| | Yeah Yeah Yeah's Yeah Yeah Yeahs CD Yeah Yeah Yeah's Discography of CDs
 (8 Customer Reviews)
Karen O makes an entrance worthy of Warhol or Lee Van Cleef on her Yeah Yeah Yeahs debut EP, introducing herself on "Bang" with an unmistakably sexual growl, a rock-&-roll hunger somewhere between Mick Jagger and Jon Spencer. It's the sort of game-changing bravado that cannot be ignored. And when she primally screams about sex and desperation and madness over sonic blasts of noise and melody that conjure up second wave punk and new wave and early hardcore, often on the same song, it's exciting, almost stunning; it's clearly one of the more important EPs of its era.
Recorded at The Funhouse, New York, New York.
Yeah Yeah Yeahs: Karen O (vocals); Nick Zinner (guitar); Brian Chase (drums).
Personnel: Karen O (vocals); Nicolas Zinner (guitar); Brian Chase (drums).
Recording information: Funhouse, New York, NY.Rolling Stone (8/8/02, p.78) - 3 stars out of 5 - "...A punk-rock dream come true...you should get a jolt out of every song....It's a truly inspirational sound, as well as a headache-inducing racket..."
Spin (1/03, p.72) - Ranked #28 on Spin's list of 2002's "Albums of the Year" - "...Drums whip-crack, surf-punk guitars claw your back like chipped nails, and vocalist/train wreck Karen O. howls like a cat in heat on a hot Brooklyn roof."
CMJ (7/8/02, p.12) - "...The YYY's are New York City's answer to self-indulgence. This EP will spoil and tease you hard." Yeah Yeah Yeah's Yeah Yeah Yeahs Songs | 1. | Bang | |
| 2. | Mystery Girl | |
| 3. | Art Star | |
| 4. | Miles Away | $0.99 | |
| 5. | Our Time | |
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Yeah Yeah Yeahs Music Review Purchase Yeah Yeah Yeahs CD To buy, Click on price to add to cart | Interpol Turn On The Bright Lights CD (2002)
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 $10.15    
To make music marked distinctly of a specific period that's somehow so compelling as to be timeless is no mean feat. Interpol initially sounds as if they must have been roaming about Manchester as the 1970s screamed to a close, yet they emerged across the ocean in New York City some two decades-plus later. Combining the insistent drone of Joy Division with the dreamy melodies of the Chameleons, the fire of Mission of Burma, and an occasional jagged edge a la The Fall, the foursome inconceivably manage to defy anachronism on their debut full-length TURN ON THE BRIGHT LIGHTS. Just how they do it is indefinable, perhaps it's just a trick of the light, or the life that breathes gloomily, radiantly throughout, but it's undeniable.
Vocals which fall somewhere between Ian Curtis's plaintive, edge-of-oblivion wail and the winking, laconic drawl of James's Tim Booth, ripping uncompromisingly through unpredictable, unforgettable lamentations from the reflective ("NYC") to the imploring ("PDA"). When the darkly etched, implosive, mournful lyrics poke out as they do on the unrelenting "Obstacle 1" ("she puts the weights into my little heart and she gets in my room and she tears it apart"), the hook is set for an important ...
| | Yeah Yeah Yeah's Fever To Tell CD (2003)
Yeah Yeah Yeahs CD music
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FEVER TO TELL was nominated for the 2004 Grammy Award for Best Alternative Music Album.
Punky New York scions the Yeah Yeah Yeahs may have been strapped with an unfortunate albatross by receiving Next Big Thing status in the wake of the supernova explosion of the Strokes, the White Stripes, et al. However, if one hasn't already heard either of the Yeah Yeah Yeahs excellent Touch & Go EPs or witnessed one of the outfit's electric live shows, one listen to FEVER TO TELL should swiftly dispel any doubts about the trio's credibility. Visually outrageous singer Karen O., primal drummer Brian Chase and devilish guitarist Nick Zinner take an artier-than-most approach to the garage-rock world; think the Velvet Underground as channeled through the Fall or Sonic Youth with just a wisp of the Pretenders.
The Yeah Yeah Yeahs' music explodes in a sea of overt sexuality and frenzied emotion, hinting at hooks and sometimes even getting totally enveloped in them, as on the disarmingly charming "Maps." On the other end of the spectrum lies the raw MC 5 full-on punk-blues of tracks such as "Man" and "Tick." On FEVER TO TELL, the Yeah Yeah Yeahs prove their ability to stand out in a crowd, offering perhaps the most original recording to be hailed in the '00s garage-rock ...
| | Yeah Yeah Yeah's Show Your Bones CD (2006)
Yeah Yeah Yeahs music CDs
$10.39
SHOW YOUR BONES, the Yeah Yeah Yeah's 2006 sophomore full-length, was one of the most anticipated releases of the year. The band's fiery, unhinged 2003 major-label debut, FEVER TO TELL, yanked the band out of NYC clubs and onto the world stage, and while most of the musical cognoscente anticipated a sonic shake-up of some sort for the sequel, in exactly what direction the YYYs would head was a source of much speculation. Would they follow Liars into the murky depths of willfully alienating avant noise, or would they Liz-Phair themselves right into glossy commercial irrelevance?
