labeque (piano, keyboards, Synclavier); Danny Gottlieb, Hari Prasad Charurasia, Zakir Hassain (percussion).
Mahavishnu Music | List Price | $11.99 (You save $1.50) | | Category | Rock/Pop Albums, Rock CDs, Jazz, Jazz Instrument, Fusion | | Label | Wounded Bird | | Orig Year | 1984 | | All Time Sales Rank | 6879  | | CD Universe Part number | 3674577 | | Catalog number | 5190 | | Discs | 1 | | Release Date | Jun 18, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | John McLaughlin | | Engineer | Albert Koski; Jean Louis Rizet; Laurent Peyron | | Personnel | Bill Evans - flute, soprano saxophone, tenor saxophone Bill Evans - flute, soprano saxophone, tenor saxophone John Mclaughlin - guitar, synthesizer, Synclavier Billy Cobham - drums, percussion Mitchel Forman - piano, Fender Rhodes piano Jonas Hellborg - bass guitar, fretless bass Hariprasad Chaurasia Katia LabFque - piano, synthesizer, Synclavier
Also: Danny Gottlieb, Hari Prasad Charurasia, Zakir Hussain |
Mahavishnu Orchestra Mahavishnu Songs | 1. | Radio-Activity |
| 2. | Nostalgia |
| 3. | Nightriders |
| 4. | East Side, West Side |
| 5. | Clarendon Hills |
| 6. | Jazz |
| 7. | Unbeliever, The |
| 8. | Pacific Express |
| 9. | When Blue Turns Gold |
| Mahavishnu Music Review Average Rating: (3.6 out of 5 stars)   Mellow Mahavishnu The third (re)incarnation of the mahavishnu band leaves you as
dumb-founded as the first two. Just as much "fast stuff" as the first bands, but the new sounds, given the new technology, and the fact that "The Mahavishnu" is about 11 years older gives the record ( and the performance/Copenhagen 1984 ) a more mature, even mellow feeling.
Definately a must for true followers.
I had it on vinyl, and havn't heard it for about 16 years.
It was like meeting an old friend again. Submitted by a reviewer (Denmark)  Was This Review Helpful? Yes No
Don't expect "Birds of Fire" or "Inner Mounting Flame" A decent enough "traditional" jazz disc - how could it be bad with John McLaughlin and Billy Cobham on it - but this is Mahavishnu Orchestra in name only.
The material included on this disc is nothing like the ground breaking "Inner Mounting Flame" or "Birds of Fire", or even like the later discs under the Mahavishnu moniker with Narada Michael Walden, such as "Visions of the Emerald Beyond."
Actually, I just purchased the Chick Corea title "Friends" for my wife (one of her faves) in the same order as this title, and enjoyed it far more.
Unless you're a completist, or like "lounge" and "trad" jazz, stay away. I give this three stars on the strength of the musicianship, but not the material. Submitted by a reviewer (Houston, TX)  Was This Review Helpful? Yes No
Go for it! Great and cohesive playing. Very different from their previous albums.
If youré looking for the ultraenergetic
mahavishnu this ain't it.
Submitted by a reviewer (Mexico City Mexico) Was This Review Helpful? Yes No
McLaughlin!!!.... wonderful!
(meraviglioso!!) Submitted by stefano.laguzzi (Italy)  Was This Review Helpful? Yes No 0 of 1 found this helpful.
New Bottle for a Very Taste Less Wine Old fashioned jazz-rock (sorry, fusion)revival for a guitar hero who still seems to live in the seventies. What can we say else?
Than the technic of McLaughling still impress but thant it's just technic and not music with it full range of emotion, drama, and true sonic adventure? An empty celebration of revolute and forgetable past.
PS: Sorry for my poor english, my native language is French. Submitted by a reviewer (Belgium, Brussels) Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Purchase Mahavishnu CD To buy, Click on price to add to cart | Mahavishnu Orchestra Inner Mounting Flame CD (1971) Remastered
Mahavishnu album
$7.15 All tracks have been digitally remastered using 20-bit technology.
Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box.
As British bands like Yes, ELP, and Genesis extended the borders of rock & roll, John McLaughlin had seized the opportunity to do the same with jazz. The first stars of the jazz/rock fusion camp, the Mahavishnu Orchestra played sellout concerts, sold records in quantities previously unheard of by jazz musicians, and captured a crossover audience of forward-looking jazz devotees and progressive rock fans.
The music on THE INNER MOUNTING FLAME is incendiary and highly improvisational. Well-conceived unison melodic passages structure each tune, and McLaughlin and company play like the virtuosos they are throughout. "The Noonward Race" features a bluesy, yet harmonically dissonant solo from McLaughlin, and the frenetic drumming of Billy Cobham. In contrast, in "A Lotus on Irish Streams," McLaughlin soars passionately on an acoustic guitar, while violinist Jerry Goodman adds a simple, folky melody.
Includes liner notes by Sri Chinmoy and Bob Belden.
Includes liner notes by John McLaughlin.
Mahavishnu Orchestra: John McLaughlin (guitar); Jerry Goodman (violin); Jan Hammer (piano, keyboards); Rick Laird (bass); Billy Cobham (drums).
Mahavishnu Orchestra: John McLaughlin (acoustic & electric guitars); Jerry Goodman (acoustic & electric violins); Jan Hammer (Fender Rhodes, ring modulator, piano); Rick Laird (electric bass); Billy Cobham (drums).
| | Mahavishnu Orchestra Lost Trident Sessions CD (1973)
Mahavishnu CD music
$7.85 Digitally remastered by Mark Wilder (Sony Music Studios, New York, New York).
Recorded in London on June 25, 1973, these sessions for a planned third Mahavishnu Orchestra album were shelved when the band decided to put out the live Between Nothingness and Eternity instead. Bootlegged in the past, two-track mixes of the missing album were discovered in the vaults in the late '90s, paving the way for its official release in 1999. It's thus the last of the three studio albums done by the original Mahavishnu lineup (with Cobham on drums, Goodman on violin, Hammer on keyboards, and Laird on bass). Although McLaughlin had been the only composer on the first two Mahavishnu albums, he penned only three of the six tracks here, with Hammer writing two and Laird pitching in one. It's fiery, if perhaps over-busy at times, fusion, McLaughlin reaching his most feverish pitches in the frenetic concluding passage of the ten-minute "Trilogy." The numbers written by other members than McLaughlin tend to be a little more subdued, and perhaps unsurprisingly less inclined toward burning guitar solos. ~ Richie Unterberger
All tracks are previously unreleased.
Recorded at Trident Studios, London, England from June 25-29, 1973. Includes liner notes by Bill Milkowski.
Mahavishnu Orchestra: ...
| | Mahavishnu Orchestra Birds Of Fire CD (1972) Remastered
Mahavishnu music CDs
$6.75 Guitarist John McLaughlin was in on the birth of jazz-rock fusion, having played with both Miles Davis and Tony Williams' Lifetime in the early '70s. McLaughlin applied what he'd learned from these artists to his own pioneering fusion band, the Mahavishnu Orchestra. This second effort is the Orchestra's definitive recording. The tempestuous mix of jazz, rock, and Eastern influences is at its height here, and all of the players in this notoriously ego-plagued group challenge themselves--and each other--to push the envelope.
The themes, generally stated by McLaughlin and searing electric violinist Jerry Goodman, sound regal, unfolding in an elegant, magisterial way. Drummer Billy Cobham (another Miles alumnus) provides pounding polyrhythms over which McLaughlin and Goodman mix it up with keyboardist Jan Hammer. Hammer's synthesizer solos blazed a new trail for the synthesizer as a lead instrument, particularly in his guitar-like use of pitch-bend. The pastoral, acoustic strains of "Thousand Island Park" provide a brief respite before the listener is hurled back into the firestorm. "Hope" could be a distant cousin of Led Zeppelin's "Kashmir," while the closing "Resolution" bears similarities to RED-era King Crimson, making it plain that BIRDS OF FIRE takes both sides of the jazz-rock sound seriously.
