| | Gordon Lightfoot Old Dan's Records CD Gordon Lightfoot Discography of CDs
 (3 Customer Reviews)
The original 10-song 1972 album available for the first time on CD, featuring 'The Same Old Obsession', 'Hi' Way Songs', 'Farewell To Annabel', 'My Pony Won't Go', and title song 'Old Dan's Records.' Rhino Records. 2002.
Personnel: Gordon Lightfoot (vocals, guitar, vibraphone); Red Shea (guitar, classical guitar, dobro); Terry Clements (guitar); Ollie Strong (steel guitar); David Bromberg (slide dobro); Larry Good (5-string banjo); Bruce Good (autoharp); Nick DeCaro (piano); Rick Haynes (bass); Barry Keane (drums, percussion); Dave Brown (percussion).
Gordon Lightfoot Old Dan's Records Songs | 1. | Farewell to Annabel |
| 2. | That Same Old Obsession |
| 3. | Old Dan's Records |
| 4. | Lazy Mornin' |
| 5. | You Are What I Am |
| 6. | Can't Depend on Love |
| 7. | My Pony Won't Go |
| 8. | It's Worth Believin' |
| 9. | Mother of a Miner's Child |
| 10. | Hi'way Songs |
|
Old Dan's Records Music Review Purchase Old Dan's Records CD To buy, Click on price to add to cart | Train Save Me, San Francisco CD (2009)
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San Francisco's Train hit the charts with a bang early in the 21st century with hits like "Calling All Angels" and "Drops of Jupiter." They began as a band that courted an alternative audience and quickly traded it -- without changing their sound much -- for a more adult fanbase with mixed results. SAVE ME, SAN FRANCISCO took four years to make -- remember there was Monahan's solo album in the interim -- and involved a slew of musicians ...
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With the release of GET LUCKY, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which itself may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, begins with a pennywhistle and a piano, then strings join in. Soon enough, Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric guitar. He even works up to a smoldering swamp rock shuffle, a la J.J. Cale, on "Cleaning My Gun." But that's as close as he comes to really rocking out. More typical is "Hard Shoulder," a ballad that employs a twangy guitar sound and comes ...
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This reissue of REVOLVER has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To," the Motown-inspired "Got To Get You Into My Life," the backwards guitar in "I'm Only Sleeping." "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal.
Still, the Beatles' experimentation grew out of their songwriting, which had matured beyond formula pop. "Tomorrow Never Knows" was inspired by the Tibetan Book of the Dead, Harrison's "Taxman" was a bitter diatribe, and McCartney's "Eleanor Rigby" was a bleak portrait ...
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Madonna had already made serious waves with her 1983 self-titled debut, springing her irresistibly exuberant, sexy dance-pop onto an unsuspecting public. But it was 1984's LIKE A VIRGIN that exhibited the calculated pop mastery that would ...
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Catching Up With Gord
