| | Piano Works By Franz Schubert CD Corbett-Jones / Schubert CDS
Piano Works By Franz Schubert Music | List Price | $16.99 (You save $3.04) | | Label | Cambria | | Orig Year | 8/27/2002 | | All Time Sales Rank |  78984  | | CD Universe Part number | 4941003 | | Catalog number | 1129 | | Discs | 1 | | Release Date | Aug 27, 2002 | | Recording Time | 1 11 |
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Piano Works By Franz Schubert Songs 1. Originaltänze (36) for piano (Erste Walzer), D. 365 (Op. 9): Waltz No. 36 in F Major (1:04)  Windows Media  Real Audio | | Common Name | Originaltanze For Piano | | Catalog No. | D 365 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | Romantic Period / Waltz | | Date Written | 1816-1821 | | Period | Romantic | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999) | | 2. Piano Sonata No. 14 in A minor ("Grande Sonate"), D. 784 (Op. posth. 143): 1. Allegro giusto (16:58) Windows Media Real Audio | | Common Name | Piano Sonata 14 | | Catalog No. | D 784 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 02/1823 | | Period | Romantic | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999) | | 3. Piano Sonata No. 14 in A minor ("Grande Sonate"), D. 784 (Op. posth. 143): 2. Andante (33:07) Windows Media Real Audio | | Common Name | Piano Sonata 21 | | Catalog No. | D 960 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | Romantic Period / Sonata | | Date Written | 09/1828 | | Period | Romantic | | Country | Austria | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999) | | 4. Piano Sonata No. 14 in A minor ("Grande Sonate"), D. 784 (Op. posth. 143): 3. Allegro vivace (3:21) Windows Media Real Audio | | Catalog No. | D 817 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | Character Piece / Romantic Period | | Date Written | 09/02/1824 | | Period | Romantic | | Country | Hungary | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999) | | 5. Piano Sonata No. 21 in B flat major, D. 960: 1. Molto moderato (3:52) Windows Media Real Audio | | Common Name | Allegretto For Piano | | Catalog No. | D 915 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | Character Piece / Romantic Period | | Date Written | 05/24/1827 | | Period | Romantic | | Country | Austria | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999) | | 6. Piano Sonata No. 21 in B flat major, D. 960: 2. Andante sostenuto (8:09) Windows Media Real Audio | | Common Name | Landler For Piano | | Catalog No. | D 366 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | Romantic Period | | Date Written | 1816-1824 | | Period | Romantic | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999)
Composition written: 1816-24.
Composition revised: Germany. | | 7. Piano Sonata No. 21 in B flat major, D. 960: 3. Scherzo (Allegro vivace con delicatezza) - Trio (3:40) Windows Media Real Audio | | Common Name | March For Piano | | Catalog No. | D 606 | | Composer | Franz Schubert (Vienna) (1797 - 1828) | | Performer | William Corbett-Jones (Piano) | | Genre | March / Romantic Period | | Date Written | 1818 | | Period | Romantic | | Country | Austria | | Venue | Knuth Hall, San Francisco State Universi | | Notes | Knuth Hall, San Francisco State University (09/04/1999/09/05/1999) |
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The little girl with the big voice is back for a selection of popular Christmas songs and carols, ranging from the medieval "Coventry Carol" to the brand new title track, whose chorus will be recognized by classical music fans as the "Pavan" of Gabriel Faure. In between are pop standards like "Winter Wonderland" and Mel Torme's "Christmas Song" as well as some less familiar fare such as the delicate calypso "Mary's Boy Child" and the Welsh "Draw Tua Bethlehem". Much of the program features big, lush orechestral arrangements with Church's voice at full throttle, but several tracks deliver less most effectively, such as the lovely, simple choral accompaniment to Michael Praetorius' "Lo How a Rose E'er Blooming" or the opening verse of "God Rest Ye Merry Gentlemen," sung solo with no instruments at all.
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Some of the greatest performances of opera's biggest legends are included on this excellent compilation. GOLDEN VOICES OF THE CENTURY is a collection of rare clips starring such opera luminaries as Joan Sutherland, Franco Corelli, Jon Vickers, and Maria Callas. All of the footage is stellar, from Rosa Ponselle's 1936 screen test for CARMEN to highlights from Maria Callas's landmark 1964 performance of TOSCA at Covent Garden.
Black & White
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Universal Records.
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Clips, interviews, commentary, and rare concert footage present a history of America's most celebrated music, jazz, tracing its roots back to the 1830's. Features songs from Thelonious Monk, Charles Mingus, Benny Goodman, Count Basie, Miles Davis, and more.
Standard Screen; Soundtrack English; English Subtitles
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2 Cds
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This installment of The Three Tenors was recorded live at Dodgers Stadium in 1994. It is hard to imagine the use of a sports stadium for classical musicians, but given the popularity of these men, the idea is not so ludicrous. With Zubin Mehta at the helm of the Los Angeles Philharmonic, Placido Domingo, José Carreras, and Luciano Pavarotti perform with vitality and pizzazz. Combining the usual mix of classical favorites and contemporary standards, this concert finds the tenor triumvirate in fine form.
While each tenor has sung similar repertoire, they are quite individual in their delivery. Domingo offers a boisterous "Granada," Carreras sings a passionate "O souverain, o juge, o pčre," and Pavarotti brings down the house with "Nessun dorma." The three-way split arias ("La donna č mobile" and "Libiamo ne' lieti calici") showcase the joint talents of the tenor powerhouses, and Lalo Schifrin's special medley arrangements are romantic, enjoyable fun.
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