All tracks are digitally remastered.
24 Bit Mastering
Recorded at Trident Studios, London, ...
| | John Mclaughlin Belo Horizonte CD (1999)
Mahavishnu songs
$9.69 Recorded in 1981, this is a diverse and somewhat obscure John McLaughlin outing recorded in France, mostly with French musicians. Classical pianist Katia Labèque makes appearances on acoustic piano and synthesizer; there is a thoughtful version of "Very Early" recorded in tribute to Bill Evans, and a collaboration with flamenco guitarist Paco de Lucía, "Manitas d'Oro." In general, McLaughlin is in fine shape on this worthwhile set, both on acoustic and electric guitars, occasionally showing some fire. ~Scott Yanow
John McLaughlin is regarded as one of the greatest guitarists in the history of music. Making albums from the 60's through the present, his intense guitar work with The Mahavishnu Orchestra and Miles Davis gave birth to jazz/fusion. In the early 80's, he recorded three albums for Warner Bros. Records. Belo Horizonte features John on acoustic guitar backed by an electric band. It was recorded ...
| | Trio Of Doom Live CD (2007)
Mahavishnu album
$8.49 Anyone with even a passing interest in classic fusion and progressive jazz will want to own TRIO OF DOOM. Comprising three giants of the genre--guitarist John McLaughlin, drummer Tony Williams, and bassist Jaco Pastorius--Trio ...
| | Danny D'Imperio Glass Enclosure CD (1996)
Mahavishnu CD music
$14.29 In his series of releases for V.S.O.P., drummer Danny D'Imperio has successfully kept hard bop not only alive, but creative and fresh. This CD has one of his finest recordings. The arrangements are quite inventive; the 11 rarely recorded songs are superior (including Quincy Jones' "Jessica's Day," Freddie Redd's "Thespian" and Lee Morgan's "Need I"), and the musicians (in settings up to a ten-piece) sound quite inspired. Their rendition of Bud Powell's complex "Glass Enclosure" is quite definitive. Among the star soloists are trumpeter Greg Gisbert, altoist Gary Pribek, Ralph Lalama on tenor and pianist Hod O'Brien. A high-quality and frequently exciting CD that rewards repeated listenings. ~ Scott Yanow
Mode 206, w. Gisbert, Lalama, Pribek, 1994 ...
| | Bruce Barth Live At The Village Vanguard CD (2003)
Mahavishnu music CDs
$14.59 Bruce Barth has a reputation for being one of the more singer-friendly jazz pianists on the East Coast. Some jazz instrumentalists can be very myopic when it comes to singers; they go out of their way to avoid them. But Barth has been good about accompanying singers, which is why everyone from Kevin Mahogany to LaVerne Butler to Dominique Eade has employed him as a sideman. Nonetheless, Barth is primarily an instrumentalist, and this CD is among the releases that finds him in a leadership role instead of an accompanist role. Recorded live at New York's famous Village Vanguard in August 2002, this post-bop/hard bop disc unites Barth with bassist Ugonna Okegwo and veteran drummer Al Foster. Barth's albums usually contain at least one or two pieces by Thelonious Monk, and Live at the Village Vanguard is no exception. On this CD, Barth turns his attention to three Monk compositions ("Let's Call This," "Evidence" and "San Francisco Holiday") as well as Cole Porter's "In the Still of the Night" and some original material. But as much as Barth obviously appreciates Monk's writing, he doesn't sound a lot like him. As a soloist, Barth actually has more in common with Bill Evans, Chick Corea, Herbie Hancock and Keith Jarrett. Nonetheless, he will, at times, acknowledge Monk's angular style of playing during a solo--overall, Evans and Hancock are greater influences on Barth's playing, but that doesn't mean that he can't have the occasional Monk-ish moment when he's improvising. Live at the Village Vanguard isn't groundbreaking; Barth never pretended to be an innovator. But he's good at what he does and has his share of inspired moments on this solid, if derivative, outing. ~ Alex Henderson
Recorded ...
