| | Debby Boone Home For Christmas CD Debby Boone Discography of CDs
(2 Customer Reviews)
Debby Boone, daughter of Pat Boone and daughter-in-law of Rosemary Clooney, released her holiday album Home for Christmas in 1989. The project is recorded using an overall traditional sound, remaining true to the well-loved arrangements the classic Christmas songs have retained over the years. Tracks include "O Holy Night," "Sleigh Ride," and "White Christmas," which features the legendary vocals of mother-in-law Clooney. ~ Ashleigh Kittle
Debby Boone, daughter of Pat Boone and daughter-in-law of Rosemary Clooney, released her holiday album Home for Christmas in 1989. The project is recorded using an overall traditional sound, remaining true to the well-loved arrangements the classic Christmas songs have retained over the years. Tracks include "O Holy Night," "Sleigh Ride," and "White Christmas," which features the legendary vocals of mother-in-law Clooney. [Curb's 2002 reissue included updated album art.] ~ Ashleigh Kittle
Recorded at Great Circle Sound, Nashville, Tennessee and Hollywood Sound Studios, Los Angeles, California.
Audio Mixer: Dan Garcia.
Recording information: Great Circle Sound, Nashville, TN.
Arrangers: David T. Clydesdale; David Maddux; Ronn Huff.
Personnel: Debby Boone, Rosemary Clooney (vocals); Ron Huff (arranger, conductor); Dean Parks (guitar); John Pattitucci (bass); John Robinson (drums); Daniel Acuna, Regina Acuna, Brian Bauer, Jordan Ferrer, Stacy Hicks, Davina Navarro, Teryll Sacks, Akil Thompson, Joshua Tolle, Jake Young (background vocals); Gorodetzky Symphony Orchestra.
Debby Boone Home For Christmas Songs Home For Christmas Music Review Buy Home For Christmas CD Purchase Home For Christmas CD To buy, Click on price to add to cart | Best Of Debby Boone CD (1986)
Home For Christmas album
$4.45
| | Kirk Franklin Christmas CD (1995)
Home For Christmas CD music
$8.49
| | Christmas Festival With Arthur Fiedler & The Boston Pops CD (1994)
Home For Christmas music CDs
$6.09
| | Johnny Mathis Merry Christmas CD (1958) Bonus Tracks; Remastered
Home For Christmas songs
$6.09
| | Perry Como Greatest Christmas Songs CD (1999)
Home For Christmas album
$6.09
| | Bishop's Wife DVD (1947) Subtitled
Home For Christmas CD music
$9.69
| | Jazz New Orleans Style CD (1996) (Import)
Home For Christmas music CDs
$18.19 Recorded between 1918 & 1932.
Personnel: Leonard Mitchell (vocals, banjo); Jelly Roll Morton (vocals, piano); Rene Gelpi, Johnny St. Cyr (guitar, banjo); Joe Cupero (guitar); Charles Bocage, Mike Holloway, Bill Eastwood, Emanuel Sayles, Lou Black, Barney Alexander, John Marrero , Michael Holloway, Bud Scott (banjo); Armand Piron (violin); Paul Barnes (clarinet, soprano saxophone, alto saxophone); Sidney Bechet (clarinet, soprano saxophone); Cliff Holman, Benjie White, Pinky Vidacovich, Leon Roppolo, Tony Parenti (clarinet, alto saxophone); Charlie Cordella, Lorenzo Tio, Jr. (clarinet, tenor saxophone); Harry Shields (clarinet, baritone saxophone, bass saxophone); Charlie Scaglioni, George Baquet, Willie Joseph, Johnny Dodds, Larry Shields , Omer Simeon, Sidney Arodin (clarinet); Jack Pettis (saxophone, alto saxophone, C-melody saxophone); Sid Carriere (soprano ...
| | Jazz For A Sunday Morning CD (1999)
Home For Christmas songs
$8.85
| | Merengue Navideno CD (1997)
Home For Christmas album
$7.89
| | Banda Bahia Lambada Do Brasil CD (2004)
Home For Christmas CD music
$12.79
| | Ginger Market Harbour CD (2008) (Import)
Home For Christmas music CDs
$19.69 2008 solo release from the ...
| | Square (Of Course): The Story Of Michigan's Legendary A Square Records CD (2008) (Import) Of Course; United Kingdom
Home For Christmas songs
$16.55 Michigan had one of the most vital rock & roll scenes of the 1960s, and while many of the best known Michigan bands came from the psychedelic-era movement that centered around Detroit's Grande Ballroom (most notably the MC5 and the Stooges), there was already a thriving rock scene going back to the early years of the decade, and one of the great movers and shakers in Michigan rock was a guy named Jeep Holland. Based in Ann Arbor, Holland managed one of the city's best record stores, booked bands, and launched a record label, A Square Records, that released classic sides from some of the area's most notable bands. A-Square (Of Course) is a fine and long-overdue retrospective of material from the A Square vaults, though the disc cheats a bit as a label overview. Instead of simply collecting A Square releases, compiler Alec Palao has also included material from a number of acts that Holland booked and managed, and while this gives a broader picture of the Ann Arbor/Detroit music scene in the mid-'60s (as well as a more detailed look at the sort of music Holland championed), if you're looking for an accurate history of the A Square label, some of the music here will throw you off the trail. And perhaps the best and best-known tracks on here, "Looking At You" and "Borderline" by the MC5, weren't really released by A Square -- the band's manager, John Sinclair, simply put the label's name and logo on their self-released single! But these minor gripes aside, this is a great sampler of top-notch mid-'60s rock & roll with the classic Michigan sound and feel. The Scot Richard Case (who later evolved into SRC) are represented with five songs, and while they weren't much on original material (the spooky "Who Is That Girl" is the only group-penned tune here), Scott Richardson was one of the best vocalists on the scene and their covers of "Get the Picture," "Midnight to Six Man" and "I'm So Glad" rock convincingly. The Thyme land a whopping eight songs on this collection, and while they weren't quite so remarkable to merit so much attention here, they had a sure hand for folk-rock (not a common thing in Michigan at the time) and "Window Song," "Love to Love" and "Very Last Day" are fine stuff. Dick Wagner, who later went on to star status backing up Alice Cooper and Lou Reed, is represented with three tunes by his early group the Bossmen (most notably a solid psych-tinged ballad "Listen My Girl") as well as a version of the Frost's "Mystery Man" that predated their speaker-shattering debut album Frost Music. James Osterberg, a year away from changing his name to Iggy Pop and forming the Stooges, handles both drums and vocals on the Prime Movers' raw reworking of "I'm a Man," and the Up's "Just Like an Aborigine" is nearly as good a summation ...
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