In fact, it's neither of the above. As tracks like "Gold Lion," "Honeybear," and "Cheated Hearts" show, the band clearly isn't out to ruffle any feathers, but they're also not forsaking the infectious, art-tinged punk that got them where they are. Guitarist Nick Zinner and drummer Brian Chase are spot-on as usual, and Karen O is in lovely, if somewhat restrained, voice throughout. The production is bright and full, and enhances the glammy, anthemic underpinnings of the band's ...
| | Yeah Yeah Yeah's Machine (2002)
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A quickie to tide fans over until the 2003 release of their full-length debut, the Yeah Yeah Yeahs' Machine is appropriately economical and efficient -- once again, the trio manages to cram more ideas and attitude into a few songs than most bands do in a full-length release. If possible, this three-track single is even more impressive than Yeah Yeah Yeahs, demonstrating both their ever-expanding range and their increasingly focused style. In the Yeah Yeah Yeahs' case, however, "focused" doesn't mean tamer -- if anything, "Machine" is even more ferocious and unhinged than the songs on their first EP, a complex and somewhat cryptic mix of anger and desperate lust that recalls the scary sexiness that PJ Harvey displayed on Rid of Me and 4-Track Demos. Nicolas Zinner's guitars and Brian Chase's drumming are still simple and streamlined, but display a new level of sophistication, while Karen O's snarling vocals span smooth, high notes and choppy growls. "Graveyard" adds a dash of shockabilly to this rougher, tougher sound, but the real deal is "Pin (Remix)," the most remarkable song of their young career, musically speaking: a spooky but beautiful mix of dreamy vocals synths and guitars looped and layered over a minimal beat, it's a ghostly expression of their punk attitude that rivals Sonic Youth's "Shadow of a Doubt" in its eerie loveliness. Like Yeah Yeah Yeahs, within Machine are traces of the sounds of lots of great underground groups -- bits of Siouxsie & the Banshees and Royal Trux, as well as Sonic Youth and PJ Harvey, can be heard in the fray this time -- without specifically aping them. As if it was necessary, Machine ...
| | Yeah Yeah Yeah's Is Is CD (2007) Extended Play
Yeah Yeah Yeahs album
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"Rockers to Swallow," the album's opening track, and the title cut are standouts: both burst from the gate with fierce energy, clattering rhythms, and singer Karen O's ferocious caterwaul. The album's slower songs ("10 x 10") lend texture and variation to the disc, but rarely allow the surging power to lag. IS IS galvanizes as a rock record should, and as such is worthy of attention from both casual and serious fans.
The Yeah Yeah Yeahs' 2001 debut EP announced a considerable new ...
| | Flaming Lips Yoshimi Battles The Pink Robots CD (2002)
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$9.89
"Approaching Pavonis Mons By Balloon (Utopia Planitia)" won the 2003 Grammy Award for Best Rock Instrumental Performance.
This limited edition includes a bonus DVD version of YOSHIMI BATTLES THE PINK
ROBOTS including the whole album in surround sound, videos and rare tracks.
Emerging sometime in the '80s, Oklahoma boys The Flaming Lips have held steady to a peripheral, but significant location in the indie-rock world, visionaries blessed with a hyper-keen pop sensibility. In 1999, four years removed from the surprise alterna-pop hit "She Don't Use Jelly," the trio fronted by the fetching, impelling whisper of Wayne Coyne hit a remarkably high note, making scores of year-end 'best of' lists with THE SOFT BULLETIN, a mellifluous, masterful slice of Brian Wilson-level pop distorted through a few looking glasses. Following an acclaimed album is always a craggy cliff of anticipation, but if BULLETIN was the Flaming Lips' PET SOUNDS, then the ethereal YOSHIMI BATTLES THE PINK ROBOTS may be their SMILEY SMILE, a record which skillfully straddles the line between pop and experimentation.
YOSHIMI offers lush, enveloping arrangements, forging a soundscape both comfortably predictable and satisfyingly, even dizzyingly, diverse, awash in Todd Rundgren-like ...
| | Spaceheads Ho! Fat Wallet CD (1990)
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$11.69
| | Roy Wood Wizard CD (2006) (Import) England
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$7.45
As a founding member of both The Move and ELO, Roy Wood is regarded as one of the most important rock musicians to emerge from ...
| | Monster Squad Fire The Faith CD (2007)
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$11.29
| | Worship From The Heartland CD (2007)
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| | Buffalows CD (2008)
Yeah Yeah Yeahs music CDs
$11.49
The Buffalows, native to the Santa Cruz Mountain range of the California coastal mountains. Between Pacific Ocean fog moving inland beneath a full moon and ancient redwoods move ancient shaggy creatures. Deep in these woods music can be heard stirring the leaves.Rarely seen and seldom heard these songs echo the great ones of days past and honor the young who hold the days yet to come.Three of the songs here are from the rock musical Young Billy."Legend of Billy the Kid", "Quien Es" and ...
| | Drea Rhenee' Finally Free CD (2009)
Yeah Yeah Yeahs songs
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