| | Leon Redbone No Regrets CD (1988) Reissue
Mahavishnu songs
$9.59 Since the late 1980s, Leon Redbone has been steadily adding a country influence to his appealing blend of ragtime, swing, and Tin Pan Alley revivalism. NO REGRETS continues this trend, with touches of bluegrass and Western Swing coming to the fore via Redbone's low-key, jazzy arrangements and deep, sometimes theatrical voice. The opener, "She Ain't Rose," sets the stage nicely, and subsequent cover tunes by Ernest Tubb ("You Nearly Lose Your Mind"), Hank Williams ("Long Gone Lonesome Blues"), and Jimmie Rodgers ("Somewhere Down Below the Dixon Line") prove Redbone's roots are as firmly in country soil as they are in New Orleans jazz and big-city show tunes.
A host of fine session musicians, including Jerry Douglas and Bela Fleck, are on board to lend musical support. The accompaniment, in fact--which includes dobro, pedal steel, and mandolin--helps create the rootsy, barroom feel of the album. Even the Johnny Mercer/Hoagy Carmichael song "Lazy Bones" gets a weepy, twangy reading more appropriate to a roomful of cowboys than a nightclub (though Redbone's voice keeps it well suited to both). Ultimately, NO REGRETS comes off as a paean to America's home-grown music-- not only its roots, but its polished, decorative branches as well.
Recorded at Nashville Sound Connection, Nashville, Tennessee and Manhattan Recording Company, New York.
Personnel: Leon ...
| | Classic Style Council CD (1999) Japan
Mahavishnu album
$18.09 This budget-priced Style Council compilation presents 18 tracks by the British pop duo, including "Speak Like a Child," Blue Cafe," and "My Ever Changing Moods."
Style Council's installment in Universal UK's ongoing Classic series is an excellent round-up of the group's highlights, spanning a generous 18 tracks that has all of the group's hits and a large portion of their best album cuts. The only quibble that can be made is that the version of "The Walls Come Tumbling Down!" included here is live, but that's a minor issue because it's a good version, and all the other big singles -- "You're the ...
| | Wynton Marsalis Live At The House Of Tribes CD (2005)
Mahavishnu CD music
$11.75 This live set finds jazz ambassador Wynton Marsalis doing what he does best--that is, playing straightforward, bop-inflected jazz with flawless technique. Marsalis pays homage to the masters with versions of Thelonious Monk's "Green Chimneys" and Charlie Parker's "Donna Lee," and offers ...
| | Life in the Balance Real CD (2005)
Mahavishnu music CDs
$13.15 With the second CD release entitled, "Real", LiTB has been performing at various club venues winning over fans night after night. Performing since 2000, this four piece pop rock band has all the ingredients to make a solid career out of their music. Soaring vocals, ...
| | Miles Davis In Europe CD (1964) Japan
Mahavishnu songs
$26.89 The legendary jazz trumpeter's 1964 release was recorded at the Festival Mondial in France, and features some of the greatest names in the genre: tenor saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Japanese DSD remastered reissue is packaged in a mini-LP sleeve.
MILES DAVIS IN EUROPE, recorded live in France during 1963, is one of the first indications of the direction trumpeter Miles Davis would take through the rest of the '60s and early '70s. Compared to MY FUNNY VALENTINE, on which the group's free bebop aesthetic was more thoroughly defined, IN EUROPE finds the quintet bridging the modal bop of Davis's late-'50s sound with an edgier, more expressionistic style. The lynchpin of these changes was the band's new rhythm section, comprised of bassist Ron Carter, pianist Herbie Hancock, and 17-year-old drummer Tony Williams.
Hancock builds on the lyricism of Bill Evans (another Davis alum), yet introduces an extremely spare chordal technique that gives the music ...
| | Anthology Of Israelian Music CD (2006) (Import)
Mahavishnu album
$9.39
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